At the Sign of “The Manger”

caravansary
Caravanserai by Francis Hoyland

At the Sign of ‘The Manger’

Innkeeping’s an hon’rable trade,
Whatever they say –
We’re a welcome light at the end-of-day –
We’re a dry roof and roaring fire
That’s safe from the wolf and the bandit’s blade
When legs begin to tire –
And ev’ryone can call us home
Who come from Babylon to Rome,
Or pilgrims to Jerusalem –
You won’t catch us refusing them,
As long as we get paid.
Or caravans from out the East,
Or shepherds after one last feast
Before they spend their weeks upon the hills.
Our stable yard is filled with strangers –
Merchants, rabbis, farmers, rangers –
And the horses, camels, asses
Of the ever-moving masses,
Who seek shelter from the season’s chills.

But last month, after years of this life,
Of seeing it all – I saw a first.
A man leading a donkey bearing his wife
Who was bearing his child –
Poor beast !  I mean, what a load !
She was so big, fit to burst.
I tell you, it fair got me riled, my friend,
To make her travel so close to her end
On such a bumpy road.
And busy too, this time of year,
With wanderers from far and near
All passing through and moving on,
Who all descend upon our rooms –
It’s boomtime for the hostelries,
We’re busier than bees.

So when they banged upon my door,
I knew I hadn’t even got
A patch of floor to offer them –
Not even room to fit a cot.
Now don’t condemn –
When I, my wife and staff, the lot,
Had long since given up our beds
For other needful, weary heads.
And yet…how could we leave them out to rot ?
Maybe they were on the run,
I wondered what they’d done ?  But you know what ?
We still could not, and so instead,
We offered them the cattle shed, for what it’s worth.

The place was red with afterbirth
Before the rising of the sun.
Between the old tun and the ploughs,
She laid the kid upon the hay
That otherwise would feed the cows.
And when we could, we brought a tray
And kept an eye that all was well –
She understood, but truth to tell
We’d fifty other guests to serve each day.
And they were on their way before I knew it,
After just a week or two –
Heading home or onto somewhere new.
I guess I wish them well and all,
And maybe someday years from now
The child will come around to call,
And maybe make it big somehow.
They were the stranger sort of strangers, sure enough,
In all they did,
But still, they didn’t lack for love to pass down to their kid.

Ah well, better air the rooms and see the beds get made,
Then pop down to the well to draw some water.
But don’t you see, an innkeeper’s a good and honest trade ?
Just ask that couple and their newborn daughter.

Hark ! Our Better Angels Sing

angel
Angel on a Christmas Tree by Anna & Michal

Hark !  Our Better Angels Sing

I don’t believe in Jesus, and I don’t believe the Virgin Birth –
But Lord, you know I’m trying hard to find some faith in Peace on Earth.
We’re slowly getting better, but the getting better comes so slow
Yet watch the skies each Christmas Day, and finally you’ll see some snow !
So even though I know, oh Lord, that you aren’t even really there,
I’ll sing the songs and send the cards, and hope the World is free and fair –
And even as we dress the tree, and string the lights, and spark the flame,
Let’s wish you Merry Christmas all the same.

I’m sorry, in a sense, that it has come to this, but there you are…
Or rather, there you aren’t, you see, and neither was the guiding star.
And all those prayers, and all those hymns, and all that guilt we sent your way
Have only stopped a single war, and only for a single day.
Best not to hope in baby-gods, or mistletoe, or helper elves –
Looks like we’re on our own, oh Lord – for God helps those who help themselves !
Yet even as we make mistakes, and even as we take the blame,
We’ll wish you Merry Christmas all the same.

I don’t believe in Jesus, and I don’t believe the Virgin Birth –
But Lord, a hundred thousand other babes are born tonight on Earth.
I don’t believe in miracles, I don’t believe in prophesies –
But Lord, I long for peace tonight, regardless of philosophies.
So even though I know, oh Lord, that you aren’t even really there,
I thought I ought to let you know, and thought I ought to let you care –
And even though I don’t believe that baby Jesus ever came,
I’ll wish you Merry Christmas all the same.

Mistlemass

round white fruit
Photo by Pixabay on Pexels.com

Mistlemass

On winter days, in wood and dene,
I love to see your leaves of green,
And hang a sprig, a magic shoot,
And kiss beneath your poison fruit.
The glory of the mistletoe,
When perched aloft and laced with snow –
Your roots in wood, and never loam,
But on whose bough have you made home ?

This noble tree, of age and might,
Now after winter’s longest night,
Is verdant still, revered with awe,
As hope for yet the coming thaw.
So stands this tree in frozen earth,
Yet evergreen, to herald birth.
Its sap e’er rising through each limb,
A share of which our pest will skim.

And so the shrub upon the branch
Brings wine and feast to winter’s blanche.
Its prey brings strength, so won’t be killed –
Like rings of growth on which to build,
And spreads afar across the sea,
Till greater yet than e’er the tree –
For now our bush has such acclaim
It proudly bears a Latin name.

