Hippocalypse

horses
The Horses of the Apocalypse by Sharlene Lindskog-Osorio

Hippocalypse

Now that the herd is in the barn,
And now that the flock is in the fold,
Then huddle close and I’ll spin you a yarn,
The one my father told.
And he was taught by his in turn,
And he by his, the self-same airs
That someday your own kids will learn
When you tell them, and they tell theirs.

Sometimes, late at night,
Out on the plains, or on the road,
When the bats are in full flight
To the singing of the toad,
There can be heard the gallop
Of a lonely charger wild,
Through the ups of York and Salop
And the downs of Kent and Fylde

There’s those who claim they’ve seen him,
And they claim he rides a grey,
A snow-white grey so gleaming
That the very stars give way.
A king, they say, with bow and crown,
And horseshoes of cold steel –
And ev’rywhere those hooves stomp down,
The people come to heel.

Though some say he’s not invading
Through our castles, towns and huts,
But rather the land he’s raiding
Is our throats, and veins, and guts –
Riding, riding, ever onwards,
There is no defence –
Though some may call him Conquest,
And others Pestilence.

But many will say No!, he rides a chestnut
When he roams abroad,
And he wears a shining breastplate,
And he holds a tempered sword –
And he is War, yet not invasion,
But one folk upon another,
Year-on-year, at any provocation,
Brother killing brother.

But fighting is fighting, and always near
To the likes of us who are called-on to bleed,
And arrow or sword, it’s the same old fear
When facing-down the next stampede.
Or maybe a few who see this horseman
Get to then escape to tell –
Yet whether Mongol, Moor, or Norseman,
All those roads lead straight to Hell.

Still, I have also heard it told by folks
That the horse is jettest black,
And gaunt enough that each rib pokes,
With scarcely strength for saddle or pack –
But its passenger can’t weigh much, at least,
He’s spindly as his balancing scales –
Clearly the lord of the Famine, not feast
As he measures-out losses from frosts and gales.

Then others say his is the best-fed mount
In any town it passes,
Glossy as the fur-coat of a count,
‘Gainst their threadbare nags and asses.
And the dirt where its hoofprints have trodden is barren now,
The only thing growing is the drought –
The fields are always so shy of the plough
When Famine goes riding out.

Yet the final vision of our phantom knight
Is the strangest of all they claim have seen,
When robed in black, or robed in white,
On a pale steed – dun, or maybe green.
Some say a skeleton, lacking flesh,
And what does he carry ?  An hourglass of time ?
A downturned torch, or a flail to thresh ?
Or a sickle to scythe the stalks in their prime ?

And they give him a name, they call him Death.
But surely all these versions are that –
So death by what ?  From a poisoned breath ?,
Or the slurry from the mines, or rancid fat ?
Maybe our souls aren’t chaff to the miller,
But the smoke in the lung and the acid on the stone –
Pollution, that’s the next big killer –
And surely worth a horse of its own.

So light all the candles and ring all the bells,
To ward off the Silent Divider,
And warn them in Wigan and Walsall and Wells
Of the grizzled new face of the Rider.
From Wetherby weavers to Tintagel tin,
From the tar-pits of Derby to Sunderland soot,
So each time we breathe we invite the rogue in
And his fingers leave shadows wherever they’re put.

Then listen, my children, listen for his hoofbeat,
Listen as he slowly yet surely destroys
By dogging the trudging of your own two feet
In the choke and the grime and the constant noise.
His other visions are horrors of our past,
But it’s in our future that we all must die –
And the fourth of the horsemen will take us at the last,
As he kicks up the dust as he’s riding-by.

I suppose Pollution should cover the mass-deaths by human-caused tragedies, while Pestilence cover those from other living things while Famine has the natural disasters gig.  This would mean that a plague of locusts is definitely one for Pestilence, while Famine would deal with meteor impacts.  But don’t even get me started on green horses...

No Month for an Atheist

half-skull
Unfortunately, I have been unable to discover who the artist is

No Month for an Atheist

October is the month when all the dead
Are brought to life again –
In our imaginations spectres tread,
And sceptics howl in vain.
So why must we be common-sensers,
Jaded cynics, sober sisters ?,
When the world wants will-suspensors,
Playful panics, logic-twisters.

What the Hell !  And if it’s Hell you want,
Then take it – take it all !
Mine’s a holy water from the font
With a twist of lime, served tall.
At least it’s safe, when Satan is
A dentist wearing plastic horns.
It’s ketchup blood and dry-ice fizz,
And no-one’s killing newly-borns.

October is the month when all the dead
Are brought to life again –
In our imaginations, streets run red
With ev’ry guilty stain.
We’ve all got demons locked within –
Let’s keep them in until they’re slayed.
For that is worth believing in –
The luxury to be afraid.

