The Root of All Evil

wood street plane
Photo of the London plane tree in Wood Street in the Square Mile (taken by Katie Wignall ?)

The Root of All Evil

“Since it was first hybridised in the 1660s, the London Plane has slowly taken over the world.”

– The Manchester Gardener

Hybrid sap, mosaic bark,
Twisted bloom and swollen seed,
Bright amid the sooty dark,
This gnarlèd gothic breed.
He sprouts so slyly, this plant in the greenery –
One of the forest and part of the scenery –
No felling him, this mimic of maple, primordial cousin:
Hack off a limb, and this pollarding hydra will shoot out a dozen.

Spawned in the blooms of his immigrant parents,
A cuckoo inherent, a mongrel ill-born.
Wrought in the heart of Enlightenment steam,
From a fever-soaked dream on a dew-sodden morn.
With roots in the clay and his head in Orion,
A vigorous scion, a devil-blest spawn,
A chance aberration, a found’ry mutation,
With lacewood of iron and baubles of thorn.

Invading our cities while shedding his skin,
This cryptic chimera has crept his way in.
And none of his caste have succumbed to senescence, as yet…
Elixir of ever-youth pumps his capillary,
Sweeter than gin from an alley distillery,
Alchemised out of pea-soupers and coal-dust and sweat.
As if he were built out of ratchets and springs,
His ethic for work will be written in rings –
He’s still in his galvanised prime, through the dry-times and wet.

What hath we wrought ?, and what hath we mined ?,
That ought to lie buried or trampled behind –
But workshops of soil are shooting out hordes of his kind.
And what if we find that he just keeps on growing ?,
And fruiting and sowing, till all is entwined ?
Hammered and forged in the mill and pipette –
Who knows how engorged this goliath may get ?

It is uncertain if the first accidental hybrid occured in Spain or in Vauxhall Gardens in London (well, technically in Surrey, but close enough). Interestingly, for all the streets lined with them, I don’t think there are any woods with them growing wild. Infact, it would be fascinating to deliberately plant a patch of wasteland with nothing but London Planes and see how well they self-seed. Yes, I realise that they’re not strictly British natives, but then they’re really native to nowhere.

So Says Sam Hain

The Storyteller by ‘Dutch School’

So Says Sam Hain

Mischief Night, and the Devil is abroad –
He could be here.
For on this night, be you tenant or lord,
There’s something near.
Be it a ghost, or the ghost of a thought,
The underworld or the over-wrought,
It may be all, or it may be naught –
It’s getting dark, my dear.

Mischief Night, and the Devil is amock –
He could be nigh.
For on this night, as our worries flock,
His jinks run high.
A will-o’-the-wisp, or a whisp’ring breeze,
A chill in the air, or a banshee’s sneeze ?
A frost tonight or a deathly freeze ?
It’s getting cold – oh my…

Mischief Night, and the Devil is alive –
He could be me.
For on this night, the shenanigans thrive,
And fools run free.
Is that a ghoul, or a turnip’s head ?
A friendly fright, or the living dead ?
And the Devil just smiles and goes to bed –
It’s getting late, you see.

Drothful Lucubration

astronomer
The Astronomer by Candlelight by Gerrit Dou

Drothful Lucubration

A dark and stormy night, this night,
Yet ‘tween the clouds the full moon bright
Looks down upon me as I write
These dark and stormy lines.
But hark !  A distant howling queer
I fancy I mayhap may hear
From out the corner of my ear
And through my very spine –
And though my heart may drown it out,
I cannot labour long in doubt,
For surely do I know that sound without,
As it knows me.
The gusting wind brings to my door
A growling low from off the moor
That chills my very being o’er
To tremulous degree.
These pluvious and savage spawn
Shall stalk the psyche ere the dawn,
Shall stalk my rain-lashed psyche ere the dawn.

The Hounds of Dogg’rel bay this night
To seek the forced and base and trite,
And dog the heels of all who write,
Lest we should lapse their way.
We ever fear to be their sport,
Their pity, ruth and mercy nought
To purple, blue or overwrought:
They hack their hackneyed prey.
So some poor pensmith faces doom,
His garret shall become his tomb
As bursting forth, those savage Hounds consume
Each leaden verse –
Their author thus shall meet the fangs
That shred the hand whose metre clangs,
And fore’er mute his blunt harangues
That brought him to these curs,
I pray all gods, I beg, I yearn,
This ill-dread night is not my turn,
This dark and stormy night is not my turn.

Day of the Dead

sugar skull

Day of the Dead

Nowhere in the Northern world
Could let the dead roam in the Spring,
When new life bursts and blooms unfurl,
And nights are shortening.
No, the Fall’s where they belong,
In piles of leaves and frosty air,
With creeping dark and waning song,
And the world in need of a scare.

Spooky Action

cathy
Cathy’s Ghost at Heathcliff’s Window by Laurie Bron

Spooky Action

The laws of physics make it clear
That there can be no spirits here,
Without a source to power them –
Perhaps it is the sunken sun
That fires them up and makes them run ?,
And entropy must surely still devour them.

