Stonewyrms

Shadow Pterosaur Creature Concept by Amy Cornelson

Stonewyrms

The dragons flew to the village
When the glaciers receeded.
Before the humans came to found the village
In the hills
They all moved up the valley
As the valley slowly heated –
A conflict scratched by ancient claws
And knapped by stone-age skills.

The dragons lived on cliff-tops,
Where they found the up-draughts bracing,
And yet up here upon the fells, the scarp
Was ev’ry bit as steep
The humans sought the uplands
For protection and for grazing,
With their wooded winding valleys
And their moorlands full of sheep.

But the dragons had a taste for mutton,
Raiding flocks and rustling folds –
While the humans found the lizards rich,
And slow when on their shanks.
So they hunted ev’ry dragon
That came sniffing round their barren holds,
And they feasted on their breastmeat
And they tanned their wings and flanks.

But down in the valley woodlands,
Where the dragons couldn’t grace,
So the tribes would coppice trees for fuel,
As soon as the saplings bend.
But the deer were a constant nuisance
As they trampled through the place,
And they nibbled the shoots at liberty,
Refusing to be penned.

But Evolution played her hand,
Ten thousand years or more,
As she favoured drakes who favoured deer,
Whose does were scarce in dearth.
And the humans were quite happy
If they thinned the herds a score,
And all stayed-away from pastures
And gave folks a wider berth.

So into the flightless forests they came,
Where the trees would crowd the sky,
And they stalked the stags upon all-fours,
Or scampered up a tree.
And their back legs grew more sturdy
With a pouncing, kicking thigh,
And their wings were less-times called-upon
Beneath the canopy.

Yes, they still would glide above the valley,
Though they rarely soared,
As they rode upon the thermals
And they roosted on the scarp.
Their flaplings, once they’d left the nest
Would gather in a horde,
And would chase the rodents round the barns
To keep their talons sharp.

The farmers even reckoned
They had not the strength to leave,
Now their flying was more like that of a hen
Than of a lark.
Good enough to get them airborne,
Good enough to catch the breeze,
But no good for migrating
Once the days were getting dark.

Neither side were loners,
In their small communities,
As they looked-after their own,
And yet would not harass the strays.
And they’d sometimes come-together
In those opportunities
For the curious on both sides
To regard their neighbours’ ways.

So by the Middle Ages,
They had reached a careful dance,
Where the humans let them hunt for rats and deer,
By nature’s law.
And yes, the windows in the church
Showed George’s famous stance,
Yet those self-same beasts proved lucrative
When pilgrims watched in awe.

The Crocks

Photo by Sanketh Rao on Pexels.com

The Crocks

As Plato says, the perfect plate
Is in the Cupboard in the Sky –
Whereas, the china made of late
Is rather less than meets the eye.

And that’s because, as Plato says,
They’re all reflections, second-hand –
The perfect plate, we have to guess,
Is more than we can understand.

So is it bone or porcelaine ?
And just how deep, and just how wide ?
And round or square ?  And striped or plain ?
And is it scalloped round the side ?

Yet plates for boats or finger buffets
Have a diff’rent set of needs –
And no one plate can be enough,
For each one fails, and each succeeds.

And good luck getting customers
To all agree on which is best –
For what one hates, their twin prefers,
And ev’ry taste must be addressed.

Plato thought the perfect plate
Was out there, where the angels eat.
But surely any tool is great
That holds our food up nice and neat ?

Of course, the concept of ‘perfect‘ is as childish as the concept of ‘infinity’.

Hoops & Smits

Emblem of Power by Victoria Shul

Hoops & Smits

We’ve ringed the noses of our bulls
Since the days of ancient Sumer,
And blinged their ears with tagging tools
Since the reign of George the Third.
And sheep we’ve daubed with bright and dark
Since Beau Peep was in bloomers,
And likewise branding’s left its mark
Since pharaohs watched the herd.

And long before the Roman Legion,
Pigeons wore a metal tumour
Round their ankles, through the season,
As they carried vital word.
And falcons showed their noble’s farms –
And scientists confirmed the rumour
Of migration, through the charms
They fitted to each bird.

