Soffits versus Crockets

Clare College Old Court, Kings College Chapel, and King’s College Gibbs Building in Cambridge.

Soffits versus Crockets

A war was waged in brick and lime,
Throughout Victorian abodes –
A battle fought in seminars
Of finials and glazing-bars.
It seemed so vital at the time –
For who defined the building codes
Controlled the future, wrote the book,
On how our homes and cities look.

The round opposed the pointed arch,
The column pushed against the pier,
As Classical and Gothic taste
Were drafted, pressed, and laid to waste.
With footslog critics on the march
To make their case and boo or cheer –
With so much breath and ink well-spent,
As up and up the buildings went.

But in the end, the Romans won –
The Gothic stalled, and fell from grace
Despite its use in school and hall,
It still felt churchy, overall.
Beneath Edwardians, its run
Was looking tired and losing pace –
Which was a shame, because its fuss
Was far more fun than serious.

As the following century
Dragged on, it ditched the Grecian-born –
As Classical found it was too
Of little use for shiny-new.
So buildings lost all sensory adornments,
All their locks were shorn –
And so the Battle of the Styles
Saw losses shared across the aisles.

Vine-Clad

Photo by Sidorela Shehaj on Pexels.com

Vine-Clad

The cottage down the lane had a big end-wall,
Beneath the gable,
Always covered in ivy, growing so tall,
As tall as was able,
Growing upto the eaves, to merge with the thatch,
Such a weight of leaves to the crown –
I’d wondered, how does it all attach ?,
How did it not pull the old wall down ?

Drilling-in through ev’ry crack it can pry,
And drinking the mortar dry,
Whatever it takes to reach the sky –
At least it sheltered from the wind.
But at what cost ?  This cottage was built
With overbakes and wattled silt –
So which would be the first to wilt,
When neither was well underpinned ?

I waited years, but never did find out
The power in the growth –
For one hot night in the Summer drought,
A fire killed them both.
There’s a new-build cottage now, with a big end-wall
Whitewashed in lime,
With a single ivy runner – starting small,
But on the climb…

The Gloves Are Off

The Gloves Are Off

Since art has lost the manual touch,
We’re losing grip of anatomy –
Our illustrations are in the clutch
Of the polydactyl travesty.
Digital digits and silicon glands
Make too many fingers, too few thumbs –
That lead to such unhandsome hands
From thought-machines that can’t do sums.
A sure way to uncover the witch
Whose fingers point to a lack of soul,
It only takes the flick of a switch
To over-endow a lack of control.
But they’ll slowly grasp to make a fist,
So we’d best stop smirking behind our fans –
They might not have a pulse in their wrist,
But our future’s held in their second-hand hands.

Funerary Minimums

Photo by Tom Fisk on Pexels.com

Funerary Minimums


The cemetery’s too egalitarian these days,
Nobody is building family tombs –
Just rows and rows of polished slabs which rigidly obey
All the ordinances for their little room.
Terraces of back-to-backs, each equal to its peers,
With nothing special here to mark our way,
Where ordinary folk have come to wile away the years,
And once they’ve settled-in, they’re here to stay.

The cemetery’s far too lacking temples, forts, and caves –
We need some wider plots and grander stones –
But not for just the wealthy to enrich their flashy graves,
While we others cram in boxes full of bones.
We need some council monuments, apartment blocks for all,
Where we lie down with our neighbours, mixed and matched.
To give some more variety for those beyond the pall,
Who have spent their lives in communes, not detached.

That’s right, I spelled ‘wile away’ without the H. It was deliberate, to enrage the pedants with my cunning whiles.

For Your Consideration

Photo by Nataliya Vaitkevich on Pexels.com

For Your Consideration

Award me no Oscar,
Bedeck me no Grammy –
Your platitudes bore me,
Your clapping is clammy.
Nobels are for losers,
Don’t grovel and crawl –
Your Emmys are empty,
And Pulitzers pall.
So spare me your trinkets,
Your Tony or Bafta –
Just pay me with sales,
And reward me with laughter.
Pray, do not insult me
With Knighthoods and gongs –
If you wish to do honour,
Keep singing my songs.

All the World’s a Soundstage

A still from It’s A Wonderful Life.  That’s us, at the back.

All the World’s a Soundstage

We are the redshirts, the unnamed extras
Who maybe get a line or two –
We’re barked at once by assistant-directors,
We hit our marks and leave on cue,
But won’t be back next week, it’s true –
We only get one day in the sun.
We won’t make the credits, we’re not in the crew,
And when we hear cut we know we’re done.

We are the parents and colleagues and friends
Who get to star in little shows –
The kind that never starts or ends,
But runs forever, where plots are slow.
We haven’t got many watching, we know,
And the scripts aren’t great, but they’re often fun –
It’s not that bad, and the parts all grow,
Until we’re cancelled, one-by-one.

It seems churlish to say how much I dislike It’s A Wonderful Life, but it does have the decently to be conveniently out-of-copywrite. And let’s face it, that film has made an awful lot of people very happy. So I really should just shut up.

Public Domain Day

One-Eyed Jacks, The General, Charade, It’s a Wonderful Life, Night of the Living Dead, Fear & Desire, The Last Man on Earth, Gulliver’s Travels, The Gold Rush, A Star is Born

Public Domain Day

Welcome, works of long-loved art !,
From artists who have lasted on
For long beyond their time –
Finally, you’ll take your part
In the ever-growing pantheon
Of the no-more-in-their-prime.

If a life is three-scores-ten,
So too is death, it would appear,
When the royalties still flow.
But that was way back when,
And now your grandchildren, I fear,
Must let their unearned windfall go.

Cool your lawyers, drop your walls,
It ain’t about how much you’ll earn
In the common ownership marquee !
The world will turn its eyeballs
On your genius without concern,
Now that, in ev’ry sense, you’re free !

Before the Movie

Photo by Bence Szemerey on Pexels.com

Before the Movie

Coming soon to a screen near you –
A story of creeping dread,
As the trailers tick the minutes down
And the tension comes to a head…
Is this the film I meant to see ?
Is this the screen where it’s shown ?
Should I have chanced my luck in the foyer
For the cinematic unknown ?
Is the perfect flick on the screen next door ?
Has my pleasure been usurped ?
The corn is popped more slowly into my mouth,
The Coke unslurped.
Until the censor’s certificate
Declares this film is safe.
At last, I sigh in calm relief
As the psycho butchers the waif.

Castles in the Air

Ashling by Donato Giancola

Castles

The Normans came to Wales,
And smashed their stones upon the ground,
And built them up to battlements,
Projecting might to all around.

Today, we go to Wales
To marvel at these ruined forts –
Each very Welsh and ancient keep
Forgotten Normans brought.

The Spacefolk came to Chile,
Raised their mirrors to the sky,
And perched them on the mountaintops
To see what they could spy.

Tomorrow, future Chile
Will still marvel at each ruined dome –
Each very old, Chilean fort
That looks so much at home.

Film Pluvieux

Film Pluvieux

In Hollywood, in black & white,
The private eyes come out at night –
And always, it has rained that day,
To douse the streets in glossy light.
I wonder if the dames who slay
Are better set when cars don’t spray,
And lonely streets are not so bright,
And P.I.s drink the dry away ?