What the Hell !  Take all the Hell you need –
I mean, at least it’s warm.
Mine’s a chilly wisdom, I concede,
In the face of an eerie storm.
So have the month, enjoy your frights,
And call me killjoy all you like,
It’s fine – we’ll all sleep sound at night,
As once again the dead don’t strike.

Acid Verse

Acid Verse

Lis’ning to psychedelic music,
Joss stick sending up a stream,
Lava shadows on the ceiling,
Red wine drifting off to dream.

Don’t need drugs to taste the acid,
Just an over-yellow mind –
It’s gonna be one of those fitful nights
When the gears of my conscious grind.

Too much psychedelia,
It’s not from the drugs, this trance, though –
I swear, just wine, and a lack of coffee,
So why do the colours dance so ?

I guess that I must be dreaming ?
I really hope that I’m dreaming…
Cos if this is really psychotrope
Then I’m trapped inside a kaleidoscope.

I guess there are folks who deal with this ev’ry day –
Does it make me a bad person to say
That I never wanted to end up that way ?
Like this way.  Like slipping down the slope.

Lis’ning to psychedelic noodling –
Are they slurred, or only me ?
It sorta sounds like forty-fives
That are played at thirty-three.

Don’t need drugs to hear the acid
Needle jumping, stuck on repeat –
It’s gonna be one of those Mobius nights
When Alice can’t find her feet.

Too much recycled diorama,
But if not drugs, then what have I taken ?
If only I’d swallowed some bloody caffeine
Cos I need to reawaken.

So why am I still here dreaming ?
Or what if I’m not here dreaming ?
It’s not any pills from off the shelf,
But maybe my brain has brewed some itself ?

Maybe it’s cloning its own serotonin all day,
Or morphing endorphins to help it to play.
Or doped-up on dopamine, drooling away ?
Who’s to say ?  Is it madness by stealth ?

Lis’ning to psychedelic mumbling,
Are they blurry ?  Hard to see…
This cover art is always changing –
Which side’s A and which side’s B ?

Don’t need drugs to see the acid
Sparking somewhere, distant, bleak –
It’s gonna be one of those unplugged nights
When the doors of perception creak.

Too much psyched-out sepia –
I don’t even own a secret stash,
But these uninvited thoughts wanna dance,
Now this party’s about to crash.

Can I still hope I’m nothing but dreaming ?
I gonna need help if I find I’m not dreaming
Cos I just don’t know how I’m gonna survive
If I’m right here awake and I’m streaming this live.

I don’t want to crash, but I don’t want to stay,
So help me to crash to an overcast day –
Cos there’s so many colours, I can’t find my way –
Help me, pray, when the DTs arrive.

Lis’ning to spaced-out psychic music,
Sometimes my mind is not my friend,
Cos psychedelic may sound angelic,
But it’s based on the blues in the end.

Pump Up, Soak In, Churn Out

Pump Up, Soak In, Churn Out

Ev’ry time we turn the music on
And spin that single, dream that dream,
We’re really lis’ning to the Man.
For ev’ry time we place that needle,
Fire that laser, hit that stream,
We’re all just following the Plan.

Rock & roll ain’t noise pollution,
But it sure is toxic waste
To manufacture vinyl, drop by drop.
And digital is nothing without phones,
Upgraded in a haste –
The beat goes on, the beat must never stop.

The constant chemicals that we abuse
Ain’t pills and coke,
They’re plastic pop and heavy metal ores.
For all our music’s rock music in the end,
To burn and smoke –
We’re so unhip, we groove to dinosaurs.

And where is all this power from to fight the power ?
Nukes and coal.
Our phones get fat while the rainforest gets thinned.
How can we let the sunshine in
To let the records roll ?
The answer, dudes, is blowing in the wind.

See, Elegance !

Caenorhabditis Elegans by Taylorcustom (I have been unable to discover the actual artist)

See, Elegance !

All the world is nemotodes
By dozens by each cubic inch –
The soil is crammed to overload,
The oceans feel the pinch –
These tiny, tiny vermiforms
In crevice, desert, gut and tree
Together make such mighty swarms
More massive than humanity.
From ocean trench to distant beach
To icecap, there they burst –
Wherever we have strived to reach,
The threadworms got there first.
Whatever we may think about them,
Still these parasites abound –
We cannot live without them,
For the roundworms make the world go round.

Twins I Have Known

Photo by cottonbro on Pexels.com

Twins I Have Known

My first twins, way back in infants,
Were Maisie & Daisy.
Or was it Daisy & Rose…?
Either way, their namers were lazy,
Whichever version they chose.

In second’ry school, I met the Sterlings,
Jenny & Tom,
(Always spoken that way round).
With an Scottish Pa and American Mom,
And nicknamed two-for-a-pound.

At college, reading quantum symmetry,
Alfie & Ollie,
As close as you get.
Sharing a coffee, sharing a brolly,
Sharing a karaoke duet.

