Eponym’s Syndrome

clinician writing medical report
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Eponym’s Syndrome

When news is bad, then no-one thanks the messenger –
But rest assures, there follows much renown.
To make ones names can prove a fickle blessing:
Why, just ask Dr Parkinson or Dr Down.
Perhaps Dr Tourette has got off lightly,
In only causing ridicule and jokes,
Whereas for Dr Alzheimer or Dr Weil
There’s no-one ever pleased to hear those folks.

As if they’re gothic surgeons in a castle or a lair,
Meddling in such knowledge as should best remain unknown:
With Dr Hodgkin’s evil laugh and Dr Creutzfeldt’s crazy hair,
All nations tremble at the wrath of Drs Asperger and Crohn.


It’s sure no way to treat such heroes,
To have their good name turned to bad
As patients spit their syllables,
And lose whatever little hope they had.
These doctors, whose labours we ought to hail,
Have found themselves as harbingers of doom.
Do nurses fear to yet invoke these names
That always seem to summon up the tomb ?

As if they’re puffed-up prettyboys all posing in their lab,
All engineering new diseases, socket-wrenching genes apart,
Chasing fame at any price, copywriting ev’ry scab –
Until we gawp at Dr Bell’s and Dr Turner’s works of art.


When news is bad, there’s no-one thanks the messenger –
But better, surely, that we know than not ?
And largely thanks to these unwitting fathers,
These conditions shan’t soon be forgot.
And yet, for each new syndrome that they spawn,
Their children must carry their touch –
There’s few whose work can reach so many lives,
And few whose name is cursed so much.

As if they’re ancient tragic heroes, fighting with the gods,
To bite the apple, steal the fire, always seek the new –
Can we catch their genius, to bear their brand against the odds ?
Though maybe less of Dr Frankenstein, and more of Dr Who.

Rock Pocks

umlauts

Rock Pocks

Speckled is your Öyster and freckled is your Crüe,
Spıñal is your Motör and Hüsker is your Dü.
The diacritic critics may de-tittle in their punditry –
But I say, let umlauts roll with wänton-döt fecündïtÿ.

The ‘n’ in Spinal should of course have an umlaut, not a tilde, but the WordPress font just isn’t up to such awesomeness.

Though I always felt sorry for the German bands, who couldn’t be such Umlaut Louts – well, unless they gave their band a name in English – so The Scörpions could have gotten away with it, but not Rämmstein…

But of course, when it comes to the real stars of heavy metal, nobody is higher than Boötes !

Grammar Schooling

grammar

Grammar Schooling

Don’t be a grammar poser,
That’s my advice,
Don’t be the prig who is overly-precise.
If it ain’t confusing,
Or clumsy in its choosing,
Then best to keep your counsel, and to keep your comments nice.
We hardly need a mentor
Who’s sticking in his snout –
You really ain’t the centre
That our language spins about.

You know, there’s words I cannot stand:
Like ethics-speak and business-bland,
Or phrases strained until they break…
But here’s the thing: that’s just my take !
There’s words I cannot stand to use,
There’s words that gag and words that bruise,
And words I hoped were dead and gone…
But here’s the thing: I don’t let on !

But I suppose
If language is the topic of the day,
Then gentle comments on our prose
May help in what we wish to say.
But here’s the crux:
They should be just suggestions, never rules –
For language is a lively flux
That shouldn’t be our master, but our tools.

And as for double negatives,
Those twice-as-minus negatives,
We don’t need regs to balance negs,
Ain’t never not no-way misunderstood.
Do we need to cite some Austen
And the double-no’s she tossed in,
Just to make them seem legit ?
I bet you glean their meaning good –
And so you should, if only you’d admit.

Language is adaptive and pragmatic,
Always looking for the new.
Language is a melting-pot schematic,
Always stirring up the stew.
And yes, it’s often needlessly erratic
And ambiguous, it’s true –
But also it’s the one thing democratic
That we each of us can do.

Its beauty, you see,
Is in its redundancy –
Multiple ways of saying the same.
It may not be logical,
Or pedagogical –
Boy, though, it’s prodigal – always aflame !

Language is free to use,
Language is hard to lose,
Language is yours and is mine and is theirs.
Conflicting, resolving,
Mutating, evolving –
We each are its authors, its subjects, its heirs.

So don’t be a grammar poser,
That’s my advice,
Don’t be the prig who will always tell us twice.
These rules you keep imploring
Are rules we keep ignoring –
And if we’re fine without them, well, they’re hardly worth the price.
These errors you detect
Are as dry as they are long –
You may be quite correct,
But you’re so so wrong.

Sonnet for the Goats

selective focus photography of white goat
Photo by Djordje Petrovic on Pexels.com

Sonnet for the Goats

Upon the rapture, all believers fly
In rising waves of bodies Heaven-bound,
Abandoning their carnal life on ground
As pious aeronauts come fill the sky –
And leave behind our world of how and why
Which seeks to question that which is profound,
While churches fill too late, and prayer resound
With desp’rate, plaintive pleas, to no reply.
“Oh Lord, we wanted to believe.  No use !
We tried so hard, why must we stay behind
With only hell or void beyond the scythe ?”
But God is done with us, and cut us loose
To face the here and now.  Be not resigned:
Let’s brave the future, godless but alive.

Gillingas

milepost
Milepost by Simon Harriyott

Gillingas

“First recorded as such c.698.  Origin: (settlement of) Gilla’s people, from Old English -ingas ˋpeople of’.”

– How England Was Named

Eight miles west of Charing Cross
And just to south of Hanger Hill,
Lived farming folk whose Saxon Boss
Is with us yet, through his old ville –
Now while our names are doomed for loss,
Gilla’s people linger still.

Mate in One

grayscale photography of two chess pieces
Photo by Johannes Plenio on Pexels.com

Mate in One

Lay out your pieces, comrade:
With the tzar in the centre, his back to the wall –
Now just a figurehead, limping-scared, out-weighed
By his regent tzarina, striding bully-tall.
Propped-up by the church, with its zigging-zagging raid,
And crooked-jumping noblemen heralding the call,
As barons in their fortresses sidle and invade –
Headlong-forward charging through this no-man’s-land-in-brawl.

But out there in the frontline are the workers all arrayed –
Surging from their trenches, then trudging through the sprawl.
And even if they reach the end, they’re tossed-aside in trade –
And if they don’t, they’re sacrificed to spare the tzar his fall.
Enough !  Let them strike at those behind of them who stayed
Cowering astern as the fodder feeds the maul.
For even such a lowly piece can put the tzar to blade
Game over, comrade.  We both win, after all.

Spectacles

spectacles
The Glasses Apostle by Conrad von Soest

Spectacles

Strange to think,
How we used to blink and grope our way
Through the blurry day,
Our vision out-of-sync.

Ever since the needle was invented,
How the squinters were tormented
Without sharpness to apply
The thread into the eye.

But then, and just in time for printing,
Came the perfect cure for squinting –
All was focused once again,
From furthest hills to finest grain.

Of all our labour-saving friends,
I say the lens is friendliest of all –
It works so simple, cheap and small –
Such humble, perfect skill !

And yet so mighty, how it bends
All light unto its will !
To let us see, when genes and wear
Would waste our rods and blank our stare –