The Canon of Carols

The Canon of Carols

We’ve sung these songs before,
These Silent Nights, these Gaudetes
We’ll sing these songs for evermore, I’m sure,
All Christmas Days –
Pious in their message,
Dressed in angels at the manger –
And how familiar they are,
And not a one a stranger.

But in a thousand years from now,
Shall these songs still be heard ?
You have my word…

But other songs exist,
Like Deck The Halls, like Jingle Bells,
That long were added to our list,
Persisting each Nowell.
Joyful in their scoring,
While ignoring Mary’s son –
And how familiar they are,
When sung by ev’ryone.

But in a thousand years from now,
Shall these still stop the show ?
I think we know…

And ev’ry year come songs,
These All I Wants, these Fairytales
But will they still be sung-along so strong,
Or will they fail ?
Hopeful in their jingle,
Mingling underneath the tree –
But how familiar they are,
We’ll have to wait and see.

So in a thousand years from now,
Shall we remember still ?
I think we will…

In the Name of the Lord

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In the Name of The Lord

The angel said to Mary,
You must bear the Son of the Lord –
And you shall name him Joshua,
Before you cut the cord.

But why, she thought, such a common name ?
For a most uncommon child ?
Who shall remember what he does
When he’s quite so blandly styled ?

For Nazareth was full of Joshes,
And Judahs, and Jacobs, and Josephs, and Johns –
She wanted a son who shone like marble
Amongst the lumpen bronze.

Why can’t he be an Emmanuel ?
Or a second Moses ?  Or David ?  Or Job ?
But those were far too sacred, she guessed,
Or seeking to conquer the globe.

No, it seems that the Lord wants his son to blend,
And to not-stand-out from the crowd –
She’s disappointed, but understands –
Best not to proclaim too loud !

Yet, if he makes it, then one day perhaps,
His average name shall ring !
And the other parents will all then avoid
This moniker of a king !

Just as long as he wouldn’t end-up as a curse,
To be spat in disgust –
She’d hate his name to be taken in vain,
Or exclaimed in moments of lust…

But anyway, it was out of her hands –
She’ll love him, whatever his name.
And if God wants Josh, then Josh he must be –
For the world has a prior claim.

Carol of the Winterbirds

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Carol of the Winterbirds

Who’s that in our garden, hey
To sing on Christmas Day ?
A chirpy robin redbreast
Who has come to lead the way.

Who’s that in our garden, hey
To sing on Christmas Day ?
The cooing of a pigeon
Who will counterpoint our lay,
And a chirpy robin redbreast
Who has come to lead the way.

Who’s that in our garden, hey
To sing on Christmas Day ?
The croaking of a crow
To bring the bass beneath the fray,
With the cooing of a pigeon
Who will counterpoint our lay,
And a chirpy robin redbreast
Who has come to lead the way.

Who’s that in our garden, hey
To sing on Christmas Day ?
The drumming of a woodpecker
Who’s beating on the bay,
With the croaking of a crow
To bring the bass beneath the fray,
And the cooing of a pigeon
Who will counterpoint our lay,
And a chirpy robin redbreast
Who has come to lead the way.

Who’s that in our garden, hey
To sing on Christmas Day ?
A choral flock of starlings
Who arrive to dance and play,
And the drumming of a woodpecker
Who’s beating on the bay,
And the croaking of a crow
To bring the bass beneath the fray,
And the cooing of a pigeon
Who will counterpoint our lay,
And a chirpy robin redbreast
Who has come to lead the way.

Who’s that in our garden, hey
To sing on Christmas Day ?
A bright soprano blackbird
With an awful lot to say,
With a choral flock of starlings
Who arrive to dance and play,
And the drumming of a woodpecker
Who’s beating on the bay,
And the croaking of a crow
To bring the bass beneath the fray,
And the cooing of a pigeon
Who will counterpoint our lay,
And a chirpy robin redbreast
Who has come to lead the way.

Who’s that in our garden, hey
To sing on Christmas Day ?
A special guest-star parakeet
Who’s song is here to stay,
With a bright soprano blackbird
With an awful lot to say,
And a choral flock of starlings
Who arrive to dance and play,
And the drumming of a woodpecker
Who’s beating on the bay,
And the croaking of a crow
To bring the bass beneath the fray,
And the cooing of a pigeon
Who will counterpoint our lay,
And a chirpy robin redbreast
Who has come to lead the way.

Christmas in the Desert

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Christmas in the Desert

Working abroad in the Eighties,
Those were strange December days –
When the office was open as usual,
And the Sun beat down in a haze.
But a few of us Johnny Foreigners
Exchanged a card and a smile –
With a token string of tinsel about our desks,
For the extra mile.
We offered round choc’lates to hesitant colleagues
And kept stopping work for a chat.
Someone must have produced a cracker,
For they wore a paper hat.
We would have shared a tot or two,
As we briefly engaged in hugs –
Though booze was out of the question, of course,
So we chinked our coffee mugs.
The world was becoming more American,
More awareness year-by-year –
And so each time, another trapping of the season
Would appear.
We’d phone our fam’lies later, not yet,
As the locals were called to pray –
But we hummed a carol in the long afternoon,
As the town got on with its day.

