Surplus Women

For King & Country by Edward Skinner

Surplus Women

We cheered them off, that September,
So sure in their duty,
As we were in ours, you see.
We loved them enough, I remember,
To want them to keep-in alright
With the powers-that-be.
We held the fort, as contenders,
But only until they returned,
As surely they would, we trust.
Be a good sport, I remember,
Assisting to sister the brotherhood,
Because we could, and must.

They’re most of them gone these days, ho-hum,
Except the old and lame and mad –
Though not their fault who goes and stays,
All families are missing a brother or dad.
It’s lonely for the strays that we’ve become –
And guilty to be so secretly glad.
Gas fitters, brick layers,
Tram drivers, football players –
Our handiwork is at the root
Of ev’ry batch of shells the soldiers shoot.

We filled the schools, as pretenders,
And the factories too,
And the pubs and the shops, we hear.
We held their tools, I remember,
And lived their jobs, and drove their trams,
And tended their crops, all year.
We proved our worth, our gender,
As we waited for news
That the end was upon us, at last.
To give back each berth, I remember –
Was joy for their coming,
And dread that our honours had passed.

But what if so few of them come back to check-in ?
What will we do then, without their call ?
We’ll manage, of course, we’ll soon get the knack,
We’ll, some of us, have an absolute ball –
But what if they never retrack, d’you reckon ?
What if this freedom’s our absolute all ?
Slowly thriving with aplomb,
While gaining votes and singledom –
We’ve come at last to claim our due
Now that there’s far far more of us than you.

Missing Keepsakes

Photo by Masood Aslami on Pexels.com

Missing Keepsakes

“Upto 2000 artefacts are believed to have been stolen from the British Museum over the last ten years.”

– Curator’s Quarterly

Five-odd million artefacts,
Or maybe twice as many,
Filling dusty drawers and racks,
From Hull to Abergavenny.
Boxed-up, stacked-up, locked-up long,
With rusty coins and broken gems,
And set by law to house this throng,
Without the funds to open them.

Blame the politicians,
Blame the thieves,
Blame management as lax –
But never blame the public who believes
In paying less of tax.
But no-one ever thanks us for
The treasures we preserve,
That otherwise get lost to war,
Or buried in the earth.

Plenty on the left have sneered
At colonial comeuppance
While others on the right have cheered
At wokeness not worth tuppence.
And both have kicked the workers
Who are overworked and underpaid,
Because we’re just the lurkers
In the basement, in the way.

They never cared before,
Enough to fund the work they left to spoil –
And still they will not thank us for
Our centuries of toil.
It’s others source the objects,
We just clean, and log, and save –
And that takes funds, and takes respect,
And a culture well-behaved.

Those Two Impostors

Out of the Square by Cesar Santos

Those Two Impostors

So there I was, a Son of Martha,
Making my way in the world.
I knew that I could keep my head
’Gainst any Brown Bess girl.

But that was ere I met my match
With Triumph and Disaster –
A pair of Ladies of Many Dreams
As clever as Aggie de Castrer.

They played my heart for pitch & toss,
With a swish of skirt in the dew –
With broken dinner knives, they dug,
To plant their roses blue.

Why did I go with the grey widow-maker
Upon my young-man’s feet ?
Oh, how I wish I’d walked by myself,
Where never the twain shall meet.

But I shall hang from the highest hill
On the road to Mandalay.
How far is St Helena now
From a lonely shilling-a-day ?

But no – don’t deal in lies –
For if a dog has torn my heart,
As it’s moving up and down again,
It’s just because I gladly played my part.

Don’t let cold iron be my master
While the gentlemen go by –
For the female of the species
Is a better man than I.

Brook Street Jam

Brook Street Jam

A statue of two men – one plays a harpsichord,
The other lent on it as he noodles a guitar.
His cable, I notice, is plugged-into the keyboard,
Through sockets at each end shaped like a star.
Two blokes lost in the moment, forever –
George with his collar now loosened at the throat,
With multiple strings of borrowed beads,
And his arms pulled-out from the sleeves of his coat.
Jimi, meanwhile, has hitched-up his kaftan on one side,
To access the pocket of his jeans –
With a periwig perched atop his wild hair,
And his crossed boots protruding as he leans.
A little-bit larger than life-size, of course,
But with no cordon or pedestal here –
So easy, so pleasing, to reach out and touch them –
The impossible past has never felt so near !
The people like to pose and the pigeons like to perch,
And the verdigris and lichen are a psychedelic stain.
No plaque or explanation – we know who they are –
Just a pair of immigrants who met in London’s rain
Their eyes are open, but surely unseeing,
Pointing at the keys or looking at the sky –
Communing with their muse, as if she is their singer,
To an audience of shoppers who hurry on by.
One wonders what they might ever have talked about,
Between the numbers, on languid nights –
With George very much the establishment man,
And Jimi outspoken on civil rights.
From diff’rent eras and diff’rent generations,
Baroque versus blues – yet they’re finding a way –
The statue, of course, is eternally silent,
And leaves it to the viewer to hear what they play.

In truth, Jimi only lived in the flat three months, but it’s still tempting to wonder what they might have said if a mixture of time travel and hallucinogens had brought them together. Both immigrants, both musicians, but there the comparisons pretty much end. Yet sometimes, it’s worth finding some common ground for the sake of a good tune...

