The Engineers’ Plot

penge palace
Gems of The Crystal Palace, Sydenham by George Baxter, showing off the designs of Joseph Paxton

The Engineers’ Plot

Crystal Palace – it’s a suburb,
Station, park, and football team,
And a memory to a time
When this nation still could dream.
Once a product of Empire,
A palace to capture its roar –
Now just a flat-topped hill
In the Republic of Elsinore.
Straddling boroughs, pumping fountains,
Soaring towers, glass for miles.
Till flames across eight counties
Shattered her dreamy crystal aisles.

She no more beguiles – but that sounds Victorian –
Half vers libre, half Tudor sonnet.
Flirting with jazz and television,
Yet still bedecked in her bustle and bonnet.
She was no Bauhaus, no mere function –
Cast iron crockets encrusted her shell –
For all her prefab industry,
She always wore her baubles well.
Ah, she’s gone now – like her dinosaurs,
She’s of her time and place.
Though her place of course is the one she named –
You cannot say she leaves no trace.

Prithee, Sirrah ?

big cocks
details from Charles Vth by Titian, Antonio Navagero by Giovanni Moroni & Guidubaldo della Rovere by Agnolo Bronzino

Prithee, Sirrah ?

The poster announced “Shakespeare Season !”
Well, why not ?, I thought.
For no particular reason,
I’d seen precisely naught.
I know it sounds high treason,
But I guess this time I’m caught.

Yet all reviews and interviews I heard
Said much the same –
They read the play, yes, ev’ry word,
Before they even came,
To better understand.  But that’s absurd !
Just what’s their game…?

What about the spoilers, hey ?
Will Macbeth be number one ?
But the plot matter less, they say,
Than ‘getting’ a Tudor pun !
This all feels like homework anyway,
And not much fun !

You clearly can’t be arsed to try
And make the story clear,
And surely don’t want oiks as I
To gaze upon your Lear.
I think I’m gonna pass you by
For something less austere.

The Tower of Pisa

la torre non pendente di pisa
The Belltower of Pisa Cathedral by Bonanno Pisano

The Tower of Pisa

I know we love it as a symbol –
Hubris, cheap materials and failure,
While locals soak up tourist-dollars
Selling canting paraphernalia.
The crowds all prop it up in photos
Loving that its old and broke –
While laughing at the locals,
Who are all in on the joke.

And now the authorities
Have had to underpin the base,
While taking care to keep the tilt
That underpins their public face.
I guess we do not get to choose
What piques our int’rest, makes us smile –
But here’s a tower full of piquant int’rest
By the mile !

I think I am alone in wishing
That they’d take it down and start again.
I just want my cathedrals
To inspire me, not amuse me, in the main.
But here is a belfry
Far too weak for bells and gravity’s demands –
It’s just a shell, a cynic’s dream
Who’s only wonder is how still it stands.

Ah, listen to me, what misery !
Just moaning off my sunstroke.
Can’t I shrug and let them be,
And maybe even get the joke ?
I guess we do not get to choose
What gets remembered, anyway –
But this one’s sure to loom in mind,
And hold us in its sway.

Upward Spiral

brown snail on grey wall

Upward Spiral

A snail upon the concrete, half-way high,
Just scaling up the slabs to the broken-bottle prism
That shards into the crown that lacerates the sky –
It’s breaking up the straight lines, a bauble on the brutalism.

This snail is still there, years later, its shell becoming its coffin.  I wonder if it were poisoned by the concrete ?

Make Your Damn Bed !

woman s black hair
Photo by Matt Fernandes on Pexels.com

Make Your Damn Bed !

I went on down to the Tate today
To see the pompous, macho art –
Art that’s oh so very clever,
Art that’s far more smug than smart.
It hates so much to be attractive,
Loves to interrupt the brain –
Wants to make the world more ugly,
Wants to dare us to complain.

But most of all, this art is terrified,
It’s scared of beauty and of ornament –
Frightened of a crafter’s gentle pride,
And what to do once all its shock is spent.
But most of all, it’s frightened we might think it gay,
And desp’rat’ly it butches up its empty walls.
But I really loved my trip down to the Tate today –
By far the best of spots to view St Paul’s.

Frontispiece

bookplate

Frontispiece

On the Inability of many Victorians
to adequately append to their Dissertations
such short and succinct titular Benamings
as would better serve their weighty Publications
without exposure to crucial Details
of sundry Devices and Plots thus delineated
by which the presumed Reader is disprivileged
and their subsequent Enpleasurement undersated.

Slums by Design

photo of brown red and white buildings
Photo by Aleksandar Pasaric on Pexels.com

Slums by Design

The rich live in houses, the poor in cells,
This is how classes are classed –
From Kensington Gore to Tunbridge Wells
The best were designed in the past.
The poor get newer and concreted hells
That are decomposing fast.
Of course, the new could be just like the old,
But then they would all get far too bold –
So keep them ugly, keep them cold,
And build them not to last.

The Raggèd-Rouser Novelist

barrington
panel from a graphic novel by The Rickard Sisters

The Raggèd-Rouser Novelist

The trouble with writers, back in that day,
They never had chances to finish the job –
Just splash on the whitewash, any old way,
And promise and short-change and rob.
Too many loose-ends and threpenny warts,
Too many set-ups with no second coat –
Till Misery’s suddenly out of his sorts,
And the author is slashing our throats.

I came for satire, complexity, and human drama – but left with cyphers and a lecture…

Vaguely Georgian

identikit avenue

Vaguely Georgian

When I rail against the bland sterility of Modern style,
Then this is not the antidote I seek !
These cut-and-pasted noddy-boxes miss the measure by a mile,
With all the mumbled sorries of the meek.
Sure, their bricks are red, their roofs are pitched, their gables high and wide,
But why the chimney-pots, for goodness sake ?
Windows (though they’re never sashed) may these days keep the warmth inside,
But why must all their glazing bars be fake ?
All wrapped around such tiny rooms of hollow studs and plasterboard
Which any neighbour’s sound can penetrate –
And basements don’t exist, nor anywhere luggage can’t be stored,
And the ceilings are so low, they suffocate.
Of course, compared with houses of the past, they have a lot to offer –
Plumbing, carpets, wires and insulation –
But still they’re easy prey for ev’ry Brutalist and Bauhaus scoffer,
As these clones have spawned across the nation.
But worst of all, these mega-builders have the blueprints on their books
Of many variations on the theme –
And yet, in any field, they seem so terrified to mix the looks
Incase there’s fewer profits left to cream.
And oversighting councillors, with targets jacked and budgets slashed,
Are powerless or spineless to allay.
And so this new Jerusalem is jerry-built and pebble-dashed –
And yet, still beats a high-rise any day !

The Scream

screams
Warhol Scream by Arvid Andreasen

The Scream

Never mind the drama queen
Who’s posing by the railing,
As camp as a jellybean,
Just wibbly-wobbly wailing.
Never mind the sky of red
Or bay of blue-macabre –
Like Jupiter is overhead,
As streaky as the harbour.
Never mind if we can’t find
What makes the screamer crazed –
The couple coming up behind
Seem perfectly unfazed.