Ravelling

detail from John Kay, Inventor of the Fly Shuttle by Ford Madox-Brown

Ravelling

Penelope just cannot seem
To stitch the seam to stop her shroud –
She warps her wefts and weaves her wools,
And intermingles through the crowd.
But somehow, she can’t cast them off,
Who team around her loom –
They watch her fingers thread and pull,
To spin the fabric of the tomb.

Slum-Makers

Photo by Alex Montes on Pexels.com

Slum-Makers

The walls of Pompeii are all full of graffitos,
Where Romans left scratches of slanderous hissings,
And chalked-out each grievance like buzzing mosquitoes –
But mostly left scribbles like dogs leave their pissings –
Thousands of scribbles from two thousand years ago,
Scrawling on walls just to scream “Look at me !”
The historians love them, for what they can show
About what life was like in the First Century.

And it wasn’t only the cells and latrines –
For nowhere was safe – not shops nor graves –
It’s been the obsession of soldiers and teens,
Since the ochre hands-prints were left in the caves.
Even cathedrals had pilgrims who jeer,
And localised rumour-reportages –
So once a time, old Kilroy was here,
While Chad kept a record of shortages.

So who are these Romani Ite Domums,
With their slogans and sweary scrawls ?
And why must they commandeer the commons,
By spraying on public walls ?
Yet those who condemn the tags the hardest –
And the St George flags – then represent
The likes of Banksy as a cutting-edge artist,
(On a stolen canvas, and paying no rent).

But I must be honest with the street art fans –
However old, scrub them out, unread.
Don’t justify the hooligans
And the anti-social stink they spread.
Be honest, should the youths of today
Have loose on your house, your car, your soul ?
Or would you deny to the future the say
Of the historic daubings of every troll ?

‘Reportages’ in the second verse is not French, so should be pronounced as ‘report + ages’ – four syllables, with stress on the ‘port’.

Adderbolts

Photo by Egor Kamelev on Pexels.com

Adderbolts

OED first citation for dragonfly: 1626

Where were the darts of Galilee ?
And the damsels of the Rubicon ?
Was Runnymede so needle-free,
Or the Athens Woods of Oberon ?
So where are all the dragonflies ?
There’s not a word in tale or scroll –
The Greeks and Romans closed their eyes,
The monks and knights ignored them whole.

It took the new Enlightenment
To even notice them at last –
And then Romantics sought intent
In Nature bold and wild and vast –
Till Art Nouveau, which gave them wings
That keeps them soaring till this day –
As wardens of eternal springs,
Where dreamy Summers while away.

So where were the dragonflies of Hermes ?
Why no mention in the myths ?
Why did Freya not claim these flurries,
Crafted by the finest smiths ?
Perhaps the Bible’s just too dry
For water-sprites as story-tools,
But rainy Europe shouldn’t shy
To catch the eye with flying jewels.

Transforming in among the reeds,
A lit’ral metamorphosis –
The fey-folk surely rode these steeds ?,
Yet Brigid never knew such bliss.
Shouldn’t the Devil have taken hold ?,
Or gargoyles, say, or heraldry ?
Yet where were the dragonflies of old ?,
Who chirped and danced for nobody.

‘Adderbolt’ is the only earlier name for them that I couold find, and this only dates from 1483, according to the OED, and ‘Devil’s darning needle’ is only from 1809.

And finally, the image below is from a poster which looks reminiscent of others advertising the various Art Nouveau exhibitions at places like the V&A.cHowever, I cannot find out anything else about this particular image, and if it is even an original by William Morris.  I hope it isn’t AI…

Custodia Golgothae

Roman Soldier with Vesuvius Erupting Behind by Peter Jackson – nothing to do with the poem, but too fun not to…

Custodia Golgothae

“Say ye, ‘his disciples came by night, and stole him away while we slept’.”

– Matthew 28:13

“You what ?  You want we let you take
The very thing we’re here to guard ?
And claim we couldn’t keep awake,
While you came by to simply shake
The boulder from the tomb ?
Have you a notion just how hard
And noisy that would be ?
Or how to fall asleep on duty
Likely means our doom ?

Keep your shekels, keep your plot –
And we shall keep our heads.
For losing corpses, like as not,
Is something that won’t be forgot –
And fatal to behold.
It’s late – best be off to your beds,
And let the fallen rest.
Remember him when at his best,
Not when he’s lying cold.”

