At some point in the future, I would have laboured ev’ry day – I would have gone to work and back, Is what I would will say. But further in the future, I would have been retired by then (But not yet will have go to God), And I can would be looking back And I will wondered yet agen At how such phrases once will sounded odd.
The Future Habitual aspect is a clause of speech that linguists insist does not exist.
The President is dead. Who gets the nuclear code ?
“I” said the Vice, “I am the next in line, For the order is precise And this is my time to shine A cool head and a steady load.”
But now the Vice is dead. Who gets the nuclear code ?
“I” said the Speaker, “I am the next in line. All other claims are weaker And are junior to mine. I get to tread the royal road.”
But now the Speaker’s dead. Who gets the nuclear code ?
“I” said the head of the Senate, “I am the next in line. For that’s how the framers pen it – And their penmanship is fine. Let it be said, I am bestowed.”
So now the matter’s put to bed, He gets the nuclear code.
“Wait !” said the new head of state “Who now is next in line ? I must appoint a running mate, A brand new Vice to guard the shrine, To rule instead if I explode.”
“But hang on, boss” the new Vice said, “Hand over the nuclear code.
For you are still a Senator, And only acting next-in-line. I’m number two, you’re number four – I clear outrank you, so resign !, Before the Feds reach panic mode.”
So, now all logic’s fled, Best hide the nuclear code…
A minister’s office. There is a knock and the Professor enters.
Minister Ah, professor, good afternoon. It’s really very good of you to see me quite so soon.
Professor Oh, no trouble, Minister, no trouble at all. I came the very minute that I first received your call.
Minister Then let me bring you up to speed the problem facing here: Something has been happening, and something very queer. Something has affected quite the very way we speak, It’s spread across the nation within only half a week, It’s very hard to spot, of course, which makes it all the worse – But each and ev’ry citizen has started talking verse.
Professor But surely you don’t mean…
Minister Alas, I rather mean I do.
Professor But what then made you realise ?
Minister (on intercom) Ah, Bridget, tea for two. (to Professor) Oh, little things, just nagging doubts.
Professor You thought you had some pests ?
Minister We wanted to be certain, so we ran a batch of tests. We’ve got our finest boffins out there looking for the source.
Professor But why then did you turn to me ?
Minister It’s time to alter course. We need to find an antidote, we really can’t delay. And that is why I called you in…
Bridget (entering) We’re out of Earl Grey.
Minister Well never mind, well never mind, I’m sure this shall suffice.
Bridget exits.
Professor I really can’t imagine I could give you sound advice.
Minister But you’re our finest scholar, you must surely have some clue ?
Professor Nothing at the moment, I’m afraid.
Minister One lump, or two ?
Professor But are you really certain that we’re talking all in rhymes ? There hasn’t been a mention in the Telegraph or Times.
Minister We’ve had to keep it hush-hush so as not to cause a panic. Would you like a ginger-nut ? Don’t worry, they’re organic. Of course, it isn’t fatal – no, the country’s not entombed – It’s just so very curious…
Professor We’re doomed, by God, we’re doomed !
Minister Now not to be alarmist, or to overstate things grossly, You’d never even know it’s there unless you listen closely To the steady pitter-patter in the rhythm of each sentence…
Professor We’re doomed, I say ! We must all pray, and beg the Lord’s repentance.
Minister Professor ! Pull yourself together ! I need you now to think – There must be something, anything, to save us from the brink ?
Professor Wait ! There may be something…the problem is systemic.
Minister The problem is we’ve staring at a bloody epidemic !
Professor The problem is within the brain and its linguistic centre Now, usually it’s very good at recognising…
Door knock
Minister Enter.
Bridget enters and clears the tea things.
Professor …the diff’rences in how we speak, but something has confused it.
Bridget Shall I clear the paper, too ?
Minister I haven’t yet perused it.
Professor We need to shake it up again, with something quite sublime: By ending ev’ry sentence with a word that doesn’t rhyme ! Now ev’ryone’s aware that there is nothing rhymes with orange…
Bridget I’ve contacted the builders to come and fix the door hinge.
