Breathless. Say slowly. Breathless. Again. Breathless. Now say it once more. Breathless is beautiful, Breathless is pain, Breathless too long we ignore. For the word, for the sound Has lost all her wow – We’ve said her too often, for sure. But breathless – just say it – For once, let’s allow Our ears to hear her soft roar. Breathless. Say slowly, Breathless. Say now – Breathless. As if we had never said it before.
Language is clouds – that’s lit’rally true. It’s diffrent than past – it answers to who ? You lie down authority, but we won’t listen We so could care less to the diss your dismissing.
So stamp your feet and hector shirty, Self-appointedly experty, All the bastards bastardizing – Y’ain’t got no affect, chastizing. You’re grammar trolls who think your helpful elves, But who can’t agree whats right amid yourselves.
Infinitives split and participles dangle And just in your head does this cause a jangle. We’re abusing our muse, we mis-stress our mistrèss, But you’re loosing the argument, irregardless.
You think we don’t care In our languistic flair ? Well, might could we don’t care for you. So calm up and note That we alls got a vote, Cos this tongue is ours as well too.
It makes me afraid when I hear your voice, For I cannot be sure that I hear your voice, For what if your voice that I hear is mine In my mind ? And it makes me afraid when I hear your voice, For what if it really then is your voice, And what if the voice that is really yours Isn’t kind ?
It makes me afraid when I hear your voice, For I cannot be sure – should I dread or rejoice ? If I ask for your help, will you ask for my choice ? Please be kind. And I get so afraid when I hear your voice, For I know only I ever hear your voice – But I hear, oh so clear – I’m in awe, I’m in fear For my mind
I originally had a middle verse, but felt it was saying too much. Here it isbelow:
The Beckoning (unbeckoned)
So do I hear myself, Or do I hear the Lord ? Should I fear my health, Or fear then to be cured ? An epileptic epidemic ?, Or a proto-schizophrenic ?, Or a prophet proselytising an apocalypse polemic. If this is the voice “In the Beginning was the Word” Then how can such a voice have such a trouble being heard ?
As though you came before, but unannounced, I swear I’ve seen you somewhere else than here. The memory exists, and waits to pounce, And thereupon, your selfhood shall be clear. I’ve seen you haunt another place, I’m sure, But where, I own, has quite escaped my mind – Yet maybe you’d accompanied a boor, Or maybe your companion was refined. So dare I play my hand without a trump, And hope to win a trick before you guess ? Perhaps I should be bold, and risk it all. But worse, I think, if likewise I should stump, And have to hear you bashfully confess: “I think we may have met, yet can’t recall.”
To sharpen the spur, To entice the remarkable Glow that’s igniting The will that is sparkable. Kindle its bright’ning, This newly-conceivable, Almost-achievable, Sulphurous, lucif’rous, sharpening blur.
Sharpening blur, Don’t orphan this glowing – Don’t let it be solit’ry, Singular-showing, Or flirting idolatry – Awed by the magi, Then gone with the mayfly – With only a lingering tingle of myrrh.
Let us confer, Many’s the symphony Fractured in movements With only a common key Stalling reprovements, Each passage belabours Unhelped by its neighbours – Always ensure that your themes reoccur.
Themes reoccur, It resonates sweetly, This act of creation, Its song builds discreetly Through reiteration, Till harmonies swelling Enrich with each telling – We need them again and again to bestir.
To sharpen the spur, To heighten the senses, And work through the pain, Till knowledge condenses – Then test it again, Obtaining our mission Through raw repetition – We’re always the sum of whatever we were.
I happened upon her by chancery lane, A greenford-eyed angel was riding my train. She stood like a monument, no poplar tart, She’s shoreditch to snaresbrook my hammersmith heart.
Her body’s a temple, all saints can’t compare, So redbridge her lips and so blackwall her hair. Her beauties are out of my gallions reach – They pinner my tongue, which cockfosters my speech.
A wapping-great loughton’s west acton the fool – He’s epping and barking, but she’s morden cool. She’ll ruislip his grasp with her fairlop display, And mudchute him down as she bounds green away.
I see her each mornington crescent alone, Her marble arch skin is like cream leytonstone. This queensway of smiling’s from upney above – I cyprus with wonder and kilburn with love.
Bricks by Carl Andre. It has a longer, poncy name – but let’s face it, it’s just bricks.
The Bland & The Brutal
This macho rejection of beauty as quaint, We bask in the ugly in building and paint – Those worlds of the graceful and subtle all fade, We cannot return back, because we’re afraid.
Uncle Charlie (played by Joseph Cotten) in Shadow of a Doubt
Uncle Charlie, How I Envy You
To never have a camera shoved in your face With accompanied orders to smile and pose, With not a thought for those who lack the grace Or the confidence to happily expose Their gawkiness to this all-stealing eye That no-one but no-one has the right to deny.
And so there persisted those who thought That privacy must be trumped with the utmost ubiquity. How dare their prey not be such a sport, As yet another click strips yet another shred of their dignity.
I am surely so much more Than this awkward lump you proudly snared As you barged upon me, you shutterbugging boor, Who ignored my gentle requests to be spared. I am surely so much else Than this pasty red-eyed frozen mess, Too self-conscious, both elephant and mouse, Who wishes to be looked upon altogether less.
And there used to be those who would claim That every photo would thieve a sliver of their soul – And although the sceptic inside cries shame, A little piece within me is always left feeling less whole.
Uncle Charlie boasted that he had never had his photo taken – I guess he never noticed the film crew following him around.
Oh dear, dear F1, You’re oh so keen to jump the gun. The slightest knock, and up you pop, Just barging past and to the top, And begging to be asked a question, Or to make a cool suggestion – Anything to lend a cyber hand.
Your happiness is my command, And, oh, you’ll never understand, F1, old son, You simply can’t ! I want Escape ! I want F2 ! I’m sorry, son, but get it through your key: If help I need, it won’t be you, you see. It’s never you.