Category: Places

Traps

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DSC_5185 by Iwtt93

Traps

The books call this an igneous province,
As if a country of lava –
They also call these rocks an intrusion,
So more of an empire, rather.
But due to the terraces up the plateau,
They mostly call them traps –
Like a very slow escalator,
Till the warring flanks collapse.
Or are they prisoners to their nature,
Locked beneath the land ?
Heaving, layering, underpinning,
Mountains raised from sand –
Pushing-up from underneath
By stealth or by explosion,
To reinforce the battle
With the forces of erosion.
The books call these the flood basalts
That roll across the shield
Unstoppable, a stony horde
That sweep the battlefield.

Outpost

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Art by Vitaly Glovatsky (I am unable to discover its title)

Outpost 

Out here, we see them all come by,
All those that come this way, that is –
The trails round here are sparsely-spread,
And we are kind-of hard to miss.
There may be horses, may be camels,
Or shanks’ ponies – all depends –
And dogs, who have to earn their keep
As guards or hunters, or as friends.
There’s a wall to offer shelter,
Because winds and tigers can’t be tamed –
And then there are the soldiers,
For even barren parts are claimed.
So is it lonely ?  Not as lonely
As the eagles overhead –
And all will come this way in time,
There’s nowhere else to go instead.

Dune

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Speechless by Dave Platford

Dune

The desert is a beach
That has never known the sea,
A desiccated ocean
Where the bed has broken free,
A long-abandoned ruin
Where the rainclouds never play,
A once-abundant jungle
Where the trees have drained away.
The heat above, the cold below,
The sand will flood, the sand will flow,
And the waves are high, but the tide is slow,
And the haze is a shimmering spray.

America, We Need to Talk

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It’s Time to Build a Stronger America by James Flagg

America, We Need to Talk

Look, we get it, you’re still young and brash
With passion and guile of a sort we remember
From out of our youth, from cutting a dash,
When the world was in Spring and our credit in cash,
And watching you now, we still feel an ember
From deep in our hearts that we thought were but ash.

For we are the empires who strutted before you,
Who drank the same honeydew now on your lips –
With vassals and tributes to praise and adore you,
And patience and prudence to hassle and bore you,
So manifest destiny festers and grips –
And no wonder it finds you when none can ignore you.

We’ve all been there – we British and Roman,
We Persian and Aztec, we Mongol and French –
We each were as mighty, who answered to no man,
From horseback and gunboat, with longsword and bowman,
And bloodlust and mistrust we never could quench,
And the cripple’ing burden of being the showman.

It never quite goes away, of course,
As our never-set suns stop their beaming –
The memories built up in temples and wars
Which we cherish in secret, still keeping the scores.
The dreams we’re still dreaming at twilight’s last gleaming,
So some day shall all this be yours.

The Engineers’ Plot

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penge palace
Gems of The Crystal Palace, Sydenham by George Baxter, showing off the designs of Joseph Paxton

The Engineers’ Plot

Crystal Palace – it’s a suburb,
Station, park, and football team,
And a memory to a time
When this nation still could dream.
Once a product of Empire,
A palace to capture its roar –
Now just a flat-topped hill
In the Republic of Elsinore.
Straddling boroughs, pumping fountains,
Soaring towers, glass for miles.
Till flames across eight counties
Shattered her dreamy crystal aisles.

She no more beguiles – but that sounds Victorian –
Half vers libre, half Tudor sonnet.
Flirting with jazz and television,
Yet still bedecked in her bustle and bonnet.
She was no Bauhaus, no mere function –
Cast iron crockets encrusted her shell –
For all her prefab industry,
She always wore her baubles well.
Ah, she’s gone now – like her dinosaurs,
She’s of her time and place.
Though her place of course is the one she named –
You cannot say she leaves no trace.

