Boötes

booties

Boötes

So, two ohs, and an umlaut to boot –
Or is it four ohs, of differing size ?
Who knows ?
Is the e long, or is short, or mute ?
You might as well pray to the skies !
How many syllables ?  Which one to stress ?
Your answer’s a guess –
Claims to an ancient authority, false and unwise –
That way, pedantry lies.

So is he a guard for a bear (a big bear)
As says his main star ?
Or a plough ?
The Greeks said it’s really the cart of a cow.
Well, I see a plough, or dipper, or cart,
But how in all of this heavenly art
Is that a bear ?  (And black, or white, or brown ?)
Enough !  I swear, I’ve had it with this clown !
I just want to say his noun !

If we take a telescope to the second O,
And focus in on its second moon,
The one at five-past noon –
Will it show us satellites of its own ?
And could we keep on zooming-in
To find another fractal clone ?
Like double stars, like Gemini,
There’s more than meets the naked eye –
Unpronounceable, but not alone.

Rhubarb Mutterings

burbarb

Rhubarb Mutterings

Burdock is a spit for rhubarb,
Giant leaf and fleshy stalk,
As if a kitchen garden has been on a woodland walk.
It’s not a sorrel, (nor a laurel),
’Spite of what it’s name may say –
Its lineage ain’t sitting with the dock nor with the bay.
It’s true it grows from burrs,
But its barbs all grow up rhubarb-y,
All decked-out in another’s species’ garb, apparently.
At least until it bolts,
When its thistleheads are in the hedge –
Unlike the cauliflowers of its doppleganger veg.
And then there’s the invader –
The mutant, spiky, giant kind –
Whose leaves atop are rhubarb, but beneath are sharply-spined.
They aren’t at all related,
When these three have never shared a bed,
It’s just the way plants get when they get big and broad and red.

The Registrar

green plant on clear glass vase
Photo by Lisa Fotios on Pexels.com

The Registrar

I see them on the seats – all waiting, waiting patiently –
The loved-up couples holding hands and smiles,
Others with a carry-cot – happy too, but somewhat tired,
And those who simply sit and stare for miles.
They all have to come here, face-to-face, and talk to us –
Fiancés booking churches or our hall,
The parents who haven’t quite decided on a name,
The loved ones left behind – we see them all.
The not-yet newlyweds, or the newborns needing paperwork –
A second birth, officially existing,
A passport to a passport, to a doctor and a school,
With their whole life held within this single listing.
And then, amongst this joy, there are the ones to register a death –
It’s often by the next of kin, as if a final test.
Sometimes slipping peacefully, sometimes out of nowhere,
Sometimes only following an inquest.
We try to keep the office looking neutral and, well, yes, bland –
It does not, cannot, suit for either side.
A vase of flowers helps – though more white than colourful –
Compassion for the griever, confetti for the bride.
All must be recorded in our special everlasting ink,
The wedded and the born and the deceased.
It may be bureaucratic but the future’s sure to thank us,
And our touch is always personal, at least.

Flinders

blue brown white black
Photo by Pixabay on Pexels.com

Flinders

Why are butterflies butterflies ?
And have been since Old English ?
And no, the Saxons didn’t call them ‘flutter-bys’,
Despite our wish.
Some are yellow, sure, but only some,
And gardens host more than a dairy –
Perhaps it’s simply fanciful and rum,
Like ladybirds are named for Mary.
P’raps the word trangresses,
Metamorphed from ones for ‘beat’ or ‘bug’ ?
But these are only ever guesses
Answered only with a shrug.
Other just-so tales are told,
Like witches flying in disguise –
But nobody, however bold,
Can pin down butterflies.
Yet why should language be so artful ?
Let it keep its logic pure,
Or else, like poets by the cartful,
All we get is endless metaphor.

But other lands are just as likely
To endow them with a role –
The Greeks would call them psyche,
Which they also called the soul,
And Romans said papilio,
The Portuguese say borboleta
What they mean, though, we don’t know,
And your guess is no worse or better.
Spanish use of mariposa
Means ‘Maria, up and fly’ !
Italian farfalla shows a
Meaning shared with a bow-tie.
The Germans call one Schmetterling
For ‘cream-lette’, and the Russian word
Is babochka, for ‘grandma-on-the-wing’ –
Now this has got absurd !
Yet why should language be so frugal ?
Let it flash its colours high –
Or else, like Danish sommerfugl
All we get’s a literal ‘summer-fly’.