But lo, the mistle buds a shoot
That like its host has taken root,
With leeching tubers digging in,
A diff’rent plant, but of its kin.
This child shall conquer half the world
With winter blooms of gold unfurled –
And incense sweet their bouquets sow,
And berries bright with stellar glow.

And yet the saps of long ago
Within this parasite still flow
So little changed, it simply thieves
Then decks them out in diff’rent leaves.
So ev’ry living thing must fight
Against all predatory blight,
For even here, we see the grow
Of yet another mistletoe.

But this one’s hued in scarlet bright,
With fur and bristles dense and white –
And though as yet too small to see
Alone, without its parent tree,
So still its roots have bitten deep,
And spreads its seeds while yet we sleep –
In just one night, their airborne ride
Shall leave them by each mantel-side.

So Says Sam Hain

The Storyteller by ‘Dutch School’

So Says Sam Hain

Mischief Night, and the Devil is abroad –
He could be here.
For on this night, be you tenant or lord,
There’s something near.
Be it a ghost, or the ghost of a thought,
The underworld or the over-wrought,
It may be all, or it may be naught –
It’s getting dark, my dear.

Mischief Night, and the Devil is amock –
He could be nigh.
For on this night, as our worries flock,
His jinks run high.
A will-o’-the-wisp, or a whisp’ring breeze,
A chill in the air, or a banshee’s sneeze ?
A frost tonight or a deathly freeze ?
It’s getting cold – oh my…

Mischief Night, and the Devil is alive –
He could be me.
For on this night, the shenanigans thrive,
And fools run free.
Is that a ghoul, or a turnip’s head ?
A friendly fright, or the living dead ?
And the Devil just smiles and goes to bed –
It’s getting late, you see.

Hippocalypse

horses
The Horses of the Apocalypse by Sharlene Lindskog-Osorio

Hippocalypse

Now that the herd is in the barn,
And now that the flock is in the fold,
Then huddle close and I’ll spin you a yarn,
The one my father told.
And he was taught by his in turn,
And he by his, the self-same airs
That someday your own kids will learn
When you tell them, and they tell theirs.

Sometimes, late at night,
Out on the plains, or on the road,
When the bats are in full flight
To the singing of the toad,
There can be heard the gallop
Of a lonely charger wild,
Through the ups of York and Salop
And the downs of Kent and Fylde

There’s those who claim they’ve seen him,
And they claim he rides a grey,
A snow-white grey so gleaming
That the very stars give way.
A king, they say, with bow and crown,
And horseshoes of cold steel –
And ev’rywhere those hooves stomp down,
The people come to heel.

Though some say he’s not invading
Through our castles, towns and huts,
But rather the land he’s raiding
Is our throats, and veins, and guts –
Riding, riding, ever onwards,
There is no defence –
Though some may call him Conquest,
And others Pestilence.

But many will say No!, he rides a chestnut
When he roams abroad,
And he wears a shining breastplate,
And he holds a tempered sword –
And he is War, yet not invasion,
But one folk upon another,
Year-on-year, at any provocation,
Brother killing brother.

But fighting is fighting, and always near
To the likes of us who are called-on to bleed,
And arrow or sword, it’s the same old fear
When facing-down the next stampede.
Or maybe a few who see this horseman
Get to then escape to tell –
Yet whether Mongol, Moor, or Norseman,
All those roads lead straight to Hell.

Still, I have also heard it told by folks
That the horse is jettest black,
And gaunt enough that each rib pokes,
With scarcely strength for saddle or pack –
But its passenger can’t weigh much, at least,
He’s spindly as his balancing scales –
Clearly the lord of the Famine, not feast
As he measures-out losses from frosts and gales.

Then others say his is the best-fed mount
In any town it passes,
Glossy as the fur-coat of a count,
‘Gainst their threadbare nags and asses.
And the dirt where its hoofprints have trodden is barren now,
The only thing growing is the drought –
The fields are always so shy of the plough
When Famine goes riding out.

Yet the final vision of our phantom knight
Is the strangest of all they claim have seen,
When robed in black, or robed in white,
On a pale steed – dun, or maybe green.
Some say a skeleton, lacking flesh,
And what does he carry ?  An hourglass of time ?
A downturned torch, or a flail to thresh ?
Or a sickle to scythe the stalks in their prime ?

And they give him a name, they call him Death.
But surely all these versions are that –
So death by what ?  From a poisoned breath ?,
Or the slurry from the mines, or rancid fat ?
Maybe our souls aren’t chaff to the miller,
But the smoke in the lung and the acid on the stone –
Pollution, that’s the next big killer –
And surely worth a horse of its own.

So light all the candles and ring all the bells,
To ward off the Silent Divider,
And warn them in Wigan and Walsall and Wells
Of the grizzled new face of the Rider.
From Wetherby weavers to Tintagel tin,
From the tar-pits of Derby to Sunderland soot,
So each time we breathe we invite the rogue in
And his fingers leave shadows wherever they’re put.

