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There’s far too many teams in red,
(And those that aren’t are blue instead) –
With some in stripes, a hoop or two,
Between the red (or else the blue).
And some are claret, some are sky –
But few will use a diff’rent dye.

So we look ourselves at home –
Yet on the road, we shed our skin.
And the fans will wear our latest polychrome
With a loyal grin –
Any colour, just so long we win.

But here and there, a yellow lurks,
Or gleaming white, which also works,
Or sometimes green, or sometimes gold,
(Or even pink, if feeling bold).
Now black’s a pretty unseen beast
As that’s the ref (or was, at least).

We may look odd away, for sure –
Yet when at home, we bear our crest,
Just like we’ve done a century or more
Upon our chest –
We don the colours that bring out our best.

Hard-Wrung

Kaitlin by Leslie Nichols

Hard-Wrung

The moment when the words come out,
That’s when my writing’s at its worst –
The struggling, spurting, roundabout,
The inspiration and the doubt,
As bubbles rise and burst.
The dread of what comes next,
There’s always next,
There’s always more to say –
The need to fill the page with text,
While my subconscious nags away.
So what do I take fright in,
Ev’ry sentence, ev’ry crumb ?
The grimmest part of writing
Is the endless writing yet to come.

The moment when the work is done,
That’s when my writing’s at its best –
At last I get to see the Sun,
And finally it feels like fun,
Now all that’s off my chest.
Of sure, there’s still the typos,
Always typos,
But they’re such a breeze –
I love to sit and smite those,
One-by-one, with such an offhand ease.
So what do I delight in,
Ev’ry sentence, ev’ry rhyme ?
The greatest part of writing
Is the having-written, ev’ry time.

Odd Is He

Photo by Design Diva on Pexels.com

Odd Is He

Odysseus – more smarts than wrath –
A narcissist and psychopath,
Who slays and shags his way back home.
A hero ?  That’s a laugh !

He uses people for his ends,
He needs no confidants or friends –
They’re deadweights over which he’ll roam,
Wherever fortune wends.

You won’t catch him confessing,
And he never learns his lesson,
And he never shows the least regret –
But still the gods keep blessing.

And yet the latest versions show
A man of honour, full of woe –
But better this than Homer’s vet –
That ancient bully ?  Let him go…

Candlelight Romance

Portrait of a Scholar in his Study by anon

Candlelight Romance

Rhea transits Saturn in the Sun of the Enlightenment,
Where gentlemen take note of nature’s law –
A lecture is attended by the lovers and the children
While a cockatiel is gasping out in awe.
The Moon picks-out the industry that sculpts the new environment
As Lunar Men are studying the bronze.
And ingots glow on Progress and on all the craft she’s skilled-in
In academies and clockwork pantheons.

Corten Steel

Photo by Magda Ehlers on Pexels.com

Corten Steel

Our bridges are rusty before they are even open,
Clad in their ugliness –
They’re streaked and they’re stained with their spreadsheeted arrogance,
Shrugging with couldn’t-care-less.
So Brutalism continues its groping
In withered and leery undress,
With its surfaces tarnished and slumming advanced,
As it flakes and exudes under stress.

They really don’t look very sturdy to cope,
Whatever their builders declare –
With their rough-shod matt-faced blunt expanse
Whose corrosion hangs in the air.
They will fail.  But not because of their scope,
But because of the vision they share –
For the mind that puts rust over art and romance
Will decide obsolescence is fair.

Dear The Future

Photo by cottonbro studio on Pexels.com

Dear The Future

Thank you for taking an interest
In my world and my life and times –
Well, not specific’ly mine,
But those around me, and those that shaped me.
Except… you only get to see
A tiny slice of our paradigms –
The few that were preserved,
And yet most likely wholly have escaped me.

The art we leave is the art commissioned
By those with means to commission art –
And overlooks the many times
I’m left to feel so left behind –
Where nobody is saying the things I want to say,
But where to start ?
While all around are images
That in no way represent my mind.

