From the First Notes of Dawn to the Last Chords of Dusk

apollo & marsyas
Apollo & Marsyas by Pietro Perugino


From the First Notes of Dawn to the Last Chords of Dusk

Praise Apollo, Sun and Light !
Praise the hand-harp glorifier !
Plays them strings like dynamite,
Plays so far he’s outasight.
Bringing on the dawn with its mojo rising,
Day-long solos from his nuclear fire –
And as for his vocals, you should hear the guy sing !
From early-morning blues to evensong choir.
He plucks and strums it,
Twangs and drums it,
Whistles and hums it till his rays expire.

But to Marsyas the shepherd,
Dusk was no time to retire –
So he heckled undeterred
This yawning, lightweight, early-bird.
“Eager rising, my premising
Says is most unhealthy and absurd.
Dawn despising, my advising
Says is only nat’ral and preferred.
For those of us by music stirred
Think morning is a dirty word.
And what bards view his skies of blue or clouds of white ?
Or ever gets to see Apollo’s pyre ?
We rise with the lunar satellite
To score the shadows, sing the night,
And likewise dress in black attire.”

“So a challenge I declare,
Apollo,” said this acolyte.
“Dude, I gotta tell you square
I love your image, dig your hair,
So please don’t think that all my criticising
Is intended as a jealous slight –
But you, without your even realising,
Lost, I say, your promise and your bite.
Let us both play, if you dare,
Before the Muses, maidens fair,
To blow their fuses, lay them bare.
And they shall judge between us, good or dire:
Who’s all that or who just cruses,
Who’s got nout and who’s got flair.
(And man, those spacey chicks can sure inspire.)”

Thus the play-off was before
These groupies egging on the fight.
Order settled by the straw:
The kid played first.  (He’d lost the draw.)
This farmboy fresh from out the shire
Lets his magic flute ascend and soar
As swooping melodies explore
And drift in phrases reaching ever higher –
Never shrill, but weightless flight,
Aloft, a-dream, their souls alight,
He sates their ev’ry appetite.
Then comes a shift, the notes downpour
As raining from the sky they roar –
Led on, led on: this pilot-piping flyer,
Who brings them home with themes comprising
Of a thousand heights or more.
Surely now the gold he’s sizing –
How can old Apollo match this score ?

Picking up his trusty lyre,
Tuning up the strings a nock,
Stroking soft each tension-wire,
So he turned to his defier:
“Son,” he said, “for all you mock,
You’re not just crock, I’m no denier:
Prince of Pipes – the Fluting Jock.
Now, Mister, go home to your flock –
For I am King, and you will call me Sire.”
Suddenly by some strange sleight
His strings were ringing loud and bright,
The very air his amplifier.
He could make that catgut weep, and tenderly suspire.
Now the god was energising
Thrashing up the fahrenheit
Bass-enticing, tenor-prising
Vaporising kryptonite.
Squealing strings – discordant crier,
Then teased from the aftershock
A melody so pure and sprite:
The long-lost chord to which we all aspire.
“Son, for all your poppycock
You really tried, you weren’t just schlock
I’m almost sad to clean your clock –
But this gig’s mine, you neophyte,
For you might fly, but I can rock !

Waiting for the girls to sum it,
Who would get the nul point blight ?
Not our Marsy, for he’s won it !
Blow me down, the kid has done it !
He made all the dames ignite –
Faced the music, overcome it.
But this god won’t take the plummet:
“Just a moment, squire.”
Apollo turned his harp capsizing,
Upside-down he plays, reprising
All he played before entire.
“Can you do the same ?” came his enquire.
“Course I can’t !” the boy said, wising
To his sudden shaky plight.
“Flutes don’t work like that, as you know quite.”
“Okay, then, no need for spite,”
Apollo said, “I’ll turn mine right.”
And so again he played his harp – but still the artful tryer,
Now his voice was synchronizing,
Sweetly singing, improvising –
Such a voice !  And who can not admire ?
Swiftly was the kid cognising
How he’s losing out his prizing,
But his protests only mire –
For, Apollo makes surmising:
“Do you not use your breath to expedite
The notes within your flute ?  And might
Not I use breath to best excite
My strings, with my sweet harmonising ?”

Then came to Apollo’s aid
The Muses, (each a sweet-faced liar).
Soon the lad was cast in shade,
As Sunshine charmed each fickle maid.
They chose again their jollifier,
And upon the brow divine were laurels laid.
Apollo rent his godly ire:
Had that shepherd bound and flayed
He flogged the lad himself, to see him slayed.
Strip by strip his agonising
Sucked his wind and gasped his breathing tight –
The breath he blew with, this chastising,
Stole away forever, ev’ry smite.
“All this for a flute” he whispered as he paid,
“It is too much.  Your lashstrap is a critic’s blade.”
At this Apollo brought respite,
The execution briefly stayed,
To answer him on how he’d strayed:
“You thought my Sun was old, must surely tire,
Yet with age comes cunning and desire:
When we dim, we fight on smarter, ruthless, slyer.
It’s only talent makes the grade –
It ain’t what notes you blow, it’s how they’re played.”