The peer review remains unmoved –
They’re theorised but never proved
The evidence just will not fit.
So if the afterlife should dwell
On ev’ry side, in parallel,
Then rest assured we cannot interact with it.

They cannot pass through solid matter
Less their waves and atoms clatter
With the particles they pass.
And if they do, they must be part
Of this same universe at heart,
With spectral spectra showing up their ghostly mass.

So wraiths and shades that shake our poise
Are phantom readings in the noise
And not some higher powers.
And if, with heightened fear and nerve,
We misreport what we observe –
The failing is not physics’ fault, but ours.

The Supernatural

ghost
Ghost Drawing by Herman Marin

The Supernatural

It may exist – it may at that – though we will never know,
Unless it can exert itself – but then we must ask when and how –
For if we ever see it come, or ever feel it go,
Then that – whatever that is – is as much a part of here and now –
For surely, supernature cannot ever be at war with nature,
Never interact with any thing with which it shares its space –
For even restless spirits must obey the laws of nature,
And even ghost neutrinos sometimes leave the faintest trace.

Moult Litter

ex-exos
Spider & Moulted Exoskeletons photographed by Thierry Berrod

Moult Litter

In all of the places that dusters don’t get to,
On covings and pelmets, in cupboards and sheds –
With many a squeam and a shudder, I bet you,
We know what we’ll find on the lint-heavy threads –
The graveyards of spiders, with hook-leggèd carcasses,
Either their owners are dead, or they’re gone
And abandoned their earlier mobile fortresses,
Ditched by the web-side while they scamper on.

Tumbleweeds that tremble in our gasps,
As though they’re still alive –
With finger-legs that only clasp
The empty air that makes them jive,
But couldn’t cling to life, or cling to guts.
Or maybe shells of burry nuts,
Which lie in wait to hitch a ride,
With tiny eggs they plant inside
To spread their brood to distant nooks and huts.
They’re single-used, these chitin gowns –
Abandoned and outgrown,
Have they no life as hand-me downs,
Or overcoats of bone ?

I wonder, could a hermit-fly purloin one,
Use it as a neat disguise ?
It has, of course, too many legs, too many eyes.
But carpenter bees could join in,
To adapt the suit, adjust the fit,
And silkworms help to sew up any split.
Maybe for a little coin
An enterprising beetle may
Collect the lot, and set them on display.
Just the thing to look soigné
The best-dressed bugs and social sets
Are spider-clad, from palps to spinnerets.

Why does nothing eat these ?
No nutrients, presumably.
They cannot flee, they cannot rust,
They simply scatter through the endless desert drifts of dust.
And so the dunes accrete these,
Until they’re swallowed down,
To sink and drown, or fossilise –
The only clue that they were empty are the missing eyes.

Hippocalypse

horses
The Horses of the Apocalypse by Sharlene Lindskog-Osorio

Hippocalypse

Now that the herd is in the barn,
And now that the flock is in the fold,
Then huddle close and I’ll spin you a yarn,
The one my father told.
And he was taught by his in turn,
And he by his, the self-same airs
That someday your own kids will learn
When you tell them, and they tell theirs.

Sometimes, late at night,
Out on the plains, or on the road,
When the bats are in full flight
To the singing of the toad,
There can be heard the gallop
Of a lonely charger wild,
Through the ups of York and Salop
And the downs of Kent and Fylde

There’s those who claim they’ve seen him,
And they claim he rides a grey,
A snow-white grey so gleaming
That the very stars give way.
A king, they say, with bow and crown,
And horseshoes of cold steel –
And ev’rywhere those hooves stomp down,
The people come to heel.

Though some say he’s not invading
Through our castles, towns and huts,
But rather the land he’s raiding
Is our throats, and veins, and guts –
Riding, riding, ever onwards,
There is no defence –
Though some may call him Conquest,
And others Pestilence.

But many will say No!, he rides a chestnut
When he roams abroad,
And he wears a shining breastplate,
And he holds a tempered sword –
And he is War, yet not invasion,
But one folk upon another,
Year-on-year, at any provocation,
Brother killing brother.

But fighting is fighting, and always near
To the likes of us who are called-on to bleed,
And arrow or sword, it’s the same old fear
When facing-down the next stampede.
Or maybe a few who see this horseman
Get to then escape to tell –
Yet whether Mongol, Moor, or Norseman,
All those roads lead straight to Hell.

Still, I have also heard it told by folks
That the horse is jettest black,
And gaunt enough that each rib pokes,
With scarcely strength for saddle or pack –
But its passenger can’t weigh much, at least,
He’s spindly as his balancing scales –
Clearly the lord of the Famine, not feast
As he measures-out losses from frosts and gales.

Then others say his is the best-fed mount
In any town it passes,
Glossy as the fur-coat of a count,
‘Gainst their threadbare nags and asses.
And the dirt where its hoofprints have trodden is barren now,
The only thing growing is the drought –
The fields are always so shy of the plough
When Famine goes riding out.

Yet the final vision of our phantom knight
Is the strangest of all they claim have seen,
When robed in black, or robed in white,
On a pale steed – dun, or maybe green.
Some say a skeleton, lacking flesh,
And what does he carry ?  An hourglass of time ?
A downturned torch, or a flail to thresh ?
Or a sickle to scythe the stalks in their prime ?