Circle Lines

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city night architecture metro
Photo by Skitterphoto on Pexels.com

Circle Lines

I see the poems popping up again
Upon the Underground –
Prosy, earnest, and ignored
By all except the very bored.
They’re forced to slum it on the crowded train –
At least they get around,
But free from glottal-stops and grime,
And far too erudite to rhyme.
And yet, it does them good to mix where
Plain-spoke folk abound –
And tailor their delivery
To suit the Drain and Jubilee:

“Mind the gap please, mind the metaphors,
Next stop is Leicester Square,
Oh tyger tyger burning bright,
She walks in beauty like the night,
All-change for Euston, mind the doors,
Use Oyster for the cheapest fare,
Remember me when I am gone away,
The darling buds of May,
South Kensington for dinosaurs,
Beyond the spiral stair –
Early electric, to beat the queues –
Where is Skimble ? Men long for news.”

Horseguards

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royal guard standing near lamp post
Photo by Samuel Wu00f6lfl on Pexels.com

Horseguards

Come on down to Whitehall,
To visit England’s pride –
Fine-dressed guards on horseback stand
Sentry either side.

Come on down to Whitehall,
These soldiers trained to kill
With milit’ry precision sit
Absolutely still.

Come on down to Whitehall,
At eleventh hour
Watch crack troops all moving at
The rate of one horse-power.

Come on down to Whitehall,
They don’t do things by halves –
Our household guards can both stand guard
And pose for photographs.

Blown on the Windrush

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Blown on the Windrush

Oh London, my London !  Forever so fond,
Yet I heard of the rumours of places beyond –
For further than ring roads and suburban stations
Apparently lies there a wealth of far nations.
How greatly I dreamed of the boat and the train
And the tropical sun, now washed out by your rain.
For my riches are poorly, my cupboards are bare,
My travelling stalled upon your thoroughfare.

Oh London, my London !  You felt my distress.
And pitied my yearnings to quit your address.
For penned by your broadways, I longed to escape –
So you widened my cage from the Steppes to the Cape,
From Hong Kong to Lisbon, from Cairo to Cork,
From L.A. to Delhi, from Auckland to York.
With bright lights and glamours, and chiming Bow Bell,
You brought me the world, and their families as well !

Growing up in the boring countryside, I’ve always liked the idea of immigration – not for myself, far too lazy, but for the rest of the world to do the hard work of coming to me.  Though I guess I am a kind-of immigrant into London, and this was written soon after my arrival as I was still marvelling.  Looking back, it’s a bit dum-de-dum, but that pretty much summed-up my provincial output at the time.  What my poems needed was a splash of colour, and London was just the place for that.

Dressed in the Raiments of Emperors

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Lady Godiva
Lady Godiva by John Collier

Dressed in the Raiments of Emperors

Oh People of Coventry, turn not away !
For not only Thomas should view this display.

Oh People of Coventry, look not in shame,
She canters so proudly, erect in her frame.

Oh People of Coventry, unshield your eyes !
She wants us to watch her, to join her, to rise.

Oh People of Coventry, protest exudes,
So cast off your shackles, your breeches, your prudes.

The story is based on a real woman – Godgifu, Countess of Mercia, who survived her husband Leofric and died soon before the Domesday survey of 1086 (which lists her former lands).  The bareback ride doesn’t appear until the Flores Historiarum collected and retold by Roger of Wendover in the early HE 11200s (early 1200s AD), and Peeping Tom didn’t get a look-in until 11600-700s.

As for the poem, I wrote this so long ago that it feels almost as old as the legend.  Strange I was trying to channel socialist values through a protest over lower taxes !

Carcassong

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meeplestars

Carcassong

Highwaymen are looting on the roads beneath the Pyranees,
As abbots tend their gardens in the misty Marin breeze,
While knights are walled in cities with their castles, shields and shrines,
And farmers lie in fields while the sunshine grows the vines.
And the River Aude is rolling down
From mountain pass to coastal town,
And from the peaks we see for miles
The chequerboard of tiles.

It turns out, the highwaymen in the opening line were all working for Lucky Hans, busy swiping other people’s property. However, I hear there is a growing resistance movement aiming to Free The Meeple !