Professor Another word that comes to mind – there’s none to find with chimney.
Bridget That Watkins tries to feel my legs – he said I had a trim knee.
Professor There must be more, there must be more – I’m sure we’re safe with plinth.
Bridget That gift I need to buy your son – was it guitar or synth ? I’ve called the milliners – your wife has found her trilby small. Will there be something else ?
Minister No thanks, I think that will be all.
Bridget exits.
Professor There’s must be more examples, such as anxious, purple, month…
Minister No rhyme, say you ? That can’t be true ! Why, surely there is… There is… Hah ! You’ve done it ! I’ve stopped rhyming. How can I ever thank you professor ? Your suggestion will save the country. Finally, we can stop the rhyme.
Ev’ry staircase runs in two directions, Even MC Escher’s – Join midway – on a landing, say, And we all must make selections – Oh, the pressure ! Do we climb for the sky through the oculus eye ? Or sink in the bowel of the gravity well ? Perhaps it’s an endless trip round a Mobius strip, To spiral-step forever. Jacob’s dreams have gone to town, As the stairs go up, but the stairs go down – Descend today, and tomorrow we rise, Or labour now for a future of ease. Yet up is always hard on our thighs, And down is hard on our knees.
I won’t eat a creature with eyeballs to see, Nor noses or ears will I hurt. So that’ll be mussels and starfish for tea, And sponges and worms for dessert.
detail from Royal Sappers & Miners, Working Dress, 1854 by George Campion
Some Officers Have Coaches And Horses To Order About
Landau, take me down the lane. Hansom, turn beyond the trees. Phaeton, take me home again By fifty-four degrees. Ride a tangent from the mews To the sign of the Hypotenuse.
Adjacent to the Octogon, Opposite the bend in the strand, For a measurable distance on. Times by the four-in-hand. Send a spyder, send a fly, On a steeplechase by the root of pi.
On the Inability of many Victorians to adequately append to their Dissertations such short and succinct titular Benamings as would better serve their weighty Publications without exposure to crucial Details of sundry Devices and Plots thus delineated by which the presumed Reader is disprivileged and their subsequent Enpleasurement undersated.
Here’s a sing-song on playing ping-pong, With a rat-a-tat-tat on the tic-tac-toe With a whack and a smack and a snickersnack, With a there and back to the come and go – But the pitter-patter must clatter, I bet When heard from the other side of the net.
Here’s a song-sing on playing pong-ping, With a mi-re-doh to the swash and the swish, With a tock-tick tock-tick clacker-click, With a slow-slow-quick and a bosh-bash-bish, With a fum-fo-fi-fee la-la-land – But how does it sound if you play left-hand ?
Here’s a sing-ching on playing pong-pong With a buckle-my-Schubert under par, With a nee-nah nee-nah stick it up your jumper, Baa-baa blast-off twinkle star, With an eeney-meeny knees-and-toes – But how does it sound if you’ve got no nose ?
Here’s a see-saw on Plato plink-plonk With a yan-tan-tesseract mamma-me-and-you With an all-for-one and a four-four-two, A diddy-diddy-doo-da and lop-bop-be-doo With an ella-menno-pee and a ringo-john-and-paul But how does it sound from inside the ball ?
Here’s a *dok-dok* on playing *pat-a-pat* With a *boing-boof-bok* and a *spit-spot-SPLAT*
Strike a note – an A – with a delay to fade away and underlay the next you play. Strike a note – an E – and you will see how easily it echoes free within the key. Now slide away and do you see how this delay shall carry me Across the stay, the next, and three, till they decay in filigree ?
1. Trees are nice and all, But I feel I’ve already seen ‘em – They’re big and fat and tall, With not a conker between ‘em. And they’re so brown, So endless brown, Except where the leaves have greened ‘em.
2. I’ve spied these trees before On the other side of the woods – They’re taunting me, I’m sure, With their secret brotherhoods. They move about at night, I swear – For how else did those trees get there ? But when I question them, they just ignore, And won’t give up the goods.
3. Poplar black and willow white, I think that I have got that right – But easy to confuse them, each, Like copper birch and silver beech.