Death by Elegance

Poison Bottles by Bob Shand

Death by Elegance

We barely care whodunnit,
Since they’re all so terribly nice –
Though one’s covertly cunning
And would snuff us in a trice.
But their manners are so proper,
And they drive such classic cars,
That we almost miss the copper
As he bristles their handlebars.

They used to be so civilised in murder,
Fatally polite –
When an heiress couldn’t fall in ardour,
Without falling from a height.
Never threat’ning, always thrilling,
When lit by candlelight or gas –
Back in the golden days of killing,
As practised by the upper class.

We already know whodunnit,
Since we’ve seen the films before,
But the costumes all are stunning
And the country houses score –
The accents are so chipper,
And the backdrops are so lush,
That we almost miss the skipper
And the neck that he will crush.

They used to be so delicate in slaughter,
Lethally adroit –
With an intricate plot and a secret daughter,
And herrings and twists to exploit.
Never gruesome, always gripping,
When the Empire was built to last –
These treacherous tales are roaringly ripping,
When safely in the past.

So Much Ink

Photo by Ivo Rainha on Pexels.com

So Much Ink

The lib’ries of my childhood mind
Were dark and ancient rooms,
Where vaults of pages whispered
In their literary tombs,
And candlelights cast shadows
In the labyrinth of glooms,
As the monks, all dressed in brown,
Chained their precious volumes down.

The lib’ries of my childhood days
Were dull and grimly quaint,
Where silence wasn’t reverence
But boredom and restraint,
With long, prosaic rows of spines
With no allure or taint,
As the staff, all dressed in beige,
Locked away each racy page.

The lib’ries of my adulthood
Are not as deeply hewn –
They aren’t a gothic paradise
Or brutalist cocoon,
But just an easy place to spend
A rainy afternoon,
As the books, all dressed in white,
Spread their words by stealth & sleight.

Plagiarised Love

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Plagiarised Love

All my honeyed words, I stole,
From radio and Hollywood –
They showed me how to play my role,
And made me think I really could.
I practised in the bedroom mirror,
Studied glossy magazines –
And ev’ry night was one night nearer
To my moment on the screen.

All my heartfelt tears, I bought,
From sellers with expressive eyes –
I took on ev’rything they taught,
To help me tell more honest lies.
I practised in my dreams each night,
With tailored suits and sexy cars –
I’ve surely breached their copyright,
To fall in love just like the stars.

Read by Hereward

The Drop

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The Drop

The new movie didn’t move me,
Latest album didn’t sing,
The next novel’s full of waffle,
And these jokes have lost their zing –
The critics are fawning over themselves
Agog at the new direction,
So who cares what I like, or not ?
This is art, it’s not an election !

The hottest fashion’s lacking passion,
Haute cuisine is stale and rank,
Their architecture’s just a lecture,
And their canvases are blank.
The critics are telling me I’m stupid,
Blind to the flash of genius.
So who cares what I get, or not ?
This is art, it’s always a fuss !

And the artists – they’re still having fun,
Living it up at number one –
They might not last in hindsight’s eyes,
But they grab the money and run and run,
Quite deaf to my self-appointed cries.
So did they sell out, or lose the plot ?
Or take their shot to change their scene ?
They’re doing what they want to do,
So let’s be happy too, and spare the spleen.

They owe us goddam nothing, we the fans,
They only owe themselves.
And we no doubt are free to try-out
Other brands from other shelves.
The coming poem, that’ll show ’em !
Maybe. Taste is so bizarre.
Perhaps I must bid you goodbye –
But thanks for the ride so far !

Auto-Graffiti

The more-interesting half of The Ambassadors by Hans Holbein

Auto-Graffiti

Dali’s watches melt in a dreamscape,
Rene’s pinstripes rain as a crowd,
Giuseppe’s fruit has a definite shape –
But Hans is oddly cowed.

He painted both the ambassadors
In a very sensible room –
Though maybe he found them a pair of bores,
That turned his thoughts to doom.

His heady jape, while showing-off,
Must sacrifice body for fizz.
Too weird to comment, too crude to scoff,
It doesn’t belong where it is.

It ain’t a secret, we’ve seen it for miles,
And why such a funny slant ?
Couldn’t he have worked it into the tiles ?
Or hidden by a potted plant ?

The pedant in me would like to point out the singular for graffiti is graffiti, because we’re speaking English not Italian.