The Lantern Carol

I asked AI for impressionistic carollers, but they just look blotchy…

The Lantern Carol

There may have been snow,
There were surely scarves,
As they stood on the corner
Beneath the stars.
They may have had sheets,
But they knew the words –
And the harmonies
That they sang in thirds.
And we hurried on by,
But we heard their songs –
The old familiar
Sing-it-alongs.
In a pool of light,
They played their role –
Under the lantern
Hung on a pole.

And their breath was hung
With the notes they sung,
As a frosty white,
By the lantern’s swaying light.

There may have been snow,
There were surely mitts,
As they stood on the corner
Singing the Ritz.
They may have had sheets,
But they knew the text,
And no hesitation
On which comes next.
And we hurried on by,
But we heard their cheer –
The old familiar
End-of-the-year.
In a pool of light,
Their heart and soul –
Under the lantern
Hung on a pole.

And their breath was warm
With the notes they form,
In the inky night
By the lantern’s only light.

Saturnalian Salutations

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Saturnalian Salutations

Here’s to a lively, theatric season,
Where we all act nice and play along
At ev’ry gathering we can squeeze-in –
Any excuse for a drink and song…!
We seem to arrive before we’re asked,
With a crowd to help us deck the halls –
We enter late, them we stay till last,
In a round of endless curtain calls.

It’s Better To Give Than Receive

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It’s Better To Give Than Receive

A gift is not just a gift,
It’s an obligation –
A debt that I must repay.
Sometimes it’s such a lift,
A celebration –
But those are rare, I’d say.

More like, it’s a piece of tat,
Or something that I own,
Or something that’s not my style.
But I’ll never admit to that,
Won’t snark or groan –
Just thank you and smile.

I wrack my brains for a list,
And I put off buying,
So’s to have empty shelves.
And then half of you insist
On cheekily trying
To choose for yourselves.

My asks are given short shrift,
When I eye up your label
With the sparkly font –
Behind it, I know there’s a gift
That will try to cable
What I ought to want.

Before the Goose Gets Fat

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Before the Goose Gets Fat

The shops begin at Halloween,
The orange swapped for red and green,
The lights and tinsel far too keen,
The cakes too full of plumbs.
But I just shrug at so much cheese
While leaves remain upon the trees,
And don’t succumb to the disease
Till the week that Christmas comes.

The radio will cast its spells
With earworms full of tinkling bells –
But I tune-out their jolly hells
For heavy metal drums.
My headphones shall see much employ
To block all crooning for the Boy –
At least, until I join the joy
In the week that Christmas comes.

There’s not a spruce within my croft,
The baubles still sit up the loft –
And there they’ll stay till Autumn’s doffed,
And robins scrap for crumbs.
You’ll find no streamers round my walls,
No mistletoe or choc’late balls –
Until, that is, I deck the halls
For the week that Christmas comes.

And when the shortest day is looming,
So my bonhomie starts booming –
Time to plan what to consume
In a spread as good as Mum’s.
But there’s only so much I can take,
Before the shine begins to flake –
I must delay, or else I’ll break
By the week that Christmas comes.

Never Three on a Card

Herry Christmas, AI, from some of the reddest redbreasts I’ve ever seen.

Never Three on a Card

Every Christmas, I get a warm glow
From a handful of cards with the robins’ hello –
They’re sometimes alone, and they’re sometimes a pair,
But a third one is nowhere – cos as we all know
A flock of the robins is strictly no-go.
But what is this latest the postladies bear ?
One robin, two robins, three robins…?  Whoa…!
But how can the senders so brazenly dare ?,
Depicting the moment before the first blow –
As the beak and the claw will leave no love to spare,
As they battle to mate and to overthrow.
But no !  They swear they’ve taken care
To only show what’s really there.
In Winter, it seems, the robins bestow
A happier temper, content to share –
For outside of breeding, they treat all fair,
And frolic together in goodwill and snow.

A Space Ploddyssey

Thank goodness AI has far more imagination and originality than HAL…

A Space Ploddyssey

As Kubrick prophesised
When the ape-men went exploring –
Space is vast, and time is slow,
And the future will be boring.
Red suited, black oblonged,
Very very small –
Man is dumb when met by wonder,
Stanley most of all.

The first three minutes of the movie are a black screen.  I’ve heard this described as the ‘overture’, a not-unknown feature of big blockbusters in the Sixties. Thinking about it, this moment does indeed pull together all of the tedium scattered through the film into one masterpiece of Cageian vacuum…

More seriously, there is the interview between the BBC and Frank and I’m-Sorry-Dave.  It takes seven minutes for each transmission to travel one way, so the crew give their answer, and have to wait fourteen minutes until they get their reply (plus the time to record the reply, unless it’s being streamed live).  Shouldn’t we next see them looking as if they had actually got up and done stuff in those fourteen minutes, rather than look as if we rejoin them five seconds later ? The fact that the film prioritises the suggestion that they are so dull they would happily remain sat in silence than have any moments of – human interaction, work, getting a drink, their hair getting a bit mussed-up, even unintentionally swapping places – says everything about why this film and I can never be friends.