I Am the Artefact

pottery

I Am the Artefact

We are pit finds.  We fill museum drawers –
Not that we mind how we crowd your shelves and stores.
We excite you, we invite you,
With ev’ry coin and bead.
So much to learn from tax returns
And obscure housing deeds.

The seeker’s pact, if knowledge is your task: –
For ev’ry fact, a question more to ask.
What tales were told on harsh nights cold ?
The telling now is done.
So add your choice to our still voice,
Your best guess now our tongue.

You bring us back with trowel and expert eye,
And patient knack.  What gems in this dirt lie ?
A piece of pot or leaden shot
Or bones or spoil remains.
With these effects you resurrect,
Unearth us from the plains.

We are heroes of archaeology.
Where now grass grows was our society.
The soil is sieved on which we lived
And which maintains us still.
We’re sprinkled through this residue,
We feed this grassy hill.

All we achieved now fill the trays of finds.
All we believed, extracted from our shrines.
Our ritual sites and codes of rites
For life after we’re gone.
And proof !  For see – in surgeries
Our skeletons now hang.

In libraries, our wisdom told and bound –
Within these leaves more answers may be found.
Reporting news, our journals muse
Events which come to pass.
What headlines say in press today
Are taught in hist’ry class.

We are not dead, as here I write these lines,
Yet when they’re read, we lie beneath the vines.
And one day too then so will you,
Dear Reader, be consumed –
And in your turn may others learn
From your remains exhumed.

Monotongue

tongue

Monotongue

My Latin may be lacking,
My Dutch may be unknown,
In Thai and Greek I cannot speak,
My English stands alone.
If I can’t win with Mandarin,
I still might cast my a spell –
I shall compete with language sweet,
And use my English well.

Middle-Class Decline

people in train
Photo by Rishiraj Singh Parmar on Pexels.com

Middle-Class Decline

The world goes by on its way to work,
Quite happy – well happy enough, anyway –
Where poetry books are barely a quirk,
So little do they enter the fray
Of the working world in its working week
To render it a freak to thus
See one being read on the bus.
With sales so low and style so high,
They see no need to try to fathom out
Just what some faff-about is trying to say.
Those pseudy slims are best ignored
By the sensibly-shod of the hurrying horde
On a busy and bullshit-less day.

What they need is football, and punk rock, and thrillers,
And X-Box, and coffee, and soaps, and painkillers
And roses, and downloads, and sheds full of spanners,
And gardens with blue tits, and holiday planners,
And magazine fashions and diet’ry trends
And so many relatives, hook-ups and friends,
So is it a wonder they haven’t the time
For the nuance of slam or the absence of rhyme ?
And the world goes by on its way back home,
Too busy for chapbooks of monochrome.

Lost Couplets from The Auguries of Innocence

blake
William Blake by Thomas Phillips

Lost Couplets from The Auguries of Innocence

A louse plucked from a child’s hair
Shall cause this world to grow less fair.

A guinea worm dug from an eye
Shall leave behind a greater stye.

A flea disturbed before she dines
Is desecration of the shrines.

For veins of blood washed free of flukes
Shall topple kings and pillage dukes.

Each tapeworm flushed from out the gut
Shall see our stenchful filth in glut.

And tortures wait in Hell for he
Who cures amoebic dysent’ry.

If Ten were Twenty

brown numbers cutout decors
Photo by Magda Ehlers on Pexels.com

If Ten were Twenty

Is there any reason why
A zero should be naught,
Except that that is what we’re taught ?
But just to wonder, by-the-by,
If we could write an oh for ten,
And only turn the corner when
We reach eleven once agen,
And double-digits start.
And when we get to twenty, so
We’d write it as a one-and-oh.
(Perhaps we’ll call it ‘tenteen’, though,
To fit the part.)
It all works fine till ninety-nine,
Then ninety-ten for a hundred dead –
With still just two within the bed.
But the twins then run to oh-and-one,
Till oh-and-oh for a hundred-and-ten,
But dammit, we should be triple by then…!

Work in Recess

white stacked worksheets on table
Photo by Pixabay on Pexels.com

Work in Recess

This one’s for the redraft pile –
It isn’t good, but it is a start,
And I know there’s something worth-the-while
At its heart.

Somewhere in there, something good
(Not yet, but will be) sleeps.
I dare not wake it, even if I could,
In case it leaps.

No – let it lie – let it breathe
A month – or two – or six –
Let’s let it simmer, let it seethe,
And let its image fix.

Then pull it from the memory drawer
And shake it out beneath the light,
And get to work – a lot of work, I’m sure –
But not tonight…

Lurkers

cherries

Lurkers

I can’t be bothered to rhyme,
Though I probably will…

They sneak upon me, hidden from ear,
Slotting-in at the end of lines,

My tell-tale style,
As it were…

If I try to keep them out
The lines sound bare,

Or false and strained, somehow…
I know there’s some about,

But I can’t tell where…
Oh…yeah…I see them now…

Keydom

antique crumpled crumpled paper dirty
Photo by Ylanite Koppens on Pexels.com

Keydom

Keyring keys of ev’ry shape,
With some for deadbolts, some for latches –
Split-ring lodgers, each one waiting
For the only hole that matches.
Take them off the circlet, though,
And whether iron, brass or chrome,
They’re all alone and naked
With no hint to tell us where is home.
Somewhere, a patient lock is waiting,
But some keys hate to be tied down –
And keys that leave the ring of safety
Rarely ever will be found.
A life of orphan-hood they chose,
Who never will be collared through their bows.

Backwards Flags

it's backwards

Backwards Flags

When carrying a standard into battle,
It goes, by definition, hoist-first, fly-rear.
So carrying a flag upon the shoulder,
Just guess which way about it must appear ?
Well, on the left, it’s fine – but as we know,
The left is wicked-evil and despised.
And so we must accept the right’s subversion,
Which sees the nation’s banner compromised.
Just ask Brazil, who cannot even show
The sky that’s the right way around.
A God’s-eye approach, and never let us mind
The view of the plebs upon the ground.

And here is the Brazilian flag as it should be:

lizarb