Hotspots & Coldsores

Hotspots & Coldsores

“It isn’t the resident tenants that make a city ugly, but rather the absentee planners.”

The Blueprint Bugle

Vienna is bursting with tourists,
While Croydon is thoroughly dead –
We all know why the one has the more is,
And one is a ghetto instead.
One has buildings of beauty
That people will pay to admire –
The other is screaming out “Nuke me !,
And raze all my ugly in fire.”

Oh sure, that intangible culture takes many a-century
To embed and to reign –
But if your town looks more like a penitentiary,
Then you’re waiting in vain.

Venice is sinking in people,
While Stevenage wallows in grime –
We all know why the latter is feeble,
And looks like the scene of a crime.
One has buildings of grandeur,
That travellers travel to see,
The other is yelling-out slander
With a nihilistic glee.

And it doesn’t take castles and squares and cathedrals
To still have plenty of charms –
But it does take some sense, and lack of upheavals
From brutalists swinging their arms.

Paris is famous for beauty,
And Slough is famous for bombs –
We all know why the one is a cutie,
And one won’t get asked to the prom.
One has buildings for humans,
That are sculpted, and tiled, and embossed.
The other is built for consumers
With the ornaments cut-out for cost.

We know it deep down in our footings, this concrete-clad craze
Is simply so unrefined.
If it ain’t Manhattan, then high-rise ain’t for the holidays,
But for the daily grind.

Please note that for the rhythm to work in the second verse, ‘century’ needs to be given it’s full there syllables, and ‘penitentiary’ it’s full six.

Pioneer Species

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Pioneer Species

We’ll still grow trees on Mars,
Under the domes,
And rooted in thin soil –
We’ll take nuts to the stars
And distant homes,
To shade our fervent toil.
Beside potato fields,
And stands of wheat,
They’ll ease the barren crag –
Not for their timber yields
Or fruits to eat,
But just to plant our flag.

It only takes an acorn,
That’s not too much weight
To build a tree.
And ev’ry sapling born
Shall grow up great
In lower gravity.
Yet forests don’t get lush
Till many years
Of Martian peace have been –
I guess we’re in no rush
To clothe our spheres,
And turn the red to green.

Which trees, though, all depends –
Can pine withstand ?
Or desert raise a beech ?
We nurture ev’ry friend
In ev’ry land
Our giant leaps shall reach.
And thus, we’ll leave a trace
From overseas
That shows we once came by.
We’ll still grow trees in space,
Because the trees
Have reached-up to the sky.

Blue Plaque Blues

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Blue Plaque Blues

A writer’s house is such an odd museum –
With all their private, not-for-public touch.
Does it forever colour how we see them,
Or just amount to telling little much ?
Must we rifle through their dirty laundry,
And publish all their letters, kiss-and-tell ?
And then complain they put us in a quand’ry
Of seeing flaws when knowing them too-well.
So why does hero-worship seek these holy relics, anyway ?
And basing truth on only what they claim the gossip-mongers say ?
Although I guess some writers would adore the fame they have today,
And sure, let all the crowds come snooping round their hallowed ground…
But as for me, if my words work there due,
Don’t let the creeps come crawling through my caches –
But burn my house, and all its contents too –
And leave the pervy fanboys only ashes.

The Big Butterfly Count

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The Big Butterfly Count

There !  A steak of white !
Let’s see…that’s one.
Now was it large, or small, or green-veined ?
Oh, what fun !
And there !  A brown of some sort –
Could be meadow, heath, or speckled wood –
But it’s clearly brown, I’d say,
If that’s much good…
A flash of red !  An admiral ?  A tortoiseshell ?
What’s going on ?
Let’s take a closer look,
But no, it’s gone…
Wait, was that one the same
That I tallied over there,
As it circles round the garden ?
That’s not fair !

Willow Pattern

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Willow Pattern

Two dancing birds,
Beaks apart, as if in song –
As they circle through the cloudy, milky sky.
One windsocked weeping willow,
Slanted, yet still strong,
And three folks on a hump-backed bridge nearby.
Could it be they’re fishing ?
Or waiting for the boat ?
Though it hasn’t got a sail – perhaps a punt ?
Upon the other bank
Is a house that looks afloat,
Sporting plenty of round shrubbery infront.
And over here, behind a zig-zag fence,
A squat pagoda,
That’s sheltered by a spreading ping-pong tree.
And round the edge are squares and scales,
And flowers for a coda,
A busyness of cobalt for our tea.
I stared and stared at China
On those Sunday afternoons,
Round at Grandma’s, in her cottage with the gate.
The disappearing cake
Revealed the timeless blue lagoons –
So very Eastern, yet so English, on a plate.

It is uncertain when the first examples of Willow Pattern appeared, although Wikipedia suggests they could have been produced by Spode in 1790.  They are, of course, a classic example of cultural appropriation – and thank goodness they were !  Genuine Chinese porcelain at this time was very expensive, and modern pecksniffs would have seen to it that it remianed so, and that the hard-working families of Britain should be denied the beauty and broadened horizons that came with their roast beef and Yorkshires.

Meditation

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Meditation

Staring deep in wonder at an apple,
Or contemplating where to move in chess,
Shutting-out the thoughts with which we grapple –
Boring, boring, boring mindfulness !

Lazy-arses squatting in believe-ment,
While others get stuff done so you can pray –
But beauty’s in distraction and achievement,
And life’s too short for omming it away.

The A300 Relief Road

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The A300 Relief Road

London Bridge has fallen down
As planners suffocate the town –
They cannot fathom what appeals
In Nonesuch House and waterwheels
They claim it’s not a chance to dream,
For reasons that evade me.
It’s just a means to cross a stream,
My fair forgotten lady.

The bridge that used to grace these banks
They gladly sold-off cheap to Yanks.
They have no care for what is lost,
Just that it’s done for cheapest cost.
And now the name evokes the tides
Of business bland and shady –
Just traffic jams and suicides,
My fair forgotten lady.

Dancing Gnats

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Dancing Gnats

Time is short, perhaps a month or two,
Since they were just an egg –
But now the gnats must boogaloo,
To swarm a wing and shake a leg.
They gather round a random patch of air
Just as the eve’ning falls –
And jink and jive until they pair,
Attending countless black-fly balls.
If love is on the cards for them tonight,
It leaves them out of breath –
Exhausted from their swaggered flight,
Too soon they’ve danced themselves to death.

Auto-Iconography

Triple Self-Portrait by Norman Rockwell

Auto-Iconography

Why so many self-portraits ?
Vanity, or an honest appraisal ?
Why the endless tortured brow,
And wistful gaze of hazel ?
Are they honest, or distorted ?
Simply practice, or masterclass ?
Or is the cheapest model that funds allow
A looking-glass ?

Quad-Ops

I found this image on the following Facebook page, which itself appears to have taken illustrations from A Novel Vertebrate Eye Using Both Refractive and Reflective Optics

Quad-Ops

Spiders have eight, and box-jellies twenty-four,
Scallops have hundreds, and dragonflies thousands,
And digital cameras even more !
But vertebrates make do with two,
Plus the odd ocelli peeping-through –
But only a couple of retinas –
A pair of light-bucket dishes –
Well, except for a few strange fishes !
And I don’t mean the four-eyed anableps,
Who see through both the water and air,
And focus the light through diff’rent steps
But onto the same old patch of cells,
That parallels the ones we chordates share.
No, I mean the brownsnout spookfish –
They may not look as swish as barreleyes,
Until we realise that here may be
The ancestor of a whole new tree
Of multi-looking vertebrates to arise –
That one day may just populate
The future Earth with their future eyes.