The Horticultrix

Sprintime by Pierre-Auguste Cot

The Horticultrix

She worked for the council, she mending their greens,
And their roundabout gardens and motorway screens.
She weeded their paths and she tended their sprays,
And swept up their cherries’ displays.

Her hedges were sprinkled in sloe-blossom white
As I asked if her lanes were a primrose delight.
She plucked me a buttercup, proffered with thanks –
As dog-violets guarded her banks.

We kissed to the hum of the first of the bees,
As the belfries of bluebells all chimed in the breeze –
And daffodils trumpeted Springtime unfurled,
As fiddleheads flexed and uncurled.

The teeth of the lions were under our thighs,
And they ev’rywhere shone from forget-me-not skies.
We trampled their verges, enrapt and entwined –
The daisies, though, seemed not to mind.

She showed me the places the tulips grew wild,
Aloud and ablaze, then eleven months mild.
Their flowering passion so vital, so brief –
And ashwoods were not yet in leaf.

The lords and their ladies unwrapped their white cloaks,
And the crockets were sprouting on beeches and oaks.
Our lessons botanic were daily resumed –
At least, till the mayflower bloomed.

A Qroq of Qraq

A Qroq of Qraq

Q’s without U’s,
You’re not fooling me –
You’re out to confuse
With your Q’s floating free.
But I know you’re trick –
You’re just curly K’s,
With a kick and a click
To anchor a phrase.
Yet sometimes in French
At the end of a word,
A Q is what’s mentioned,
But K is what’s heard.
And Arabic’s full of ’em,
Inuit too,
With gutter and phlegm
To push the sound through –
Less plosive, more fricative,
That’s what it’s telling –
It’s purely indicative,
Snobbish in spelling –
For only a Scot could
Hope to pronounce it –
No Sassenach should,
They’ll mangle and trounce it.
And that’s not a problem,
It’s just how they speak –
They’re likely to drop them
Than rumble or squeak.
And why must we write down
These non-English letters
For non-English sounds,
So the cringing trend-setters
Can show how well-travelled
Their spellings display –
With words that unravelled
When struggled to say.
So spare the obtuse views
On grammatophones –
We’ve no use for loose Qs
Without chaperones.

The title is intended to be a play on ‘crock of craic’, but I had to ditch the superfluous k and i.

Underproduced

Photo by Nothing Ahead on Pexels.com

Underproduced

Stripped-down and unplugged,
Going back-to-basics –
These are words that fill my ears with dread.
Guitars strummed and harps tugged,
Waxed and polished double basses,
Drummers told to stay at home instead.

I don’t want your simple sound,
I want music complicated
I want synths that growl and pound,
Electrified, not automated.
Full of intricate design,
Not simply autotuned and gated –
I want music of its time,
Not scared of being dated.

Hashed out and doped up,
Family-friendly faceless,
Perfect songs for sending off the dead.
Slowed-down and moped-up,
Going back to basics –
These are words this fill my soul with lead.

Bread Stick

Bread by Anthony Starks

Bread Stick

People love to grumble over supermarket bread –
“It isn’t really fresh, you know” I’ve often heard it said,
“It’s made in batch in Swindon and then frozen” they explain,
“So all they do in bakeries is heat it up again.”
Croissant, bap, or pumpernickel,
Loaf-lovers sure are fickle –
Kneeded crumpets, seeded squabblers,
Talking sourdough and cobblers.

You know, that doesn’t bother me, as long as they still taste –
And oh!, the smell of toasted carbs will never go to waste.
But why are still-warm loaves just plonked on open racks for show
In the air-conditioned hell that sucks all moisture from the dough ?
Cardboard slices, leaden grain,
With all self-raising turned to plain.
Golden crust and pain-au-choc,
As dry as dust and hard as rock.

Spring Pruning

Prunus laurocerasus by G Reid

Spring Pruning

My neighbour disliked her cherry laurel
And asked to borrow my saw.
She offered me all the wood for my fire
In exchange for my muscle and jaw.
And so we chopped and chatted all morning
On what we joked was her ‘ranch’.
She called it an invasive species
As we tackled its largest branch –
She certainly didn’t remember planting the thing,
So out it went
(Though she waited till all its blossom had dropped
Which had lasted all through lent.)
I’ve heard when burned it smells of cherries,
But we scented almonds that day –
She said, well that’s the cyanide,
Remember, this laurel’s no bay.
We made fair work of its lily-white wood
Till we left its stump for bare,
But we still got a slight furriness in our mouths,
Despite our gloves and care.
I offered her a seat by my fireside
Watching her tree disappear,
But she said I needed to season it first,
So call her up in a year.

