The Charon Line

styx
 Charon Carries Souls across the River Styx by Alexander Litovchenko

The Charon Line

We lined-up on the shore,
All so silently and patient,
As we waited for the ferryman to come.
The river was so calm,
And the air so deathly still,
And the souls were so sepulchral and so glum.

The sky above was black,
With no moon or stars upon it,
And yet light there was, from unseen candle wicks.
The ripples barely washed
On the river we all knew we knew:
Some say the Acheron, and some the Styx.

The sand beneath our sandals
Was a ghostly grey, and barren,
And was bunched up by the groynes that strutted out.
No birds were seen there wading,
And no crabs were on the scuttle,
And no barnacles or sedges, flies or trout.

Yet offering a focus
Was a short and ancient jetty –
Like a road to nowhere but the endless sea.
And here it was we waited,
With no sense of how long waiting,
For we hadn’t any other place to be.

Then through the unseen nothing
Came the faintest splash and motion,
As a distant dory drifted into view –
And standing at its stern
Was the sternest man left standing,
As he worked his ten-foot ore into the blue.

With a slow and practices action
Of his stroke, recover, stroke,
So his rust-red ferry glided to the shore
With not a punt too many,
He was docked upon the jetty,
As he paintered-up and shoulder-slung his oar.

Bearded and burly
With the bearing of a bull,
Looking old as both the river and the boat.
A loincloth and a cloak
Were his only grubby garments,
With his chest and thighs as hairy as a goat.

He stood upon the planks
And he held his other hand out,
Which we knew was for the taking of the fare.
We reached into our mouths,
And we felt beneath our tongues,
And withdrew the coin deposited in there.

Some could find no obol
And they feared they should be stranded,
And they clutched their worried forehead in dismay
But lo !, they found two pennies
Had been placed upon their eyelids
And they sighed with some relief that they could pay.

The boatman took the money
Which he dropped into a leather pouch –
He never looked, but fingers felt the coins –
He knew which ones weren’t obols,
And he tossed them in the river,
And their owners likewise shoved against the groynes.

In life, we might have wondered
Where he ever got to spend it –
But now that was no concern of ours at all.
Instead, we simply paid him
In our final ever payment,
And were left withouot a bead in wherewithal.

Those who proffered pennies
Earned a scowl and muttered whinges
On tradition, change, and numpties who know best.
But rules are rules, and tolls are tolls –
He pocketed the coppers both,
Then waved them on his barge just like the rest.

He only took a dozen,
As we sat on barest boards,
While he stood upon the till and plumbed his oar.
And those who couldn’t pay him
Were the stranded on the strand,
Who must wander through the wasteland evermore.

And what was waiting for us
On that other, distant, shrouded bank ?
We never tell, and you shall never know –
At least, until the day you die
And make the trip yourself –
Unless, of course, you’ve somewhere else to go ?

The Hustings Shuffle

hustings
View of a Hustings in Covent Garden by James Gillray

The Hustings Shuffle

Promises promised, but not to be kept –
They know it, we know it, and they know we know –
But it must be this way – it is what we expect.

Their promises come and their promises go –
We want to believe but we try to resist,
And say to ourselves that it’s only a show.

Their policies spin and their arguments twist –
We’re warned of the dangers their rivals equate –
Then hands must be shaken and babies be kissed.

We try to engage and we try to debate,
And try to remember it’s us who’s the boss,
Just looking for servants to tend to the state.

They beam out the smiles that they sharpen with floss,
They pose for our photos and laugh at our jokes,
And feel for our anger and pity our loss.

They tell us and tell us they’re average folks
From average backgrounds with average smarts,
Who love to get down with us ordin’ry blokes.

Beware their seductions, their flattering arts
That promise the world if our trust they may borrow –
We give up our votes and they crush our green hearts.

They leave us defiled and they show us no sorrow,
They love us today and they jilt us tomorrow.

Nicholmas Daisies

focus photography of purple daisy flowers
Photo by Beata Kamińska on Pexels.com

Nicholmas Daisies

They seem to be lasting for longer each year,
So long past September and into December –
For even in frost and in sleet, they appear –
Still shining in bloom on the thermal frontier.

And I have seen violets outlast their season,
And snowdrops and hellebores turning up early doors.
I wonder if climate change offers a reason ?,
For something is urging these flowers and trees on.

The branches are bare, but the apples still mellow –
We’ve bred them so hardy, it just makes them tardy.
Surprises of colour make strange bedding-fellows,
With the roses still red as the crocus bursts yellow.

I’ve always found the habit of naming flowers after the saints on whose feast day they bloom to be a shaky tradition in Europe, when one considers our pot-luck temperate maritime climate. Will there be an overnight host of golden St John’s wort on the 24th of June every year ? With our climate, the closest you can come is within a month. And of course, Easter brings its own complications.