And they give him a name, they call him Death.
But surely all these versions are that –
So death by what ?  From a poisoned breath ?,
Or the slurry from the mines, or rancid fat ?
Maybe our souls aren’t chaff to the miller,
But the smoke in the lung and the acid on the stone –
Pollution, that’s the next big killer –
And surely worth a horse of its own.

So light all the candles and ring all the bells,
To ward off the Silent Divider,
And warn them in Wigan and Walsall and Wells
Of the grizzled new face of the Rider.
From Wetherby weavers to Tintagel tin,
From the tar-pits of Derby to Sunderland soot,
So each time we breathe we invite the rogue in
And his fingers leave shadows wherever they’re put.

Then listen, my children, listen for his hoofbeat,
Listen as he slowly yet surely destroys
By dogging the trudging of your own two feet
In the choke and the grime and the constant noise.
His other visions are horrors of our past,
But it’s in our future that we all must die –
And the fourth of the horsemen will take us at the last,
As he kicks up the dust as he’s riding-by.

I suppose Pollution should cover the mass-deaths by human-caused tragedies, while Pestilence cover those from other living things while Famine has the natural disasters gig.  This would mean that a plague of locusts is definitely one for Pestilence, while Famine would deal with meteor impacts.  But don’t even get me started on green horses...

No Month for an Atheist

half-skull
Unfortunately, I have been unable to discover who the artist is

No Month for an Atheist

October is the month when all the dead
Are brought to life again –
In our imaginations spectres tread,
And sceptics howl in vain.
So why must we be common-sensers,
Jaded cynics, sober sisters ?,
When the world wants will-suspensors,
Playful panics, logic-twisters.

What the Hell !  And if it’s Hell you want,
Then take it – take it all !
Mine’s a holy water from the font
With a twist of lime, served tall.
At least it’s safe, when Satan is
A dentist wearing plastic horns.
It’s ketchup blood and dry-ice fizz,
And no-one’s killing newly-borns.

October is the month when all the dead
Are brought to life again –
In our imaginations, streets run red
With ev’ry guilty stain.
We’ve all got demons locked within –
Let’s keep them in until they’re slayed.
For that is worth believing in –
The luxury to be afraid.

What the Hell !  Take all the Hell you need –
I mean, at least it’s warm.
Mine’s a chilly wisdom, I concede,
In the face of an eerie storm.
So have the month, enjoy your frights,
And call me killjoy all you like,
It’s fine – we’ll all sleep sound at night,
As once again the dead don’t strike.

Acid Verse

Acid Verse

Lis’ning to psychedelic music,
Joss stick sending up a stream,
Lava shadows on the ceiling,
Red wine drifting off to dream.

Don’t need drugs to taste the acid,
Just an over-yellow mind –
It’s gonna be one of those fitful nights
When the gears of my conscious grind.

Too much psychedelia,
It’s not from the drugs, this trance, though –
I swear, just wine, and a lack of coffee,
So why do the colours dance so ?

I guess that I must be dreaming ?
I really hope that I’m dreaming…
Cos if this is really psychotrope
Then I’m trapped inside a kaleidoscope.

I guess there are folks who deal with this ev’ry day –
Does it make me a bad person to say
That I never wanted to end up that way ?
Like this way.  Like slipping down the slope.

Lis’ning to psychedelic noodling –
Are they slurred, or only me ?
It sorta sounds like forty-fives
That are played at thirty-three.

Don’t need drugs to hear the acid
Needle jumping, stuck on repeat –
It’s gonna be one of those Mobius nights
When Alice can’t find her feet.

Too much recycled diorama,
But if not drugs, then what have I taken ?
If only I’d swallowed some bloody caffeine
Cos I need to reawaken.

So why am I still here dreaming ?
Or what if I’m not here dreaming ?
It’s not any pills from off the shelf,
But maybe my brain has brewed some itself ?

Maybe it’s cloning its own serotonin all day,
Or morphing endorphins to help it to play.
Or doped-up on dopamine, drooling away ?
Who’s to say ?  Is it madness by stealth ?

Lis’ning to psychedelic mumbling,
Are they blurry ?  Hard to see…
This cover art is always changing –
Which side’s A and which side’s B ?

Don’t need drugs to see the acid
Sparking somewhere, distant, bleak –
It’s gonna be one of those unplugged nights
When the doors of perception creak.

Too much psyched-out sepia –
I don’t even own a secret stash,
But these uninvited thoughts wanna dance,
Now this party’s about to crash.

Can I still hope I’m nothing but dreaming ?
I gonna need help if I find I’m not dreaming
Cos I just don’t know how I’m gonna survive
If I’m right here awake and I’m streaming this live.

I don’t want to crash, but I don’t want to stay,
So help me to crash to an overcast day –
Cos there’s so many colours, I can’t find my way –
Help me, pray, when the DTs arrive.

Lis’ning to spaced-out psychic music,
Sometimes my mind is not my friend,
Cos psychedelic may sound angelic,
But it’s based on the blues in the end.