Mockingbirds
OO is for Hoopoo,
U is for Duv,
O is for Swon and for Folcon, my luv.
H is for Wooper,
F is for Chuff,
Z is for Fezzant, and pritty enuff.
N is for Natcatcher,
K is for Kwail,
J is for Pijjon, who’s bringing the mail.
I is for Ider,
R is for Ren,
T is for Tarmigan – ta-ta, my hen.
Sons of Milka
Uz and Buz were brothers,
Way back in the Bible-time,
Who rightly cursed their mother
For her blatant naming-crime.
Uz was older, but Buz was bigger –
“The whole of you is held in me,
Yet I am more than your slight figure,
For you shall never be my B.”
“Not so !” said Uz, “For in the lore
Of old King James, I’ve letters three –
I have an H that stands before,
So they dub me Huz in the KJV !”
So, Uzz and Buzz, or Ooze and Booze ?
Or maybe one of each, who knows ?
And in the end, they got to choose,
But never told us what they chose.
The Rhythm of Life
I cannot dance to seven-four,
It always sound so incomplete –
The lines are rushing, overkeen,
They jump the gun, they crash the scene.
It’s never seven-to-the-floor
That jolts me up out of my seat –
We talk in trochees, think in rhyme,
We walk and breathe in common time.
Heartbeats are waltzes, though –
Three-four and quick-quick-slow,
Atrium, ventricle,
In-out-rest metrical,
Pulse and diastole,
ONE two (three) ONE two (three)…
I cannot dance to seven-four,
I nod along, but off the beat –
It may be close enough for jazz,
But lacking somehow in pizzazz –
For music isn’t just the score,
We have to feel it in our feet –
And I have two, not one or three,
So what use surplus notes to me ?
My hips ain’t sound technicians,
My feet ain’t math’maticians,
So they’re losing their positions,
When the bar keeps on clipping,
When the beat keeps on slipping,
Till my sole fills the hole
With the wrong sort of tripping.
I cannot dance to seven-four,
I don’t possess such odd-timed feet,
I’m not a pro, I’m just a guy
Who wants to groove, not reason why –
And dancing shouldn’t be a chore,
I shouldn’t have to count the beat,
So call me boring, call me white,
But four-four lets me dance all night.
Unsigned
She never signed her painting –
It always seemed a little vain
To have her name just floating there
Unnoticed by her sitter.
She’s didn’t want such tainting
To blemish with a boasting stain,
To clutter up her canvas square
With copperplated litter.
She always hoped her styling
Would clearly show who held the brush –
And if that didn’t tip the wink
Then hey ho, mum’s the word.
But she could not help smiling,
And sneaking-in (but keep it hush)
In ev’ry artwork, paint or ink,
A trademark ladybird.
It could be on a daffodil,
It could be woven on a dress,
Or scratched into a windowsill –
It’s anybody’s guess.
It could be jewelled into a brooch,
Or iced upon a currant bun –
Or yet emblazoned on a coach,
But definitely fun.
So whether pest or saintling,
Her beetles were her secret claim –
Some were bigger, others smaller,
Some were rather blurred.
She never signed her painting,
And history forgot her name –
So galleries must call her
The Lady Ladybird.
Portals
I’ve seen too many doors,
And they’re nothing much, just doors –
Just as expected.
I open them, I close them,
Or I pass them by unnoticed,
Disconnected.
I’ve turned too many knobs
And I’ve knocked too many knockers
In the gloom,
Yet never thought about them
Till I find I need a way
To leave the room.
I’ve seen too many doors,
Be they oaken, deal, or plywood,
Or cold steel.
I push them and I pull them,
Or I sometimes have to slide them
With a squeal.
I’ve crossed so many thresholds
And I’ve stepped on many stoops,
Both front and aft,
Yet never thought about them
Till I find I need a way
To stop the draught.
Fishes & Physics
Gentle Francis Willughby,
To best of his ability
Has written us a thriller – see,
The History of Fish !
Illustrated lib’rally,
Meticulous and jibber-free –
No charlatan or fibber, he,
But honest, if not swish.
The Royal-dubbed Society
Have praised his work most high and free,
And published with propriety
His dense and hearty dish –
Examining their parity
And countless similarity,
To classify with clarity
Each finble, scule and gish.