On the reception desk at work
Sat Carrie and Claire –
Each geminus trying to be unique
With diff’rent clothes and diff’rent hair,
But dead the same in how they speak.

Now on the local council,
Were bipartisans Rhys and Ariadne –
Two-faced politicians !
Their name, it always seemed to me,
Belonged to competing naming-traditions.

And down the club, in mirror shades,
There’s Barry, on his own.
I’ve met his brother (forget his name),
Alike to the very bone.
He somehow felt like surplus, all the same.

The last set of duals, to date, are my own –
Baby 1 and Baby 2.
So what should I call them, my clone-i-kins ?
A running theme ?  No, that won’t do,
Then they’d forever be but half-a-twins.

Insomnia

Insomnia by Sarah Park

Insomnia

Until tonight, I always found that beds, any beds would set me free,
Ev’ry nudge and ev’ry sound could not breach my security –
But here I lie awake, so wide awake, so pointlessly unresting
Perhaps I ought to take a break,
Fill up the kettle –
No coffee, though, please !
A morsel maybe to help me settle,
Though best lay off the cheese.
I always thought the night was full of creaks and banging pipes and stuff –
This house is eerily quiet when it speaks, not noisy enough !
The night and I both lie stock still,
Like the hush on the hill and the lull in the valley –
And yet, like me it also breathes…
But only one of us is keeping tally of the sleep the other thieves –
Adding up each stolen minute in my deficit of rest,
Ratchetting my stress as I know I’ll never get them back –
How long before I crack ?
Oh, to be falling into dreams,
To softly sink into its streams
To fall upon that netherworld where moonlight always beams.
But meanwhile…
The ticking of the alarm is not a friend,
Nor one I dare to silence –
Or how will I know when this Hell shall end ?
But the ticks just won’t shut up, even under the pillow
And then there’s the birds of dawn in the willow
That I always thought so pretty until this very morn.
And oh, here comes the headache –
So it’s back to the willow, it seems –
Though, hang on, does asp’rin keep you awake ?
Not that I’m exactly full of dreams right now,
Taking them on an empty stomach, too,
But anything to stop the throbbing in my brow.
Swallow them with the dregs of the wine –
Oh, it’ll be fine.
I’ll wash the glass since I’m here, as you do,
And spend a penny, I guess –
But if I’m getting up I might as well dress.
My thoughts spin round in my unsought leisure,
Till I’m sick of my company
And to think that sleep was once my pleasure –
How can it now be stumping me ?
I should be swimming through the deep of my mind,
Down and down, leave it all behind,
I used to find it all so easy,
One-two-three and off we go –
But tonight, there’s nobody home below.

The Sky’s the Limit

Photo by Pedro Figueras on Pexels.com

The Sky’s the Limit

I hear they’ve found another Super-Earth
Around another star –
A bit bigger round the waist,
But still as rocky as we are.
The gravity is stronger,
So the mountains are all lower,
But there’s no reason at all
That some life is not a goer.
Maybe life much smarter
Than the likes us down here,
But life that never gets to cross
The endless void, I fear.
They, like us, can only run so fast,
Can only reach so high,
But they must drag a greater ball-and-chain
Before they fly.

You see, that could have been us,
Had the Earth and Mars collided
In the days before the days
Before the proto-cells divided.
Life could still arise
From the planetary ash,
But could never hope to reach the Moon
(If the Moon survived the crash).
Rockets can only burn so bright,
But the g-force rises, ev’ry thrust –
When you have to ride a nuke to fly,
You’ll orbit as a smear of dust.
That’s the price of gravity’s embrace –
We’re hers for keeping –
And she’s a hard mistress, gravity,
Possessive and unsleeping.

Except, of course, our planet is
Just small enough to jump and fly,
(Not that we have, we grounded individuals
Trapped beneath the sky).
But others of our species have,
And probes have sent our eyes to dance
With Jupiter and Mercury –
And all because we had the chance.
And when the Sun is old and red,
Then we’ll be gone to boldly go –
Yet till that day, we only get to dream
Of all we’ll never know.
We may be stranded in the well,
But we are safe and warm, all told –
I hear it’s very beautiful up there,
But oh, so cold…

Vanity

Vanity

“Van Go”, he said, thus mangling it
Quite in the American style –
Yet in the accent of a Brit,
From maybe Preston or Carlisle.
So natur’ly I had to cough
And stem this slovenly display –
“I think you’ll find it’s said ‘Van Goff’,
Misspoken in the English way.”

Too Fast

Too Fast

Pop tunes reckon that they haven’t got long,
So they splash their chorus in the first few bars –
They’re terrified of the fingers that skip,
They’ve got no time to take a trip.
The ear-economy for any song
Must reach us in shops and lobbies and cars –
There’s no slow build-up any more,
Just one-two-three, then four-to-the-floor.