The Holy Grail

A modern reproduction of a terracotta Roman cup by Potted History

The Holy Grail

The cup was just another cup,
And owned by just an inn.
Its purpose was to hold the liquids
Poured out of the skin.

It would be simple earthenware,
With not a jewel in sight –
A vessel meant to do a job,
Like any other night.

It wasn’t the cup of a carpenter,
For it never was his to own –
But merely rented for the meal
As a unremarked-on loan.

It would be washed and set at table,
With a dozen more –
And used by other lips tomorrow –
That’s what cups are for…

Relics are just relics
Of the talismans of old –
Why the search for dreaming clays,
And not the wines they hold ?

The Gospels often mention who is hosting Jesus for a meal, so the fact that they are silent on who provided the Upper Room for the Last Supper makes me think it could have been at an inn.  And although this was a Passover meal, it seems unlikely the establishment would have kept a separate set of crockery just for one day.  The vessels were probably made from the local terra rossa or marl clay, producing earthenware, with minimal decoration similar to that shown (albeit at the other end of the Empire).

And on a tangent, but isn’t it curious how obsessed we are with the grail that held the original wine, but couldn’t care less about the platter that held the original bread ?

Holy Innocents

Saturnalia by John Weguelin

Holy Innocents

Hush, little one,
Don’t stir, don’t cry.
Do you hear the soldiers passing by ?
Do you hear the garrison
Over the wall ?
Tonight is their Winter free-for-all.

Little one, they have strange gods within
We hear their tales, we hear their din.
Tonight is a festival to one –
Saturn, I think – a night of fun.
And I saw Pilate come to behold –
He was dressed in finest red and gold.
And joining him, tonight at least,
Was good King Herod, up for the feast.

Hush, little one,
Don’t cry, don’t stir,
I hear the tension, bitter as myrrh.
I hear our rabbis,
Hear their priests –
Tonight, let’s hope they only feast.

Little one, we have a stranger pact
In Jerusalem, where neither act
To antagonise the delicate peace –
But one year soon, all that may cease.
And I saw Pilate, watching me –
Waiting to see what it is I’ll be.
And I saw Herod, watching you,
Waiting to see what it is you’ll do.

Hush, little one,
Don’t fret tonight,
They sound too drunken for a fight.
Perhaps their gods shall treat us kind,
And leave just love and peace behind.

Taxing Travels

Joseph and Pregnant Mary on Donkey by Holyart

Taxing Travels

Clip-clop,
Bump bump,
Non-stop.
Why are we so keen to jump
This almost child,
This treasured lump,
From out of me ?
I’m trying to stay mild,
If unclean –
But why must we
Be on the road at all,
So close to my confinement ?
To carry safe this precious ball
Is the god-ordained assignment
Given to each mother
Who ever bore another one within.
Husband, dear, please,
I fear I shall begin
To push and squeeze
My cheerful load
Right here, on this busy road.
Husband ?  Hah !
That’s a joke.
You may be my betrothed,
But I kind of broke that bond
When I told you I was bound for motherhood.
You should have scolded me,
Your broody hen,
Once you had found-out you were conned,
And cast me off, no doubt,
As one no-good.
But no, you stick around,
You’re far too fond,
And not like other men.
But given that,
And the coming brat,
Could we not then have wed already ?
And claim the marriage bed
For our firstborn child ?
No – it’s my firstborn alone,
Not yours, and that must weigh.
I’m the one beguiled,
Who must atone for nights astray,
Or so they’ll say.
Thus could we not have tied the knot,
As we intend to, soon enough ?
I’ve brought it up, my love, a lot –
So how come you forgot ?
No, that’s alright,
I know why not.
You want this over with,
And my slate clean,
Before you feel you even can
Then give your word to me.
You want this whole absurdity
Behind us, not between,
Before you ever plan
To ask me for your queen.
You never questioned once my story,
Grasped your incredulity,
As comfort in the news.
You’ve never been accusatory,
Never voiced your views.
That’s why I love you, I suppose,
That’s why I chose
To tell you all about it –
Knowing how you’d never doubt it,
Daring you to call me out,
As one of those.
Ow !
These famous Roman roads
Are just another jagged track,
Where loads must carry so much baggage
On a donkey’s back…