The Advent Carol

advent

The Advent Carol

Who’s behind the first door ?
The solstice is behind the first,
The time the winter Sun is at his least.

Who’s behind the second door ?
The Sun again – the Sun reborn,
Who ushers in the great Midwinter feast.

Who’s behind the third door ?
The Holly and the Ivy are,
The evergreens who never drop their cloaks.

Who’s behind the fourth door ?
The Mistletoe ! The Mistletoe !
The green and living soul of sleeping oaks.

Day-by-day, let us remember –
These are the days of December.

Who’s behind the fifth door ?
Osiris, Mithra, Herakles,
And Zarathustra – age-old gods and myths.

Who’s behind the sixth door ?
The same Gods and their Virgin Births –
And each is born upon the 25th

Who’s behind the seventh door ?
The ancient and be-sandal’d Greeks,
Engaged in boozy Bacchanalia.

Who’s behind the eighth door ?
The ancient Roman copycats,
Engaged in likewise Saturnalia.

Day-by-day, let us remember –
These are the days of December.

Who’s behind the ninth door ?
It’s Nicholas, the bishop-saint
Who secretly leaves presents for the poor.

Who’s behind the tenth door ?
White of beard and furred of robe –
It’s Odin ! God of gifts and God of war.

Who’s behind the eleventh door ?
It’s Yuletide, when the Wild Hunt charges,
Through the sky and through the feasting halls.

Who’s behind the twelfth door ?
That’s Sleipnir, Odin’s flying steed,
Who lets him drop down chimneys when he calls.

Day-by-day, let us remember –
These are the days of December.

Who’s behind the thirteenth door ?
It’s Father Christmas, dressed in green,
While feasting heartily and draining beer.

Who’s behind the fourteenth door ?
Dasher, Dancer, Thomas Nast,
To bring about the reigning of the reindeer.

Who’s behind the fifteenth door?
The Ghosts of Dickens’ Christmas show
That even bustling London has its pause.

Who’s behind the sixteenth door ?
It’s Haddon Sundblom, illustrator,
Painting Coca-Cola’s Santa Claus.

Day-by-day, let us remember –
These are the days of December.

Who’s behind the seventeenth door ?
It’s Prince Albert’s Tannenbaum –
He’s bringing back the good old Christmas Tree.

Who’s behind the eighteenth door ?
It’s lots and lots of Christmas Cards,
Showing scenes of seasonality.

Who’s behind the nineteenth door ?
It’s Oxford Street illuminations,
Well-dressed window-shopping costs us nothing.

Who’s behind the twentieth door ?
A Turkey ! Waiting for the chop
With roasties, Yorkshires, bread sauce, sprouts, and stuffing !

Day-by-day, let us remember –
These are the days of December.

Who’s behind the twenty-first door ?
It’s robin redbreasts in the snow –
Though never three together, as a rule.

Who’s behind the twenty-second door ?
A Crib from a Nativity,
As seen on stage in ev’ry prim’ry school.

Who’s behind the twenty-third door ?
Her Majesty, with speech in hand,
Addressing all the little folks to carry on.

Who’s behind the twenty-fourth door ?
It’s Christmas Number One ! Our song !
We know the words, so once more sing along:

Day-by-day, let us remember –
These are the days of December.

And finally, the twenty-fifth,
So open up and see –
Why look, it’s Mum and Dad, and Gran,
And You, and You, and Me.

The Haunted Schoolyard

black wooden door frame
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The Haunted Schoolyard

We’ve all heard the stories in the school lunch-queue,
Every village has its ghost or two –
Headless horsemen, women in white…
’Course, we don’t believe you, and you’re just kidding, right ?

Witches had a presence – there was always one around,
But werewolves and vampires, were rarely ever found.
We knew them from the telly, sure – a terrifying throng,
Yet somehow in the villages they didn’t quite belong.

And then there was that weird guy who hardly ever spoke,
Since ever since he’d lived alone, and never smiled at folk,
And his house was full of boxes full of empty snail shells,
And it made these funny noises, and sometimes funny smells.

The heroes of the playground were the locals who won’t rot –
The strangled and the drowned and the poisoned and the shot.
Spirits of our neighbours – though they’re long since dead and gone –
Except, of course, they’re not.  They’re out there.  Pass it on.

Listen, Children…

low angle view of man standing at night
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Listen, Children…

Listen to the east-wind as it rattles at the window latch…
Listen to the mice behind the skirting…scritter-scratter-scratch…
Listen to the garden foxes gnawing on some unearthed bones…
And listen to the creaking and the thumping and the sighing groans…

Now the sun has gone to bed and now that night has spread its gloom,
Then shall I tell you, children, of the ghost that haunts this very room ?
Listen closely…closer still…behind the death-watch beetle’s click…
And there he is…the ghost of time…the never-ending tick-tick-tick…

Shall I tell you, children, shall I tell you what is worse than witches ?
Scarier than sprites and spectres…filling sleep with sweats and twitches…?
Listen then…and listen for the tiny voice on nights like this…
The tiny voice that ev’ry child must hear…must hear its icy hiss…

Never witches…never spectres…nothing ever living on…
Nothing from an afterlife, and nothing but oblivion…

Listen…can you hear it ?  Can you hear the voice from the abyss…?
Listen to the tiny voice that terrifies on nights like this…

Night of the Restful Dead

orange plastic bucket
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Night of the Restful Dead

Halloween, when the dead don’t walk,
The wraiths don’t keen and the sprites don’t stalk,
The shades don’t slink, nor devils prowl,
The vamps don’t drink, nor werewolves howl.