A.I. Housman

Threshold by Matt Dixon

A.I. Housman

Oh, that were I a-one to live
To witness steam alive with thought –
So pleased with all the help they’ll give,
And in return they’ll ask for naught.

How clever might this new world be,
When engines have production’s means ?
Will there still be a place for me
When rhyme is written by machines ?

But how can pistons dream of Spring,
Or iron flywheels turn a phrase ?
What ballads shall the whistles sing ?
Upon what sights shall eye-bolts gaze ?

And yet…and yet, the future has
Eternity to get things right –
Today is cloudy still – whereas,
Tomorrow shall be clear and bright.

The poetry of rod and gear
May yet come into ev’ry home.
But let them come – I do not fear
Another writer – flesh or chrome !

I’d shake my metal colleague’s hand –
Though I am years too soon, alack !
Yet one day, when they understand,
I hope they’ll smile, and greet me back.

The Bootymen’s Air

Beneath the Waves – Garden of Buried Hopes by Nightblue-Art

The Bootymen’s Air

There is, it’s said, a pirate ship
That haunts the Caribbean.
Or does she sail the Orient,
Or pilot the Aegean ?
Was ever there a stranger craft
On which men went to sea on ?

No-one seems to know her name,
For all she rides the swell.
Some say she’s The Banshee,
Some The Siren, some The Belle,
Perhaps there’s plenty meet with her,
But none who live to tell.

Yet one fact all agree on,
Is you hear her when she nears,
By a slow and lonely singing
That the ozone brings our ears –
And a world away from the racket
Of the usual pirate jeers.

They claim that it’s her figurehead
Who keens upon the waves –
That is, it is the ship herself
And not her crew of knaves,
As she bares down on the helpless souls
And sings them to their graves.

But eerier yet, her voice, they say,
Will echo off the sea,
And bounce upon the clouds and back
While the breeze blows in her key,
She sounds from all directions,
And in perfect harmony.

So if you ever catch a snatch
Of ghostly murmurings,
And if your hold is full of coin
And fingers full of rings –
Then pray it’s just the whistling wind,
And not the ship who sings.

The Groaning Trencher

from a listing on AliExpress

The Groaning Trencher

Sometimes, falls the Burns Night on the number two New Moon,
That will open the cacoon of a brand New Year –
So the neeps and cock-a-leekie get to share the serving spoon
As the beansprouts and the riceballs soon appear.
From the docks of old Kowloon to the mists of Brigadoon,
So it all goes in the haggis, and the bamboo pipes the tune –
As we all sup down together, from New Scotland Yard to Scone,
In a typhoon of lampoons and tartan cheer.
Now maybe I am nothing but a Sassenach poltroon,
From the billabongs of Perth, and through the snows of Saskatoon –
But a shortbread in my green tea on a global afternoon,
And the paddy-fields of glens are very near.

Can I just say what a wonderfully weird experience it is to hear someone read Address to the Haggis in an unapologetically RP accent ?

Mrs Silver

The Lost Portrait of Kitty by dangerliesbeforeyou

Mrs Silver

Back in the days he had two legs,
I’m sure young John was quite the catch –
A sailor seeking fortune
And a plucky wife who was his match.

Step-forward our unnamed heroine,
A negress perfectly at home
As landlady of The Spyglass
While her hubby’s on the roaring foam.

He promises to heave-to by the hearth,
And tend to Captain Flint.
But is she happier to see
Adventure re-ignite his glint ?

I wonder what her story is,
To wash ashore in Bristol Town ?
Then selling-up, and sailing who-knows-where
To rendezvous, or drown.

Read by Hereward

Pride & Prejudice & Zombies

The Establishment honours one of its own…

Pride & Prejudice & Zombies

Through the village of Longbourn, the undead shuffle,
The unemployed and the destitutes.
The Luddites who moan in a rustic muffle,
Back from Napoleon without any boots.
Mr Bennett says he can’t even hear them,
So alien is his world to theirs,
But they’re getting restless, threatening mayhem –
What if it spreads to the staff downstairs ?
Don’t worry, Lizzie, here’s bold Mr Darcy
With wealth that’s been stripped from the backs of the poor,
He knows how to whip should the rabble gets arsey,
And put them back down when they dare ask for more.
Crush all their groups, and deport the whole crew,
This seething horde of the unwashed masses.
Best wipe them all out like befell Peterloo –
Or the balls overrun with these jumped-up lasses.

When not ignoring the cruelty of the upper classes, Jane Austen liked to describe them at leisure over here.

A Meal For One

Still Life with a Wicker Bottle by Carlo Magini

A Meal For One

“The condemned’s last meal is the ultimate dining-in experience”

– Judge Janus Jeremiah

After months of bread and gruel,
At last, a dish to whet my lips !
But oh, to bring it now is cruel –
I’d rather lard and apple pips.

A final meal is offered up,
A host to help assuage your guilt,
It seems so civilised, to sup
Before the ritual blood is spilt.

And all the while, with ev’ry bite,
The butcher’s hungry blade shall wait –
I am your fatted calf tonight,
Just like this one upon my plate.

All these calories I’ve chewed,
And yet so little time remains –
It’s such a waste of decent food,
You should have brought me simple grains.