The Frost Fairs

Frost Fair, 1684 by Henry Glindoni

The Frost Fairs

Once, when the Winter was colder,
And the Bridge more wall than hole,
So the River would stall and dawdle
Till the ice had won control.
And a brand new street through the heart of the city was born,
And paved in white,
Where the tents and the stalls and the elephant put their faith
In the Winter’s blight.
For days and days, as the ferries sat idle,
The waters were newly owned –
Though the surface was a rocky road of blocks
That creaked and groaned.
For the tide was never still,
Beneath this temporary town –
Till the breakup happened suddenly,
And dragged the slow ones down.
Yet for a week, the world was changed
For folks of ev’ry class,
As even in the bitter cold,
They’d promenade on mass.
But in the end, the thaw must come,
To even ice that’s strong –
And Midwinter festivities
Should not extend too long.

The Lantern Carol

I asked AI for impressionistic carollers, but they just look blotchy…

The Lantern Carol

There may have been snow,
There were surely scarves,
As they stood on the corner
Beneath the stars.
They may have had sheets,
But they knew the words –
And the harmonies
That they sang in thirds.
And we hurried on by,
But we heard their songs –
The old familiar
Sing-it-alongs.
In a pool of light,
They played their role –
Under the lantern
Hung on a pole.

And their breath was hung
With the notes they sung,
As a frosty white,
By the lantern’s swaying light.

There may have been snow,
There were surely mitts,
As they stood on the corner
Singing the Ritz.
They may have had sheets,
But they knew the text,
And no hesitation
On which comes next.
And we hurried on by,
But we heard their cheer –
The old familiar
End-of-the-year.
In a pool of light,
Their heart and soul –
Under the lantern
Hung on a pole.

And their breath was warm
With the notes they form,
In the inky night
By the lantern’s only light.

Liminal Valley

Photo by Shahadat Hossain on Pexels.com

Liminal Valley

I find my breath held in suspense,
My eyes seek bogeymen –
My heartbeats race,
My footsteps pace,
My mind counts down from ten.

I swear the pixels glitch agen –
Though when I turn to face,
There’s just the floor
And nothing more –
And yet, there hangs a trace…

There’s something strange about this place –
I’ve been round here before.
I’m growing tense –
There’s some sixth sense,
I’m trying to ignore.

I’ve seen that sign upon that door,
I’ve seen that metal fence –
I can’t say when,
But now and then
The colours seem too dense…

This is my attempt at trying the Roundabout format.

Puzzle-Passageways

Relativity by Maurits Escher

Puzzle-Passageways

The trouble with a labyrinth,
Is that it feels so foreign –
Is that it has no logic
To its endless winding paths.
No hierarchy separating
Avenues from warrens,
As we trudge the many mazes
On our lost and aching calves.

Our only means of finding out
The route into the centre
Is by choosing random tracks
And by try-and-try-again –
With a dozen unsigned junctions
And a dozen doors to enter,
To a dozen cul-de-sacs,
And a single golden lane.

It makes sense in a dungeon,
With its safety-at-all-cost,
Or even on a garden,
Where the mapless lovers sally –
But why are city planners
Quite so keen to get us lost ?
Or to meet a Minotaur
Down a twisty, unlit alley…?

Slum-Makers

Photo by Alex Montes on Pexels.com

Slum-Makers

The walls of Pompeii are all full of graffitos,
Where Romans left scratches of slanderous hissings,
And chalked-out each grievance like buzzing mosquitoes –
But mostly left scribbles like dogs leave their pissings –
Thousands of scribbles from two thousand years ago,
Scrawling on walls just to scream “Look at me !”
The historians love them, for what they can show
About what life was like in the First Century.

And it wasn’t only the cells and latrines –
For nowhere was safe – not shops nor graves –
It’s been the obsession of soldiers and teens,
Since the ochre hands-prints were left in the caves.
Even cathedrals had pilgrims who jeer,
And localised rumour-reportages –
So once a time, old Kilroy was here,
While Chad kept a record of shortages.

So who are these Romani Ite Domums,
With their slogans and sweary scrawls ?
And why must they commandeer the commons,
By spraying on public walls ?
Yet those who condemn the tags the hardest –
And the St George flags – then represent
The likes of Banksy as a cutting-edge artist,
(On a stolen canvas, and paying no rent).

But I must be honest with the street art fans –
However old, scrub them out, unread.
Don’t justify the hooligans
And the anti-social stink they spread.
Be honest, should the youths of today
Have loose on your house, your car, your soul ?
Or would you deny to the future the say
Of the historic daubings of every troll ?

‘Reportages’ in the second verse is not French, so should be pronounced as ‘report + ages’ – four syllables, with stress on the ‘port’.

The A300 Relief Road

Photo by Manikuttan TK on Pexels.com

The A300 Relief Road

London Bridge has fallen down
As planners suffocate the town –
They cannot fathom what appeals
In Nonesuch House and waterwheels
They claim it’s not a chance to dream,
For reasons that evade me.
It’s just a means to cross a stream,
My fair forgotten lady.

The bridge that used to grace these banks
They gladly sold-off cheap to Yanks.
They have no care for what is lost,
Just that it’s done for cheapest cost.
And now the name evokes the tides
Of business bland and shady –
Just traffic jams and suicides,
My fair forgotten lady.

Jethro’s Toll

Photo by Dilara /uygunadimdoga on Pexels.com

Jethro’s Toll

(In reply to Farm On The Freeway)

I’m not a fan of the big road pushing through the valley floor –
It should have been a high-speed rail line.
But just what have you got against a chip-set factory ?
And the jobs that get to work while you just whine.
I guess the loss of green and habitat’s a shame, for sure,
But your farm was pretty monocultured too –
The world needs fewer humans, as I hope you would agree,
And a lot less of consumption, making-do.
We haven’t all got daddies leaving farms to us, and more,
No, we many have us very little leeway.
So take your million-dollars and your nimby don’t-tax-me –
Cos this ain’t your farm no more – now it’s our freeway.

Butcherbirds

Butchers by Angela Parr

Butcherbirds

Magpie-mimics, pseudo-shrikes,
In apron-fronts and axeman-hoods –
They hang their excess kills on spikes
Around their Aussie urban woods.
Lizzies, hoppers, chicks and mice,
On thorns and barbs and obscure ledges –
Bringing their suburban vice
To tuckeroos and privet hedges.
Where creeps the white trifolium,
So fly these cheerful songsters –
Where lays the fresh linoleum,
So roost these hipster monsters.
But most of all at nesting time,
When elder siblings lend a wing –
They form a gang, a clan of crime,
Whose name they proudly sing.

Midnight Flurry

Photo by Josh Hild on Pexels.com

Midnight Flurry

Snow fall at night,
So crisp and white
Beneath the silent streetlight –
This won’t last.

It falls in hush,
And looks so lush,
Yet is tomorrow’s mush
That melts too fast.

A brand-new gown
Upon the town
That won’t be buttoned-down,
But be off-cast.

Let’s take the chance
For one more glance
At the velvet-soft expanse,
Before it’s passed.

Passing Glances

Alas, this is yet another piece of art that looked away before I could note its author…

Passing Glances

If eyes are magnets,
We all share a pole,
When pupils meet
With a stranger’s soul –
On a train, in a crowd,
As we sweep and dart,
The moment so quickly
Pings apart.
Our eyes downcast,
And slowly glaze –
We’d sooner avert
Than share a gaze.
We censure our stares,
And apologies,
If our lonely vision
Should meet your eyes.