A survey sought to sample us Down to a thousand souls – I was never questioned though, So others filled my roles. But who were these individuals Standing in for me ? I always hoped to be unique, Not cloned so easily ! Am I nothing more than maths, A mindless analogue ? Am I so predictable, A predetermined cog ? Probably. With seven bill’yon-odd, The odds are high, All thinking they’re alone, like me – Statistically shy.
Once upon a rail, When the locomotives first set sail, Their engineers, they already knew That these were not just drab machines – No, each was special to her crew, Bedecked and tendered like a queen – And painted – donned with pride and with blue, Protected with their red, and enamoured with their green.
Stephenson Trials Melanie Marr, coming home on the train From a day-out in York and the Railway Museum – So many locos, and no time to see them, And only their colours stood out, in the main. From the first Locomotive, a wood-and-black fellow, The blaze of the Rocket, so pristine, so yellow !, To Brightons in umber, and Cambrian grey – But the big four were coming to sweep them away…
Brunswick A little lighter than British Racing, But darker than Southern and LNER – The perfect green, thought Melanie Marr, A green both dignified and bracing ! So Great Westerns got her vote, If she really had to make a pick. Some may call it middle Brunswick, They just called it locomotive.
Malachite Melanie never like malachite, Forever sandwiched inbetween – It wasn’t deep and it wasn’t bright, But under-ripe, and over-green. They could have had electric blue, Or merchant-navy silver grey – However fast the boat-train flew, That green would never save the day.
Apple The apple was fine, but they just couldn’t settle – A little unsure on the colour of metal. The Mallard was blue, much to Melanie’s sighs, With garter and overcoat worn in disguise. They’d muddied their branding, they’d chilled their panache – Are apples too homely for cutting a dash ? Why be so ashamed of so fruitful a sheen ? If you’re gonna break records, then break them in green !
Crimson Lake A name, she thought, like a matinee idol – A Paisley lass, or maybe Crewe, Who caught the deep red train to London, Changing her name, and her accent too. By the time she disembarked at Euston, She already was a star – Ready to faint in the melodramas, Ready to dine in the restaurant car.
Rail Blue British Railways had the pick, And flirted with a lively blue, But switched it back to Brunswick, quick, And endless green would have to do. But when the Railways stubbed to Rail, They tried a blue which hid the dirt – For Melanie, no greater hurt Could now disgrace the midnight mail.
Franchise Rainbow Privitised, and multi-coloured, Trains of ev’ry shade but beige – And some are old Great Western-dressed, But Melanie is not impressed. Call her spotter, call her dullard, But that was a diff’rent age – Now trains are sleek, but lacking sheen – Yet marketed by all as ‘green’.
Maroon The final leg to Rayners Lane, Yet not a trace inside the train Of the gorgeous purple of the Met. The tube-line on the map is all we get. But once the poles and seats would say That here maroon could still be found Within her train to work each day, When she was scarlet-fronted, Euston-bound.
The Future’s Bright Melanie, though now retired, Imagines what intrepid acts Await for her on down the tracks To get her boiler fired. In any livery, it’s plain That market-men have simply shown What engineers have always known – A train is never just a train.
Knowledge has always a dangerous gleam, And there in the Garden, that treacherous Snake Would tempt and corrupt with so cunning a scheme – To lead the naive from this Heaven to harm, For fog to be lifted and dawning to break, To shatter these shackles of innocent calm. But Eve bit the apple for humankind’s sake, For what the Lord fears is what humans can take – Just give us an inkling, just chance us an arm, The glimpse of a theory, the trace of a wake, The hint of a sequence, the ghost of a theme, The scent of a notion, the birth of a dream, We’ll bend it and twist it and pick at its seam, And build it and test it and lay bare its charm, Till genome and quantum are held in our palm.
The Illinois by Frank Wright, king of the wangers.
The High Cost of High-Rise
Okay, I’ll admit it – The expertise to scrape the sky, To build a hundred storeys high, The maths we truly understand, The engineering we command, To know the stresses held in steel, To take such plans and make them real… Okay, I’ll admit it, It’s a pretty bloody big amazing deal.
But just because we can, That doesn’t mean we always should, That competence is only good – That doesn’t mean we shouldn’t care, That towers often overbear, That carbon cost and energy To work the lifts is never free – So just because we can It doesn’t mean we have to boast so cleverly.
“No Free Will” can mean two different things – The first of these is in our brains That we’re simply biological robots, Thinking we’re free but forever in chains.
The second is that the Future exists, It already exists, so it has to arrive – And the only way from here to there Is to give up choice and to let fate drive.
According to boffins, it’s out of our hands, That we’re all algorithms just floating in space, And the only uncertainty’s not us, but quantum, And anyway time is all over the place.
Now I know pressure, and I know predictable, And I know duality – a body and a soul – But minds are physical, products of biology, Not separate from bodies, but under their control.
And yet…And yet… Honestly ? I mean, yes, I get what they’re trying hard to say, But it doesn’t sit with me. I don’t feel a slave even on the dullest day – You know, I’m feeling pretty free. And yes, we could be programed so we never notice anyway, Or maybe we’re just bluffing. I mean, we’re self-aware – does that count for nothing ?, Not that the universe would care. But when it’s down to tails or heads, To blues or reds, Or jazz or blues, That barely even matters which we choose – Well…have we still the power to refuse ?
And as for that time thing…what’s there to discuss ? How did the future even get ahead of us ? They say it isn’t set, That we still get to select, Except, of course, except, That the causes haven’t happened yet, But all of the effects are in effect.
But come on, we all know that it’s bollocks ! Of course we all get to make a choice, We’re not all living in a virtual simulation, And there is no cosmic script that we must voice, Now normally I show respect to scientists, But normally they have to prove their stuff – So I’ll rely on common sense and take responsibility, And I’ll be free, at least – or free enough.
You come so soft, sweet Twenty-Ninth, The sum of quarter-days – You take unmissed those surplus whiles, And solar-annual strays – And whether you are bursting Spring Or Winter’s final greys – You come for free, or so it seems, Through mathematic ways. We owe it all to Julius, Who’s clock the Earth obeys – He holds in trust your orphan times, And four years on, repays.
Is there any reason why A zero should be naught, Except that that is what we’re taught ? But just to wonder, by-the-by, If we could write an oh for ten, And only turn the corner when We reach eleven – only then Should double digits start. And when we get to twenty, so We’d write it as a one-and-oh. (Perhaps we’ll call it ‘tenteen’, though, To fit the part.)
Nothing happened, and ev’rybody laughed The calendar had clicked all four digits over With not a single meltdown or mem’ry overdraft Indeed, the new Millennium was very much in clover We ridiculed the doomsayers, tarred and feathered verbally, And claimed we’d never for a second fallen for their con – Our tech was indestructible, whatever their hyperbole, And got on with our daily lives as if the sun still shone. And the calendars clocked, and on we went, All thanks to the graft of the geeks we smear – The lack of excitement their greatest testament. We’re welcome. Happy new year.