Equant & Deferent

A reproduction of a 1300s razor by Tod Cutler

Equant & Deferent

The ancient Greeks were pretty clever,
Worked out that the Earth was round
From shadows cast by poles at noon
And by the earth upon the Moon,
And how the sky was put together
Just from watching from the ground,
And some who guessed a central Sun
About which all the planets run.

But then along came Aristotle,
Then along came Ptolemy –
And they alone would set the tone
Till their mistakes were set in stone.
The hand is dead, but still can throttle,
Piously and solemnly,
Of any thought that might get out –
So hush the whisper, choke the doubt.

But still, but still,
The more we looked, the more we saw –
The though the heavens mostly draw
Upon the Ptolemaic law,
They sometimes would exert their will
That rubbed enquiring watchers raw.

You see, the ancient Greeks well knew
That crystal dome and ev’ry gem
That all the night, without a rest,
Would wheel above from East to West.
And like the stars, the planets, too –
Though slower, losing ground on them.
Except…well, that’s where trouble lies,
With yearly yet unruly skies.

Because they each would switch their motion,
With the stars, and overtaking !
Week by week, the Greeks would trace
The way the planets dance and race.
So Ptolemy proposed a notion,
Saved the universe from breaking –
Sure it was all fudge and spin,
But epicyles for the win !

But here’s the thing –
For all its complex shells and reels,
For all its windmills within wheels,
It somehow kinda always deals
With accurate positioning,
As though the sums would guide their heels.

So if the Greeks were badly off,
Well, spare that scoff – they did their best
With nothing but a pair of eyes
To theorise what they can’t test.
But did they ever pinch their gaze
And mutter at the tangled ways
In which the heavens spend their days ?
Did even Ptolemy have doubt
And long to hack the deadwood out ?

The Romans, though they changed the names
(So Krios now Aries, and Ares now Mars),
They kept the skies just as before,
For fourteen hundred years or more.
And though the planets’ little games
Were thought as written in the stars –
A monk proposed a new appraiser,
Slashing bunkum with his razor.

Simple answers, they’re what matter !
Less is more than meets the eye –
If two proposals have to fight,
The simplest one is often right.
And all those epicycles clatter
With a clean, efficient sky –
Forget the Church and ancient stuff,
Copernicus has had enough !

And yet, and yet,
Despite his perfect circles round
His central sun, we quickly found
Like Ptolemy’s, they ran aground,
Till Kepler and ellipses met –
And suddenly, the maths was sound.

Truth be told, Copernicus
Had little proof on which to base
His unbound Earth and steadfast Sun –
In faith alone, his planets spun.
But still the world must turn, and thus,
Young Galileo took his place –
Perhaps with fewer facts than hope,
But this time with a telescope.

And in the eyepiece, clear as night,
The moons of Jupiter were seen –
As though the planet gave them birth –
And not in orbit round the Earth !
And better yet, the startling sight
Of Venus phasing inbetween
A smaller full and larger new –
And then the revolution flew !

So here’s the thing –
With claims of modern matter dark,
And energy with unseen spark –
Has it the proof of string and quark ?
Or do they chase around a ring
To make the model fit the mark ?

And like Copernicus, they could be right,
Despite a lack of evidence.
Or like old Ptolemy, they could be wrong,
Yet strong in their defence –
His theory held up, truth to tell,
In matching observations well –
But oh, it was a complex hell !
So scientists, and heaven-gazers,
Never lose your sharpest razors !

No Rest for the Blessèd

Zombies by podagrog


No Rest for the Blessèd

“And, behold, the veil of the temple was rent in twain from the top to the bottom; and the earth did quake, and the rocks rent; And the graves were opened; and many bodies of the saints which slept arose, And came out of the graves after his resurrection, and went into the holy city, and appeared unto many.”
Matthew, chapter  27, verses 51-53

And the very earth shook beneath us,
And the sky came dark and the veil of the temple was rent;
As the Son at last came to leave us,
So the tombs where slept the saints were breached as He went.
And there they sat, arisen yet still,
Since so long dead, they patiently waited
For a night and a day and a night until
On Sunday morn, they arrived belated.
     Zombies on the loose, they come !
Zombies in Jerusalum !

And yet not a word was spoken,
As He was interred by Joseph of Arimathea,
Of other tombs that were broken –
For surely he witnessed the quaking’s rough aftermath here ?
For there they sat, arisen yet still,
Awaiting the one who had yet to be buried;
So lay Him within the sepulchre’s chill
And roll up the stone, his soul long ferried.
     Zombies yet procrastinate,
     Zombies lurk and zombies wait.