His work will lead inex’rably
To Karl Linné’s complexity
And Darwin’s sexy theory
That the bishops try to squish –
Yet mocked in perpetuity,
His book an incongruity,
For lacking the acuity
Of Newton’s masterpiece –
His grandiose Principia,
That makes the heavens trippier
And gravity much nippier,
Is straining for release.
But things are tight financially,
With profits down substantially
And Newton sees his chances flee
Despite the Fellows’ wish –
They cannot foot the bill, you see,
The budget’s blown on Willughby –
But don’t show Frank hostility,
He’s not so queer a fish.
Epeira
The European Garden Spider
Bore a name both accurate and dull.
Till some do-gooding Victorian
Decided to give the matter a good old mull –
And, believing truth must always bow
To poetic hyperbole,
He grandly named them all orb-weavers
And wrote to the Times after tea.
Who cares if the webs are as flat as a silk cravat ?,
(Of course, monogrammed).
Should he have named them all plate-spinners ?
Geometry be d-mned !
West Country R.P.
Ev’ry -ing is singing,
And ev’ry plosive plodes,
Arrs are round and rhotic –
But not to overload.
Vowels are never clipped
And haitches never drop –
Ays are broad and classy,
And glottals never stop.
Cecily Census
“Let’s count the pigeons !” That’s just what she said,
As she pointed out a trio pecking pavement up ahead.
One was grey and one was blue and one was sandy brown –
“I bet we get to fifty by the other side of town !”
So hand-in-hand, we kept the tally,
Up the street and down the alley.
“Let’s count dandelions !” another time she said,
As she pointed out a golden host within a council bed.
Some were buds and some were clocks and some were full of roar –
“I bet we find a hundred round behind the superstore !”
So side-by-side, we kept on counting,
Till we reached the mouldy fountain.
“Look at all the wrigglers !” on a rainy day she said,
As she pointed out the molluscs that had made us watch our tread.
Some were black and some were brown and some were rusty nails –
“I’ll count all the sluggies up, and you can count the snails !”
So one-by-one, we kept the score,
But I forget who had the more.
“Look at all the people !” on a sunny day she said,
As she pointed to the crowds that loitered while the man was red.
Some were old and some were young and some were inbetween –
“I bet we see a dozen more before the beeps and green !”
So back-to-back, against the crush,
We totted up the lunchtime rush.
“Look at all the pigeons !” just the other day I said,
As I pointed out a posse crowding round a crust of bread.
Some were fat and some were thin…but none were worth her gaze –
“Oh dad, you always say that when we meet on access days.”
So that was that, no longer fun –
Our number-taking days were done.
Nil-Nil
Defenders – nobody likes you –
Nothing but bouncers, bunch of blockheads
Stamping on the fuse of the strikers’ rockets
Petty bullies, the whole ground spites you –
Cheering for the brave centre-forwards in attack,
They’re hoping they can sparkle as they net one in the back.
Defenders – champions of ‘nope’,
Flat-footed jobsworths, the crowd has made you deaf
As they jeer and curse and hate you, more than any ref.
Sneering killjoys, crushing our hope
To keep the boring status quo –
This is business, it ain’t a show.
Professional athletes are entertainers, pure and simple. If you want us to pay you to perform, you’d better bloody perform ! My solution to discouraging goaless draws and make them pull their fingers out ? Simple – if both teams start the match with no no goals and no points and end the match with no goals, then surely they should end it with no points between them either.
As as for cup games, none of this can’t-be-arsed keepball until penalties – if they end in a draw then both teams should be eliminated ! Perhaps their place could be taken by the losing team i that round who managed to score the most goals. Alternatively, at full time we could enter golden goal territory, and the game doesn’t end until we get one ! I don’t care how long it takes, or how knackered they get, they can’t leave until they remember why they’re there in the first place. We can even make it more likely to come sooner than later with a couple of special rules – first, any injured player must leave the pitch for treatment, and then is not allowed back on. Similarly, any first yellow card in this time is a walker – maybe not in terms of ongoing punishment, but ceertainly in terms of this match. And finally, the ref needs to keep shoppages to a minimum and keep the ball in play.
After all, we all know how differently a team plays when they know they have to win as opposed to know they just haave to not-lose.
Rhyming Couplets 