Con Spiracy

Diana V

Con Spiracy

Need a good conspiracy
Of shadowy cabals replete with omnipresent spies ?
There’s always the Illuminati,
With their fingers on the pulse and firmly in the pies.

Link them into Davos, sure,
And Hollywood and NASA, and the Barons of the News,
And throw in Templar Knights of yore,
And shake them up with Satan, and then blame it on the Jews.

But why would any self-respecting paranoid
Of all these “scum”
Insist they’re really lizards from across the void ?
Now that’s just dumb !

Swimming Head

sunfish
A Mola mola Relaxes… by Paul Nicklen

Swimming Head

The Ocean Sunfish, Mola mola
Why the adjective at all ?
Why the need for double mola ?
Is it cos they’re so un-small ?
Just a puffed-up pufferfish,
And over-named to double-check –
It moons around encumbered
By this millstone round its neck.
And yet, it turns out, other sunfish
Share the genus and the name –
And even unrelated fish
Are rashly called the same.
So fair enough, the ocean kind
Is thusly dubbed to be precise.
And as for mola-of-the-Mola –
It’s so good, they named it twice.

The Raggèd-Rouser Novelist

barrington
panel from a graphic novel by The Rickard Sisters

The Raggèd-Rouser Novelist

The trouble with writers, back in that day,
They never had chances to finish the job –
Just splash on the whitewash, any old way,
And promise and short-change and rob.
Too many loose-ends and threpenny warts,
Too many set-ups with no second coat –
Till Misery’s suddenly out of his sorts,
And the author is slashing our throats.

I came for satire, complexity, and human drama – but left with cyphers and a lecture…

April Love

clyde
Shipping on the Clyde by John Atkinson-Grimshaw

April Love

It rained the day I met you,
It poured the day you left.
And truth to tell, the drizzle fell
From rapture to bereft.

You deluged, and I let you,
Then you stormed right out my door.
And as you swept, the heavens wept
In tawdry metaphor.

My memories are wet through,
My hope is all washed out.
I do not need the sky to bleed:
My tearducts face no drought.

“Tell me more of this Earth thing called kissing”

humanoids

“Tell me more of this Earth thing called kissing”

The trouble with your aliens
Is in their heads and mouths and eyes –
It’s that they even have these things
On Barnard’s Star and Saturn’s rings.
‘Convergent evolution’ can’t explain
Your humans in disguise –
It takes much more to say ‘out there’
Than silver skin and purple hair.

Just look at what we have on Earth –
Octopuses, jellyfishes –
These look far more alien
Than a pointy-eared mammalian.
But we buy into your blatant lies
(In part against our better-wishes),
As the only show in town,
To get our fix of upside-down.

I know, I know, you still need human actors
Who can play them –
And we, the audience, must read
Emotions in each xeno-breed.
But honestly, such life should be
As branches from a foreign stem –
So vastly diff’rent body-planned,
So freshly-weird and oddly-grand.

So think beyond the tooth and arm,
The exo-shell and tentacle !
The trap your aliens befall –
They just ain’t alien at all.
For why would humans stride the stars
If space is all identical ?
Let’s have some art and CGI
That let imaginations fly !

Unvolted

sonnets

Unvolted

(Dedicated to Petra, Ozymandias & The New Colossus)

The Rose-Red City’s Lone and Level Sands
Beside the Teeming Shore are fourteen strong –
But that is not enough, when eager hands
Have written their twelve-liners just too long.
For status-conflict-outcome, that’s the key
To stop our sonnets going to the dogs –
But where is there a volta in these three ?
They’re nothing more than pretty travelogues !
Well, Shelley never cared for rules or class,
And who the hell is Burgon, anyway ?
But as for Emma Lazarus – alas,
Her tempest-tost are never led astray !
…But then…why must they pivot, ev’ry one…?
Let’s have some change…!  You see, that’s how it’s done !