Tuneless

recorder

Tuneless

When the words won’t come
And the rhymes run dry,
When the tunes won’t hum
And the airs won’t fly,

When the metres break
And the scans won’t flow,
When the beat won’t take
And the one won’t go,

When all the lyrics stutter,
And when all the choirs mutter,
And when all rhythms splutter,
Sing along, sing along !

We cannot all be nightingales
With perfect breath to fill our sails,
Or even decent banshee wails –
We were not built for song.

We have no need to score each stress
To make ourselves be heard –
If tending slightly to a drone or whine,
Yet still we shine.

So if you’re rendered music-less,
Well, take our flat and spoken word
That life goes on in monotone just fine.
Talk the line !

That Old Old Song

love song

That Old Old Song

I must have heard ‘I love you’ sang,
In ev’ry song they always sang,
A hundred thousand times
Or more –
And wanted to believe it…

I must have heard them sing about
The love they had to sing about
A hundred thousand times,
I’m sure –
And who could disbelieve it ?

And yet, no matter how they sing it,
Still their songs can never swing it –
Love is not, and they can’t bring it in,
No matter how they rhyme.

Have they got nothing else to sing,
In all the world and ev’rything ?
Because their endless songs are wearing thin
The hundred thousandth time.

I must have heard ‘I love you’ sang,
I must have hoped and also sang,
A hundred thousand times
Or more –
And never did achieve it.

After the Aftermath

broken vinyl

After the Aftermath

I heard a cautious plucking
Of a rubber-banded string,
And a nervous, tuneless whistle,
And a doorbell’s lonely ring.
While the birds were oddly quiet
Till a starling risked a ping,
And a chorus of the grazing ewes replied.

As note by chord by tonic,
So the melodies returned –
For all we needed silence,
They cannot, will not be spurned.
We’ve lost them many times before,
But somehow never learned –
On the day beyond
The day the music died.

I heard the constant background hum
Change key,
To slowly raise the dead –
From tinnitus to the thrum of industry,
In C,
Inside my head.
From the tapping of the plumbing
To the footsteps that I tread,
Even my heartbeat was a drum
Which would not be denied.

One, Two, Three, Dead

protest

One, Two, Three, Dead

Where are all the protest songs ?
Where is all the agit-pop to tell us ev’rything is wrong ?
I hear they’re out there, chanting still –
But somehow never reach me, and they prob’ly never will.

Where are all the protest songs ?
I mean, I know that pop has always
Been obsessed with love and lovers.
It’s rare than politics belongs
Beside the sugar on the airwaves,
Saving all its love for brothers.

They try to set the world to right,
But only in a quiet corner of the dial, late at night,
And fight-the-power-chords and tears
Are never crossing-over into unsuspecting teenage ears.

Best to use the tools you find
By marching to a funky beat
And tapping into pop’s romance –
For if you want to move the mind,
Then first you move the feet,
By making earworms of your chants.

Compulsory Mechanical Licence

assorted title cassette tapes
Photo by Vova Krasilnikov on Pexels.com

Compulsory Mechanical Licence

Sing it if you want to,
Cos I cannot stop you.
Pay me my royalties,
Do with it as you please.
For once a song is out there,
Then it’s out there for ev’ryone –
It’s out there for evermore,
They’re all out there together.
Until I’m dead for three score ten
And then it’s all for free forever.
But until that day,
If the author gets their pay,
Then the artist gets to sing away.
Permission isn’t theirs to grant,
And nobody tells anyone they can’t.

Desert Island Diss

on the beach

Desert Island Diss

Eight songs ?  Just eight songs ?
Then how will I even survive ?
Eight thousand is nearer the mark
To keep my spirits alive.

Eight song played back-to-back
That’s half-an-hour-ish, tops.
Just half-an-hour of paradise
Until salvation stops.

Washed ashore with a gramophone –
The wind-up kind, I’m guessing.
You’ll need a bigger bribe than that
To get me to confessing.

It always sounds such agony,
This torpid, tropical clime –
I’ll take the grimy, busy rain
Of cities ev’ry time.

There’s Bill and the Bible, as well, of course,
So that’s the loo-roll sorted,
But for my pick of luxury,
I’d like to be deported.

Eight songs ?  Just eight songs ?
Is that all you’ll allow ?
If music is so rare and cruel,
I beg, please drown me now…

All The Best Tunes

candy
The Devil’s Candy by Thomas Hodge

All The Best Tunes

Out of work and out of dole,
While high on blues and low on soul.
And all the songs we’d ever hear
Were old, and theirs, and insincere.
We hung around in aimless bands
To stop us feeling suicidal,
But the Devil makes work for idle hands –
And boy, were our hands idle !

So we are why the faithful flocks
Must mumble hymns while Satan rocks !
We’re drowning-out the choirs of Heaven
With three-chord worship at 11.
His music fills a hole in us,
It hugs our pockmarked skin –
If God gave rock & roll to us,
Then Satan plugged us in.

Sunflower Saviour

person holding van gogh book beside sunflowers
Photo by wendel moretti on Pexels.com

Sunflower Saviour

(in reply to Don McLean’s Vincent)

Dear Don,

You often speak of they and them,
So, so shall I.
You see, I’m firmly one of them
Whom you decry as sheep or swine
Who are too careless with their gaze.
But Don, I also use that phrase,
I also have my thems and theys
And you are one of mine.

For you, like they, have ordered me
To venerate your saints:
Picasso, Rothko, and Matisse –
Apostles in their paints.
Never must my adulation cease
Upon your feted clutch –
But who’s the Zeus of all these gods ?
Of course, your martyred Dutch !

I know, I know, it’s treason,
But I still think that depression,
Though it’s pretty good a-reason
Is a really bad excuse
For his whingey self-obsession,
And his self-harming abuse,
And for his total lack of wit,
And being such an all-round shit.

But what’s the use ?  You won’t agree.
And truth to tell, that was obtuse of me –
Both me and him are far more complicated
Than we either you or I have stated.
And anyway, let’s judge the work and not the man –
Who cares if he’s a relic or a brash young Turk ?
Except you’re doing all you can
To make the man the work.

So here I stand – a heretic –
A unbowed Philistine and hick.
For Don, though I can listen fine,
I’ll never like the tune he played.
Ironic’ly, I quite like yours –
A modern hymn to hector and persuade.
I guess that Vincent makes you happy,
And for that, I’m happy too.
Just never try to set me free.

With love, from one of them, to you.

Unsung

king cole
King of Spades by Tony Meeuwissen

Unsung

To those of us who cannot sing,
The songs will always taunt.
To those of us without the swing,
Who haven’t got a note to bring –
The muted melodies still haunt
Each dried-up vocal spring.
To those of us who cannot sing,
The songs will always taunt.

Making music – that’s the thing !
A flourish and a flaunt.
But we who cannot even wring
A reedy rasp or piping ping
Are ever banished from their jaunt,
With not a hook to sling.
To those of us who cannot sing,
The songs will always taunt.

Fiddlers three may please the king,
Or even John of Gaunt –
For who can let the doldrums cling
When songs are rousing on the wing ?
They chirp away so nonchalant,
Unknowing how they sting.
To those of us who cannot sing,
The songs will always taunt.