Halloween, when the dead stay dead,
The walls aren’t green and the sheets aren’t red,
And physics’ laws still reign supreme –
We’ve got no cause, yet still we scream.

Halloween, when the ghoul-less roam,
Or sleep serene in their haunt-less homes –
We walk this night with carefree airs,
And won’t take fright, nor whisper prayers.

Halloween, when the kids raise Hell –
It’s always been within their spell.
They may look gaunt, but fake their gore –
They only haunt from door-to-door.

Halloween, when the pumpkins smile,
And folks convene in a gothic style –
With tongue-filled cheeks and boozy breath,
They dress as freaks and laugh at Death.

Halloween, when the graves aren’t stirred,
The ghosts aren’t seen nor the banshees heard.
Yet still we fret by thinking dumb
When we forget how far we’ve come.

Halloween, when the mind plays tricks,
And the silver screen gives us frights for kicks.
For this one night, let’s dig suspense –
Just don’t lose sight of our common sense.

One Spot, Two Spot

ladybird on finger
Early Ladybird by Gavin Clack

One Spot, Two Spot

Ladybird, ah Madame Ladybird,
It really is so good of you to call !
Is this just a flying visit,
Won’t you rest and pack your wings up small ?

Ladybird, ah Madam Ladybird,
Have you flown by chance a good long way ?
Looking for a husband, Miss ?
Or are you wed with many eggs to lay ?

Ladybird, ah Madam Ladybird,
I see now that your wing-case is ajar –
Must you up and go a-hunting ?
Won’t you stay a while ?  You’ve flown so far.

Ladybird, ah Madam Ladybird,
Must you dash so soon to beat the rain ?
Shall I greet you on the morrow,
Or are we to never meet again ?

Not Telling

exercise equipment skipping rope gym sport
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Not Telling

(A skipping chant)

I’ve got a secret,
Maybe I shall speak it –
Maybe I shall leak my secret indiscreet.

I’ve got a story
Told to me by Rory –
Maybe I shall store my story safe and sweet.

To how many folk
Shall I utter not a croak,
Shall I never chat or jaw
What I saw ?

And how many days
Shall I mutter not a phrase,
Shall I never breathe a word
What I heard ?

Your hunger’s getting bolder,
Your guesses getting colder –
But promise to be good
And I’ll tell you when you’re older.

Five fives are twenty-five
And three threes are nine
I’ve got a secret
And it’s mine, all mine.

There have actually been whole studies conducted into skipping chants and clapping songs, and it seems ti’s a surprisingly conservative world, with endless variations around a few old standards – number one in the playgrounds for the past few decades has been A Sailor Went to Sea, latterly morphed into We Went to a Chinese Restaurant.  I don’t hold out much hope of entering the canon, and quite honestly until it’s been playtested by proper six year olds, we’ll never know if it even meets the brief.

Attacat

Yeovil Pen Mill Cat & Signal Box by Tim Jones

Attacat

There is a cat who watches trains
And makes his home in signal boxes,
Lives beneath the weathered gables,
Catches rats who chew the cables.
Grey, he is, with smoky grains
That fleck his coat the way of foxes,
’Cept the tramlines down his back
Which earn his name of Clickerclack.
They shine out silver, brow to rump
They even bear the marks for sleepers –
Branded thus, his fate assured
His working for the Railways Board.
So where a plague of rodents clump
Within the homes of signal-keepers –
Unannounced by midnight freight
Comes Clickerclack to extirpate.
He bites, he claws, he chews in half
And shreds them into vermicelli –
Drives them out and leaves his scent
To fright them off resettlement.
And when his work is done, the staff
Will feed him fish and rub his belly.
Then it’s off to boxes new
Aboard the 07:22.

Arachnophilia

nature insect macro spider
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Arachnophilia

Little Miss Schneiders has always loved spiders:
From miniscule monies to long-leggèd striders,
From purse-webs to orb-webs, to nursery sheet-webs,
From cobbled-up cobwebs to fussily-neat webs.
With eight legs and eight eyes (unless they have six eyes)
And just the right size to pose no sort of threat.
She loves all the spiders, does Little Miss Schneiders,
And thinks that tarantulas make a fine pet –
Who needs a red setter when eight legs are better ?
(Her parent won’t let her, but she’s hopeful yet.)

Little Miss Schneiders is smitten with spiders,
From burrowing wolves to ballooners and gliders.
But best of all, surely, is knowing how Britain’s
Are pussies – as cute and as gentle as kittens.
Imagine Australia !  What lurks inside her ?
There’s trapdoor and funnelweb, huntsman and redback !
But not for Miss Schneiders, who’s safe to love spiders –
For all of her widows are false, and not black.

Ev’ry September sees Little Miss Schneiders
Go searching the skirting and combing the coving –
For this is the season when spiders go roving,
The scent-spinning ladies and amorous lads,
All looking to hook-up as mammas and dads.
From bath-tub and cellar to guinea-pig hutch,
And under the pelmets there’s eggs by the clutch.
They dance on the walls and they sprint ’cross the rugs
For eight gorgeous eyes and for eight-leggèd hugs.

Little Miss Schneiders has always loved spiders –
They’re bigger than beetles and faster than slugs !

September

autumn avenue bench fall
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September

Birds are flocking,
Doors are locking,
Autumn’s knocking once again.
Seeds are podding,
Berries nodding,
Workers plodding from the train.
Skies are frowning,
Leaves are browning,
Hats are crowning, coats are on.
Days are cooling,
Rains are pooling,
Kids are schooling –
Summer’s gone.