I am a part of my world, in theory,
Yet wield so little influence,
That I sometimes swear I’m an alien visitor,
Stranded on a dead-end street.
But what if every stranger around me
Is thinking the same ?  And yet the sense
That what the Future will take from us
Is simply that of a tiny elite.

I guess that means I’m probab’ly wrong
About the Romans or Tudor-men –
I don’t know bobbins about their likes
And politics and dreams and stuff –
Just because a certain art made money,
For a few years then,
It doesn’t mean it had a lasting impact
Once it lost its fluff.

So thank you, Future, for your int’rest,
But it’s only int’rest in
A few strange costumes from our wardrobe,
Picking apart the hem.
I get it – you study what you can find,
The memories you think we’re dressed-in –
Even though we most-of-us never wore those clothes,
But laughed at them.

Motorway Dreamer

Dodge Interceptor by Kevin Bulmer

Motorway Dreamer

That ain’t a Dodge !
What’s a Dodge ?
Something Yankee.
Just trying to bodge with some Hollywood chic.
But this was the Eighties,
Capris and Mercedes –
American cars were all tanks, they weren’t sleek !
For no British kid ever did
Know a Dodge –
And no stodgy old hodgepodge
Could juice-up your toy.
So out with your Rambo,
And give him a Lambo,
For coast-to-coast pure post-apocalypse joy.

The image above is from Fighting Fantasy book 13 – Freeway Fighter (1985).

Aces Low

I asked AI to design some modern Major Arcana cards, so we have The Rebuilt Tower, and The Wheel of Cheese.

Aces Low

The deck is quite a chunk to ruffle,
With their aspect ratio all wrong –
They’re just too long.
But practice helps the dealer shuffle,
When they deal-out hands of eighteen-strong.

Tarot plays a bit like bridge –
The bidding starts, the tricks are played the same,
With points the aim.
But choosing trumps is sacrilege –
They never get to change from game to game.

The trouble is the cards we lay –
For even when they bear French suits – and mind,
They’re rare to find –
But still they’re full of bullshit on display
Just number them, and leave the rest behind !

I wish the trumps were double-ended –
That’ll teach the fortune-telling quacks,
Don’t touch our packs !
And to balance out the genders,
Can’t the knights become the dames to beat the jacks ?

But no, we can’t enjoy our whist,
Without our cards be saturated through
With putrid woo.
It doesn’t take a psychic twist
For the twenty-one of trumps to beat a two.

Head up West and See the Lights

You won’t believe how many times I had to ask AI to genenrate this image before it managed to spell it right…

Head up West and See the Lights

The neon lights of old Piccadilly-dilly
Used to be so bright and silly-silly,
But the screens have sprung-up willy-nilly –
Boringly displayed.

Now there’s nothing but advert-a-go-go,
Shouting products from ho-hum to so-so.
Art and style ?  I’m afraid that’s a no-no –
Over and over replayed.

Sell more junk food, flog more bling-bling,
Scream more news, from Bronx to Beijing-zhing,
Punching eyeballs, all for kerching-ching –
The goods must be obeyed.

The hungry billboards are always on-on
The Eiffel Tower needs a new Citroën-tron.
Buy buy buy till the stuff’s all gone-gone –
As long as the profits get made.

The Everlasting Subplot

I asked AI for an image to match the words – and I’d say it didn’t do bad

The Everlasting Subplot

Ev’ry movie, ev’ry story,
Action, horror, western, crime –
Whatever else our heroes do,
They have to pair-off two-by-two.
Yet even ancients found it hoary,
Turning plots to pantomine –
That for a tale to really sell,
They have to fall in love as well.

It seems no genre is immune,
Nor leading man is spared the job –
It’s not enough to save the world,
They also have to get the girl.
And heroines can call the tune,
But only with their hearts a-throb –
For no adventure’s over till
The audience have had their thrill.