Godless Devilry

One day, I’ll be dead as a parrot,
I’ll feed the worms, I’ll buy the farm –
With neurons in my brain at peace,
As ev’rything I am shall cease.
One day – in my lonely garret,
Or else within my lovers’ arms –
But either way, when all is said,
They’ll tuck me in my final bed,
One day –
Aye, but not this day,
For this is the Day of the Dead !

So grab your tridents, grab your horns,
Your furry paws and crowns of thorns,
Tonight, there’s no-one weeps or mourns,
Unless it’s out of fright !
For this is a time to be alive,
In overdrive, till our veins run red –
There’s just no time to die tonight,
There’s a long long way to go before we’re dead.
At this time of year,
When entropy is near – let’s keep it light,
And laugh at our inescapable fate instead.

One day, I’ll be nothing but a past tense –
And that fact lurks at the back of my mind.
Ev’ry road will lead me to the grave,
With no prayer to pray and no soul to save.
It all makes simple, terrifying sense –
So I’ve learned to leave such thoughts behind.
For either way, come joy or dread,
They’ll close my eyes and shroud my head.
One day –
But not now, I say !
For this is the Day of the Dead.

So grab your accents, grab your cloaks,
Let’s haunt this technicolour hoax !
We’re just your av’rage mortal folks
Who laugh in the face of blight.
For this is a time to be alive,
Let’s joke and jive wherever we tread –
Who cares if we must die some night,
Let’s worry about dying once we’re dead.
At this time of year,
When existential fear is at its height –
Let’s laugh in the face of the mirthless void instead.

I cannot take any credit for the opening line.

Appointments in Samarra

I meet the very best of men, too late,
At their very end,
I meet the kindest women, small and great,
As they unblend.
I also meet the very worst,
But even they become un-cursed –
I find a goodness in them all,
My temporary friends.

I couldn’t say what sends them on their way –
Biology or fate –
Who knows what dividends await ?
I’ve lost track of the holy text.
I only get to spend a minute or two,
To take them by the hand,
And help them pass on through
To whatever land shall be their next.

I meet the very best of folk,
And always just in time,
For one last breath, for one more joke,
Before they quit their prime.
I know not why it has to be,
Their sand runs out so fast –
But what an honour it is for me
To meet with you at last.

The title is a nod to William Maugham’s 1933 play Sheppey which, besides from being a rare celebration of working class life in pre-war Britain, also popularied an old Arabian story.  It’s so well told that it’s a shame to have to point out the absolutely zombified worldof Predestinationit implies.

Sheppeyhas always interested me for making me aware of British plays that celebrate working class life long before John Osborne’s Look Back in Anger.  I’ve since also dicovered Howard Brighouse’s Hobson’s Choice(1915), Githa Sowerby’s Rutherford & Son, and Stanley Houghton’s Hindle Wakes(both 1912).  The latter is particularly fascinating for showing a young woman who spends a dirty weekend with the boss’s son, refuses to marry him, and shows no remorse and receives no come-uppance.  I wonder if its being set in the North helped it slip past the Lord Chamberlain ?

Middle-Class Voodoo

The Wiccans are newer than Mormons,
Are older than Jedis,
As ancient as Hubbard and Xenu.
For all that they claim to be Pagans,
They’re Beatniks and Hippies,
And Goths in a green hue.

And that’s all fine,
They’re free to be free –
With crystals and Maypoles and love-spells galore.
But there’s a good reason
They call it all New Age –
There never were witches at Salem, for sure !

So write your magick with a K,
And write your faerie with an E,
And dance around Stonehenge all day –
But you ain’t fooling me.

These magpies of Masons and folklore
Make far more sense
As their Twentieth-Century selves.
The Wiccans belong with the Martians,
From skiffle to hemp-heads –
Suburbanite dreamers and nuclear elves.