Quantums

World’s Oldest Working Clock by Anita Gould

Quantums

Once a time, the clocks would tick,
Like any decent metaphor –
By slicing up the passing time,
And tolling out their hourly chime.
Pocket watches, chirping quick,
Longcase , slow and sure,
Tick-tock, clip-clop, out they’d trot,
When seconds were a noisy lot.
Yet now, they’re silent and they’re slick,
Just oozing moments from their store –
But still they serve to spread the word
How time is slipping past, unheard.

Tinny Tonic

Pet Work Translation Tools by Son Luu & Pedro Oliveira

Tinny Tonic

When songs go on too long,
When six minutes should be three –
Well, that’s when they change key.
Your skeleton-solution,
Revolution-by-indentikit –
It doesn’t pick the lock, but bludgeon it.
Nothing says you’ve run out of ideas
Like modulation,
Crunch-changing gears by slurring-up the speed –
Won’t you spare my tears
From your pinched-throat oration,
Your goodness-me vibration to make my ears bleed ?
I wish it were an octave that you’d shifted,
Or used harmonies,
And not just drifted-up a third
For yet one more reprise.
And please, don’t start ad-libbing
Like a gibbering MC –
There’s a reason why they call this bullshit ‘scat’.
Your climax won’t excite me
By just singing out of key –
The sparkle in your tonic has gone flat.

John Bull Jack

boots footwear indoors parquet
Photo by Emily Wilkinson on Pexels.com

John Bull Jack

        1.
At least with patrons David and Patrick,
They visited the lands which went on to claim them –
But George and Andrew are strangers to Albion,
(We had local talent, but no-one can name them).

I bet they never heard of us, we’re just some hicks from out the sticks –
They’re busy being famous, they won’t return our call.
To patronising saints, we’re just fanboys with a crucifix –
Mini-me Man-U supporters, posters on the wall.

        2.
But then, what does it matter, we say ?
Especially for England,
Especially on George’s Day.
The red and the white are only for fascists –
The Guardian insists, okay ?
And the bleeding hearts will wail –
That the flag is now the province of the Mail.
People, haven’t you heard
That patriotism is a very dirty word ?
The only time, the only time
That national pride can still be shown
Is during the World Cup alone.
And when they lose, that very day,
The flags must all be put away
And never more be flown.

        3.
Ah, perhaps I’m being too hard,
But still the Left can’t lose the twinge
To see their homeland as only bland and scarred.
They never can relax their guard,
Or shake the shame and cultural cringe –
They love the stranger, hate their own back yard.
And yes, I know the old old stories –
Slaves and Empire, toffs and Tories –
Nobody’s disputing –
But still there’s Newton, Attlee, and the Bard !
So all the more the need, I say,
To set aside a National Day !
Forget old Georgie – let’s be cannier,
Make ourselves a Saint Britannia –
She can be our national birthday card !

Trick or Lure

Trick or Lure

I love the Union Jack,
Far more than any church or crown –
I love the way the patriots all wag.
I love it on a tea-towel,
I love to wear it as a gown,
Or on my underwear and pocket-rag.

I love the Union Jack,
I love to see the whites fade brown,
I love to see it limply droop and sag.
I love to snub the Welsh as well,
I love to fly it upside-down,
And call the flag a Jack and not a Flag.

Cornucopia

Desert Bighorn Sheep by Bill Gracey and Two Ramshorn Snails by Destroysoil

Cornucopia

Ramshorn snails with ammonite shells,
A spiral without a hint of helix,
More like a wheel than a pyramid, I feel,
Just adding variety into the mix.
Some look drunken with sideways shells,
Half flat on their backs and half-falling off
Like a coil of rope – but they seem to cope,
And it’s still a home, and we shouldn’t scoff.

And honestly, they’re shaped much more like a ramshorn
Than any ram’s horn, which is more like a corkscrew –
Though any shepherd could tell you with scorn
That some horns’ spirals leave gaps you could walk through.
Unlike the snails, those geometric purists –
And yet they’re just tourists in the twist of fate –
They barely take a turn and let the helter-skelter churn,
Yet rams’ horns grow ev’ry which way but straight.

But I know what you’re thinking: what about the hermit crabs ?
What of it will spring-loaded scavengers make ?
Will they recycle these torus-shaped slabs,
Or are they afraid that their body-skew will break ?
Is such shelly symmetry unnecessary gimmickry ?
Or circular efficiency for streamlining’s sake ?
Much better suited than the filigreed or fluted,
Or the messy-convoluted coilings of a snake.

Ramshorn snails with ammonite shells,
So ambidextrous in their twisting –
Easy gliders or top-heavy sliders ?
Some are upright, and others are listing.
If snails have ramshorns then rams have crownhorns,
The biggest ones worn by the king of the dales –
And even when shorn, it becomes a shepherd’s cornet
To warn us of the wolves or the thieves or the snails.