Show me a god, any god, before me, And I’ll wrestle him wrath to the ground – I’ll grapple his incorporeal might, I’ll douse his strange and ineffable light. Bring me a god, any god, before me, And I’ll leave him imploded and bound – I’ll haul him before the judgement of Hague, To count for each smiting and censure and plague.
Hey, have you seen this ? Chillis give us allergies !, I watched it on The One Show and I read it in The Mail. Never mind the experts – they claim our claims are fallacies, Yet we know how we feel – and we’re feeling rather frail.
Hey, have you caught this ? Cucumbers cause impotence !, I found it on the internet – it’s all there if you dig. So much for ‘mostly water’ ! That’s Big Salad’s influence, They pump them full of chemicals – that’s how they grow so big !
Hey, have you scoped this ? Sweetcorn gives us cancer ! I heard it at a coffee-shop, and in a waiting room. So sure, go ahead, if you want to be a chancer, But know I told you so when those yellow lumps bring doom.
Hey, have you shared this, at Waitrose or Pilates? Let’s spread the word and spread the fad, and let our bodies heal. Let’s get some trendy diets at the nation’s dinner parties, Then maybe I won’t have to taste those bastards ev’ry meal !
The trouble with a drum machine Is that it hasn’t got an ego, Trouble with a drum machine Is that it always keeps in time: The fourth beat goes where the first three go, As do the crash and click and chime. Ev’ry beat created Is so beautifully weighted And it comes along precisely When a beat’s anticipated. Yes, some settings let it swing (In a very predictable way), But at its heart, it can only play As its programming dictates – It has no art in how it syncopates. From the moment we press start, It serves up static jazz and bluesless blues At gridline rates – And despite what the singer would choose. It can’t insist on using toms or gates. However loud, however smart, It never tries to build its part, With never a roll and never a fill – It just keeps beating, Beat-beat-beating, Beating on and on until At last the plug is pulled, the button pushed, The damn thing overruled and hushed, And finally each tireless brush and stick is still. The trouble with a drum machine From marching boys to charging pop, Is knowing when to make a noise, And knowing when to stop.
Halfway between the Tube and the office, I pass them each morning, sat on a front-garden wall. I pass them on neither a side street or high street – They watch us commuters, but we barely see them at all.
On always the same wall (perhaps it’s their own wall) – With placards and Bibles, but no blood and brimstone, they sit. I guess they’re a couple, I guess they’re retired, But what do I know ?- we haven’t yet talked, I admit.
For I have no int’rest in what they are selling, Though they’re barely selling, and no-one is buying it seems. But better by far their quiet shop-window Than Loud-Hailer Preacher, who stands by the station and screams.
Photo by Miguel u00c1. Padriu00f1u00e1n on Pexels.com
Who’da Thunk It ?
Verbs in English are really German In how they like to behave – Especially when irregular, Which helps explain how give gives gave. So when a Norman interloper Such as catch is gadding about Well, either its past sees it catched up in logic, Or its sneaky imitation has caught us out. The way they are is how they evolved, And they’re simply something that must be learned. Yet even today, the strong turn weak, As learnt is ousted by the friendlier learned. Snuck may have sneaked in recently, But verbs have become less fraught – Where once they flied-out and grandstood, now Their work’s less overwrought.
Whenever someone is keen to stress That money can’t buy happiness, Just take a look at their mode of dress: Are they all stained and dishevelled and reeking, Threadbare of t-shirt and rumpled of slacks, And sporting the Houses of Primark and T K Maxx ? Or are they rather more sharp and bespoke in their speaking, In voices never broken or cracked ?
The fact is that we all of us can sleep a little better When we never have to fret about just where we’re gonna sleep, Or we have to listen-out at ev’ry daybreak for that letter That we need to hide away before our kids can catch a peep, Or pretending that we cannot hear the scritching of the mice, Or the buzzing of mosquios, or the growing of the mould, Or the dripping from the ceiling that we’ve told the landlord twice, Or the asthma of our children, or their shivers in the cold, Or the mischief of the local youths that’s more than just a lark, Or another bloody car alarm, or couple’s blazing row, Or the rumours of a stalker whose been seen about the park, Or the…wasn’t that a gunshot that I dreamt I heard just now ? Or just dreading ev’ry time when there is someone comes a-knocking That it’s possibly the bailiffs or the summons to the court. Or perhaps it’s just the thought that we no longer find this shocking, Or that were the worst to happen, then we’ve next-to-no support.
I suppose they’re right, down deep, That money and greed can lead to excess, And it sometimes becomes a trap, I guess. But enough for a good night’s sleep ? I’d call that happiness.
February, when the end of Winter Greets the first of the start of Spring – And what better time for the ravens to be mating, For these early birds to be doing their thing ? Valentine ravens, tender and dear – They’re mating-for-life for year after year.
Coming out of the edges of the wilderness, From the Northern moors to the middle-class downs – Now nobody persecutes their loving anymore, So they do it in the open and they do it in the towns. Valentine ravens, cawing their love – A far better symbol than a bear-cub or a dove.
“Why did St Valentine have to get martyred in February ?“
– Mark Hall
Strange, how this day of love Is a day of sneezes and fingers numb. Why does it fall with a deathly chill As the hothouse roses succumb ? Maybe it serves to underscore How love is often bittersweet – Whereas, in the height of Summer, This day would be lost in the endless heat.
Strange, how this day of red Is a day of snowdrops and Winter mould. Why does it fall when the days are short And the nights are bitterly cold ? Maybe it serves to warm the frost, And give our torpid hearts a shove – Whereas, in the height of Summer, Who needs a reminder to fall in love ?
February rolls around, And on comes the propaganda – Singletons are not allowed, We put a downer on the crowd. So February rolls around And ev’rybody has to pander. Haven’t we all heard the songs ? Haven’t we all seen the movies ? Still we seem to get it wrong, And still we just won’t play along, And still we’re far too choosy.
“You there ! You on your own ! Out after curfew ! Come here, sonny ! Where are your papers ? Where are your cards ? And your chocolates ? Oh, so you think this is funny…? I think you’d better tell me which restaurant you’re booked in, And the name of the one you’re meeting, too… You know it’s only lovers who may walk the streets tonight, All spinsters, slobs and nerds must hide from view.”
Ah, ignore me – What am I even getting angry for ? So the world is in love… Would I rather the world were at war ? Go – shout it out, have your fun, And I’ll get on with mine – Just please, never pity me, never that – And we’ll get along just fine.
Loving and laughing are nothing but tricks – Just social conventions we do for the kicks. We desp’rately want to be one of the crowd, And if we suspect, then we do them too loud. We’re unsure and frightened, we’re playing our parts – We want to believe, but we know in our hearts… We know that biology’s running this gaff, And it needs us to love, and it needs us to laugh… So sod it, who cares if it’s all in the head ?, We’re gullible fools who are easily led. If love is elusive, it don’t mean it’s broke – For even the cynical like a good joke.