Parable of Architecture
Imagine that you’re sat at home,
Lis’ning to some Bach, let’s say –
When thudding through the party wall
Comes Iron Maiden, ev’ry day.
Now perhaps you rather like
To mosh from time to time –
But not at home – for home is Bach:
Subtle, delicate, sublime.
You’re not a snob, there’s room for both,
Though Eddie’s really out of place
At festivals of lilting strings –
They ain’t the stage to show his face.
And Glastonbury’s Pyramid
Is likewise not the perfect gig
For chamber-orchestra-quartets
To strut their stuff and make it big.
But ah, you say,
There’s shuffle-play:
A random stream shall come our way.
But if you try another’s Pod,
I bet you find their choices odd.
But now imagine, ev’ry day,
Their music blares until it bleeds –
They always crank it to eleven,
Cos that’s what our music needs.
And all your pastiche must be crushed,
For that is old and we are New –
We are the only tune allowed,
Cos all your heathen hymns are through.
But long before they moved next door
There used to live the sweetest song –
It’s gone forever, now, that air –
Alas, the future came along.
They took the song and stripped it bare,
Then slowed it down into the grave –
They tore its notes out, cleared its score,
To build their tune upon its stave.
But ah, you say,
That’s what we pay
To progress through to come-what may.
But I say we can play them both
If we just learn some civil growth.
Rhyming Couplets 