And still not a word was spoken
By the Marys on Sunday making their way to His tomb,
As they passed all the saints newly woken,
As another earth-tremor gave sanction to auto-exhume.
No more they sat – unprisoned, unstill:
Now great was their stagg’ring and groaning as any;
As stumbling and jerking, they lurched down the hill
To Jerusalem, to the marvel of many.
     Zombies, rotten of complexion !
Zombies join the Resurrection !

And never more a word was spoken
By the Twelve at the Pentecost, only a few weeks on –
When their voices were no longer choken,
But gabbled in tongues – yet not asking where the dead had all gone.
Where now they sat ?  Or risen they still ?
Where went their mission, so silent of news ?
What is the purpose they mean to fulfil ?
Is this what is meant by Wandering Jews ?
     Zombies, born again through Christ !
Zombies, torn from Paradise !

And still not a word is spoken,
And the puzzling verse is never read out in church.
No statue or stained-glass token
Celebrate animate saints as they stumble and lurch.
And those who are sat in the pews quite still
And pretend that the verse is a metaphor or test –
I guess they haven’t the need or the will
To admit to themselves that it might be a jest.
     Zombies, clinging to their mask,
Zombies, too afraid to ask.



Following Yonder Star

The Three Wise Men by James McConnell


Following Yonder Star

“…there came wise men from the east to Jerusalem, saying, where is he that is born King of the Jews? for we have seen His star in the east, and are come to worship Him.”
Matthew 2:1-2

When we first saw the star, we knew.
The whole of our lives we were waiting for signs,
And here was just such a clue –
And oh, what a clue !  How she shimmers and shines.
What is her news ?
A King of the Jews !
And just in time for the midwinter feast !
A saviour is born,
So set off at dawn,
And follow His star in the east.

As we followed that star, we thought
That our route would take us a strange way yet –
For if Judea were sought,
Then why does she lead us on into Tibet ?
But on we must trek
With the star as our check,
Until the ocean was stopping us dead.
So we chartered a ship
To continue our trip,
Because she was waiting ahead.

So we followed the star by sea –
Always due east would she lead our band,
Until we wise men three
Were finally washed on an unknown land.
And on we went
’Cross the continent
And strange were the people and customs upon.
Then at the next moat
We hadn’t a boat,
So we build one – and so we sailed on.

And we followed the star some more,
Across the African sands we were coming,
Until at last at the Jewish shore
We reached the land for which we were plumbing.
We took from our camels
Fine skins and enamels,
And spices and lapis, all fit for a priest,
And strange silks and feathers
We’d gathered together
From all of the lands of the east.

We knew we could trust her, we sighed,
She brought us all safe where we needed to be.
Now where is the child ?  we cried,
Where is the one who we travelled to see ?
We told the bazaar
How we followed the star
To the King of the Jews, of whom we bespeak.
Then up spoke an urchin –
“How long you been searching ?
They just nailed that guy up last week.”

The Three Orders



The Three Orders

In architecture, from Greeks to the now
There are only three orders to choose:
Doric, Ionic, Corinthian columns
Are all that will ever be used.
Yet each has a world of variety in it,
From Bassae to Capitol Hill;
So Tuscan and Composite aren’t so unusual,
They’re Doric, Corinthian still.



Decline & Fall

course of empire
The Course of Empire: Destruction by Thomas Cole


Decline & Fall

The Romans faced decline, they say,
A hundred years or more,
Before the Goths stole Rome away,
All in one day.
It wasn’t just a day, of course,
With forces building at the core
Throughout the hundred years before.

So were there Romans in that fray
Who watched the turning of the tide,
The steady slide, the slow decay ?
And were they powerless to stay
The endless slump of getting worse,
The creeping curse, the seeping sore,
The gradual fade to grey ?

Or did they never smell the rot
They’d got ?  Perhaps too decadent,
Too drunk to see their own descent,
Too busy in the hay.
They maybe missed the skulking spore
Until the joists had given way,
And brought Rome to the floor.

But that was then.  We’ve surely learned
How Rome was burned from within as without –
The morals shine and loudly shout,
And history shall not be spurned.
And yet.., I sometimes look about
And wonder where we’ll be in, say,
A hundred years or more.

Verses in Hades

Art & Literature
Art & Literature by William Bouguereau

Verses in Hades

Ah, those Classicists,
Those poets of antiquity !
They never faced the style fascists,
Never faced creative mists,
With lines that must engage in trysts –
They could keep it loose and gritty.
Rhythm, metre, drove their gist.
Their audience would ne’er insist
Their lines be docked and chimed and kissed –
How our plight they must so pity.
Sappho, Virgil, Homer, Horace
Never had to suffer this –
They never had their epic bliss
Reduced by form into a ditty.
Of all the literary crimes
Befallen us since ancient times,
I curse the most whoe’er invented rhymes.