Thousand-Year Stare

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Thousand-Year Stare

They sculpted each immortal bust
As patient as the coming rust –
And when our steel has turned to dust,
They’ll still be standing here.
They’re made from prehistoric shells,
And chiselled from the steadfast fells –
When Time dissolves within their cells,
Well, what’s another year ?
Their flinty eyes have seen it all,
Our mighty kingdoms rise and fall,
From city states to urban sprawl,
For long as time allows.
These statues gaze their stoic stares,
Untroubled by our fleeting cares,
Just waiting for erosion’s airs
To smooth their stony brows.

Read by Ebba (from an earlier version).

Mrs Silver

The Lost Portrait of Kitty by dangerliesbeforeyou

Mrs Silver

Back in the days he had two legs,
I’m sure young John was quite the catch –
A sailor seeking fortune
And a plucky wife who was his match.

Step-forward our unnamed heroine,
A negress perfectly at home
As landlady of The Spyglass
While her hubby’s on the roaring foam.

He promises to heave-to by the hearth,
And tend to Captain Flint.
But is she happier to see
Adventure re-ignite his glint ?

I wonder what her story is,
To wash ashore in Bristol Town ?
Then selling-up, and sailing who-knows-where
To rendezvous, or drown.

Read by Hereward

Roofkeepers

Paisley Abbey Gargoyle 10 taken by User:Colin, showing the work of sculptor David Lindsay, itself inspired by the work of Hans Giger.

Roofkeepers

The gargoyles are guarding the peregrines’ nests,
In their makeshift high-rise habitats.
They gurgles-down the gutters near their new houseguests,
As they keep the drainpipes clean, and they trap the thieving rats.
They shelter the chicks when the North wind blows,
Inbetween the buttresses the parapets.
They lure-in the pigeons, they ward-off the crows,
And they scare-back the devils with their gruesome silhouettes.

Brick for Brick

Recreations of Hadrian’s Wall and The Great Wall, by artists alas unknown.

Brick for Brick

I grew up with castles and churches and manors,
Their architecture feels like home –
While Indian temples and Chinese pagodas
Were glorious aliens in stone.
It all made sense that Kublai Khan
Had not one dome in his Pleasure Dome

But when I saw the Great Ming Wall,
It all felt too familiar –
It looked like something the Romans might have built,
Had they reached this far
Rounded arches, crenellations, arrow loops –
All quite bizarre.

The only telltale signs were in the watchtowers,
And their roofs –
Simple saddelbacks, slightly concave,
They were hard-hill-hatted booths.
Not like the four-square hips of the Romans –
Projections providing proofs.

Except…on many of the towers we see,
These structures are robbed away.
And we’re left with familiarity
That’s out-of-place, astray.
Was it built-up piecemeal, really ?
At this point, who can say ?

From what I can see in images, the watchtowers had roofs that were a mix of hard-hill and hanging-hill, the difference being that the latter had slightly overhanging eaves as in the image below.

Photo by Tom Fisk on Pexels.com

To be clear, saddleback roofs (aka gable roofs) were not unknown to Romans, but not I think used atop their watchtowers.

Arbeia Gate by Michael Kooiman and Limes WP 3/26 by Carole Raddato, both showing recreations of what is believed to have stood.

Breezeblock & Plasterboard

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Breezeblock & Plasterboard

(In reply to Little Boxes by Malvina Reynolds)

I live in the suburbs
In a box made of ticky-tacky –
It’s small and it’s samey,
And won no award.
It’s not to conform,
And it’s not to be strange or wacky,
I live here because here
Is all I can afford.

I grew up around here,
Then I went to the university
And I came out with a large debt
And I found my first job.
And it paid not a lot,
Except for in uncertainty,
So I tried for a mortgage
For a key on a fob.

There’s a Barratt, there’s a Redrow
There’s a Wimpey, there’s a Jubilee.
Where’s the woodland, where’s the meadow ?
Oh, please don’t ask me.

Alas, all they sold me
Was a box made of ticky-tacky,
But it’s dry and it’s plumbed-in,
If no pleasure-dome.
I raised up my children
And worked as a gopher-lacky,
Trying to get by
And make it a home.

So spare me your distaste
How I went to the university –
And spare me your prejudice
Of me and my peers.
I don’t have your millions
Or a co-operative nursery,
Yet I struggled and I made it
Despite all your sneers.

Blame the council, blame the builder,
Blame the bubble, blame the rising-sea.
If it all seems out of kilter,
Then please don’t blame me.