Naming the Serpents

lilith
Lilith by John Collier

Naming the Serpents

Adam named the adder
And the grass snake and the asp,
The whip, the smooth, the ladder,
And the rattle and the rasp.

He named them, ev’ry one entire,
That slinked across the land,
From the cobra in the briar,
To the boa in the sand.

But one had never caught his eyes:
The one within the apple tree –
Yet that one we immortalise
In canvas, glass, and tapestry !

’Twas Eve who named the python
Once she’d tasted his delight,
She bet her very life on
How he’d hug but wouldn’t bite.

Turner Churners

Lights go on. Lights go off. Lights go on. Lights go off...
The lights going on and off…and on…and off……and on………and off………

Turner Churners

The critics will faun it, the Mail just loathes –
The public’s not stupid, it’s in on the deal –
We’ve always known it’s the emperor’s clothes,
It’s only the artists who think it’s for real.
And all’s just performance-ing art in the end,
These artists we hate yet adore:
That pompously-arrogant, smugly-camp blend –
Such wonderful caricature !

The Only Poll That Matters

person dropping paper on box
Photo by Element5 Digital on Pexels.com

The Only Poll That Matters

I wish I could urge you to vote with your hearts,
But alas, it’s all just a game –
It forces us each to the cynical arts
Of tactical voting and blame.
Supposing, just for the day,
We lost our hate, we lost our fear ?
Then, no matter who won, I say
The revolution would be here.
But until, don’t give them an inch –
Let’s make them guess and sweat and pinch,
And keep your ballot confidential,
Share it only with the pencil.
No rosettes and no balloons –
And lie, lie, lie to the pollsters’ goons.

Virgin Birth

madonna & child
Beeata Maria by The Black Cat Masque

Virgin Birth

Mary, Mary,
Little fairy,
Like those Grecian girls of old:
The bull and swan have entered in,
The golden rain has soaked your skin,
So what’s inside,
Mary Bride,
And were you told ?
Like the girls and the Nephelim did when they kiss
In the book of the partheno-Genesis,
So a tale this big is too big to disbelieve,
And the giants in this world are conceived
By women who are bold.

Mary, Mary,
Extr’ordinary
How does your foetus grow on its own ?
Maybe a haploid, unfertilised seed,
That’s only half a human, indeed !
So are you sure,
Mary Pure,
Just what you’ve grown ?
But it has been shown in the lizard and the aphid,
And a miracle Messiah has been prophesised since David,
In a tale so big it’s too big to be denied –
So the drag-king of the Jews must be supplied
Through your daughter – through your clone.

Last in Flower

rose in snow

Last in Flower

Time to start the annual eyeing
Of the final blooms in bloom,
Before the Winter dying.
Which will be the final womb ?

Ivy, maybe, maybe daisy,
Roses far too slow and lazy
To be done and gone by now.
Asters equally as surly,
Gorse that’s late and jasmine early,
Petals braving frost somehow.

I guess they’re mainly cultivars,
These freaks who just won’t quit,
These suicidal stars –
All for our benefit.

But perhaps there’s evolution here,
With all the competition clear –
The last shall be the first.
Goldenrod and wintersweet
Are hanging on so long, they meet
The snowdrops when they burst.

Desert Island Diss

on the beach

Desert Island Diss

Eight songs ?  Just eight songs ?
Then how will I even survive ?
Eight thousand is nearer the mark
To keep my spirits alive.

Eight song played back-to-back
That’s half-an-hour-ish, tops.
Just half-an-hour of paradise
Until salvation stops.

Washed ashore with a gramophone –
The wind-up kind, I’m guessing.
You’ll need a bigger bribe than that
To get me to confessing.

It always sounds such agony,
This torpid, tropical clime –
I’ll take the grimy, busy rain
Of cities ev’ry time.

There’s Bill and the Bible, as well, of course,
So that’s the loo-roll sorted,
But for my pick of luxury,
I’d like to be deported.

Eight songs ?  Just eight songs ?
Is that all you’ll allow ?
If music is so rare and cruel,
I beg, please drown me now…

Lightfast

stop sign

Lightfast

All those old signs with dyes on the cheap,
That lose all their red in the face of the sun.
Once they were young and eager to help –
But now they are monochrome, caring for none.

I guess it was the ultraviolet
Wore them down with covert light –
One-by-one, it breaks their bonds,
Until they turn surrender-white.

All those old signs, proud warning signs,
Now they are barely in slight.

But the blue signs, they are made diff’rently,
They’re made from more costly pigments and paint.
Why should they care if the sun’s so strong ?,
It bounces away with nary a taint.

For they were cast in ultraviolet,
Feeding on its flame and spite –
And then make sure that the sun is packed
With endless stocks of scorching light.

All those old signs, proud ‘turn left’ signs,
Now they just point to the right.