Then listen, my children, listen for his hoofbeat,
Listen as he slowly yet surely destroys
By dogging the trudging of your own two feet
In the choke and the grime and the constant noise.
His other visions are horrors of our past,
But it’s in our future that we all must die –
And the fourth of the horsemen will take us at the last,
As he kicks up the dust as he’s riding-by.

I suppose Pollution should cover the mass-deaths by human-caused tragedies, while Pestilence cover those from other living things while Famine has the natural disasters gig.  This would mean that a plague of locusts is definitely one for Pestilence, while Famine would deal with meteor impacts.  But don’t even get me started on green horses...

No Month for an Atheist

half-skull
Unfortunately, I have been unable to discover who the artist is

No Month for an Atheist

October is the month when all the dead
Are brought to life again –
In our imaginations spectres tread,
And sceptics howl in vain.
So why must we be common-sensers,
Jaded cynics, sober sisters ?,
When the world wants will-suspensors,
Playful panics, logic-twisters.

What the Hell !  And if it’s Hell you want,
Then take it – take it all !
Mine’s a holy water from the font
With a twist of lime, served tall.
At least it’s safe, when Satan is
A dentist wearing plastic horns.
It’s ketchup blood and dry-ice fizz,
And no-one’s killing newly-borns.

October is the month when all the dead
Are brought to life again –
In our imaginations, streets run red
With ev’ry guilty stain.
We’ve all got demons locked within –
Let’s keep them in until they’re slayed.
For that is worth believing in –
The luxury to be afraid.

What the Hell !  Take all the Hell you need –
I mean, at least it’s warm.
Mine’s a chilly wisdom, I concede,
In the face of an eerie storm.
So have the month, enjoy your frights,
And call me killjoy all you like,
It’s fine – we’ll all sleep sound at night,
As once again the dead don’t strike.

A Wilful Child

A Young Girl Reading by Charlotte Weeks

A Wilful Child

Here comes Abigail,
Searching for the Holy Grail –
She looks for it in Mark and Luke,
She looks for it in John
But once she sees it’s all a fluke
She learns what’s going on.

Abigail, Abigail,
Making all the rabbis wail,
Making all the imams hush,
Making all the vicars blush.

Here comes Abigail,
Grabbing scripture by the tail –
Tearing through the Psalms and Acts,
Incase it’s all a con –
She’s chasing down elusive facts
To suss what’s going on.

Abigail, Abigail,
Making all the abbés quail,
Making all the prophets cry,
And simply by her asking “why ?”

Five Loaves & Two Red Fishes

those fish do not look cooked

Five Loaves & Two Red Fishes

Reverend, Reverend, writer of the tales:
Murder, guilt and passionlust, herringful and slick.
Popular and idolised, blessèd are your sales,
Though the critics pan you off as “slight” and “formulaic”.

Reverend, Reverend, writes another tale:
Murder, guilt and passionlust, once more with a twist –
The victim here is Jesus Christ, crucified, impaled.
Yet we know the killer has to be the one who kissed.

That’s okay, the Reverend is not asking whodunnit,
He tells it straight and poignant – for kudos, not for wealth.
Yet at the Ascension, so a final twist is sprung:
It turns out in Heaven waits old Lucifer himself.

“Just how can a Christian priest write of such a blasphemy ?”
Ask his readers and his bishop, still not comprehending.
“All because I do believe the Lord will yet forgive me,
(And I’d surely sell my soul for fiendish-good twist ending.)”

I feel the joke in this one is rather laboured, as are some of the rhymes.  Incidentally, the Bible contains one of the first locked-room mysteries in literature in the Book of Daniel (or at least in the versions that allow house-room for the apocryphal additions such as Bel & The Dragon).  And if you’re interested, the most common fish in the Sea of Galilee was the tilapia.

The Right to Offend

The Right to Offend

Moses is a psycho,
And Jesus is a wimp,
Buddha is a lardarse,
Ganesh is more a gimp,
Mohammed is a pedo,
While Mary is a prude,
Yahweh is a rapist,
And Paul is just unglued.

Onan is an onanist
Who loves to bash the bish,
Zeus a sexual preditor,
Cthulu cold as fish,
Ra just gives us side-eye,
While Odin squints when viewed,
And Allah must remain unseen
Because he’s in the nude.

So sue me, dude.

Lift thou Up thy Rod

salisbury cathedral withstands the wrath of god

Lift thou Up thy Rod

Just as a church is crowned by a spire,
And just as a spire is crowned by a cross,
So a cross is crowned by a stiffened wire
That points heavenwards and reaches higher,
Showing God that science is boss.
From king to serf to country squire,
Nobody’s prayers and nobody’s choir,
To God or Thor or Helios,
Can stop the bolt of electric fire –
Not any pope or priest or friar
Can tame the spark and spare the loss
Like copper can.  And that is why
There’s a spike that jabs the eye of the sky,
With a finger raised to the holy man on high.