Trad.

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Trad.

Strange, the oldest folk tunes have no authors known,
They’ve just been sung like that forever.
I wonder if a single soul created them,
Or many voices altogether.
Maybe over centuries, they’ve slowly grown,
Adding new words to old songs,
From bawdy balladry, through cherished hymn,
To terrace singalongs.

From London Bridge to Scarborough Fair,
Ride a cock horse to the old grey mare,
Lady Greensleeves, mistress mine,
And over the hills for auld lang syne.
We’ll never know, we’re never told –
They are too old and we’re too young –
Yet still their songs are sung.

Strange, the newest pop tunes come with artist names –
We know just who created each.
Yet maybe in a thousand years, a few persist
Whose origins are out of reach.
Carols may be sung to them, or children’s’ games,
Or earworms and lullabyes –
With half the words forgotten, and their meaning missed,
But hanging on in diff’rent guise.

From Ground Control to Billie Jean,
Go Johnny, go, come on Eileen.
All the lonely yesterday –
Sing for tomorrow, we fade to grey.
They’ll never know, the trail is cold –
We are too old and still of tongue –
Yet still our songs are sung.

The Gloves Are Off

The Gloves Are Off

Since art has lost the manual touch,
We’re losing grip of anatomy –
Our illustrations are in the clutch
Of the polydactyl travesty.
Digital digits and silicon glands
Make too many fingers, too few thumbs –
That lead to such unhandsome hands
From thought-machines that can’t do sums.
A sure way to uncover the witch
Whose fingers point to a lack of soul,
It only takes the flick of a switch
To over-endow a lack of control.
But they’ll slowly grasp to make a fist,
So we’d best stop smirking behind our fans –
They might not have a pulse in their wrist,
But our future’s held in their second-hand hands.

Ediacaran

Life in the Ediacaran by John Sibbick

Ediacaran

The Victorians couldn’t have known, of course,
The abundance of life in the lifeless rocks –
The explosion before the trilobites,
With multicellular building blocks.
The fossils are rare, but they are there,
In Charnia and Kimberella.
What were they ?  We don’t quite know –
Foundation in the stony cellar.
Dickinsonia, Cyclomedusa,
You flourished, then you died away.
The Boring Billion birthed you all –
Our great ancestral stray.

Yet still the Paleozoic begins,
Long after the glories of Avalon.
That makes no sense, not now we know
What the Cambrian was built upon.
Dismissed as children’s stories,
We have had to wait a long long time –
Yet the Pre- was not so pre at all,
Its oceans teemed with some strange slime…
The end of the Cryogenian, that’s the border,
That’s when things got big –
Spriggina and Aspidella are waiting –
All we have to do is dig…

The New Victorians

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The New Victorians

These days, just as we’re losing our prude
For fruity language that once gave the vapours,
Just shrugging-off cusses as barely that rude,
When reading them often in novels and papers –
Slowly reducing the shock of the swear –
We’re far too open-minded to care.
We’re liberated and in the nude,
Released from po-faced capers.

But then, out of the void, we heard
How modern ears are being rocked
At a brand new crop of age-old words –
That blanche the permanently-shocked.
We need to learn to take offence, or
We’ll upset the lib’ral censor,
Who demands our tongues are slurred
To keep our language locked.

The new lords of the orthodox
Are getting too big for their britches –
No longer just a chatterbox,
They’ve now become a gang of snitches.
Scanning all communications,
Seeking phantom motivations –
Boldly stating roosters can’t be cocks,
And canines can’t be bitches.

Let’s Do The Show Right Here !

Let’s Do The Show Right Here !

All the world’s a musical,
A song-and-dance in rhyme,
A carefree waltz through happy life
In endless pantomime.
Just drifting by the numbers,
As they’re belted to the rafters –
So farcic’ly predictable
In happy-ever-afters.

The rest of us, we’re not the stars,
That’s always someone else –
The people with more talent,
And the people with more wealth.
We rarely even get to join the chorus
As they strut –
We’re just the understudies
To the bit-parts-who-were-cut.

All the world’s a musical,
That’s dancing in the street,
But some of us will never get to
Glimpse the lyric-sheet.
But leads become the leads
Because they’re who we want to see –
There’s few to watch the story of the life
Of you and me.

The rest of us, we’re not the stars,
We’re just the audience –
We go about our daily lives
With fading confidence.
We try to make a diff’rence,
But we struggle to be heard –
We’ll never be performers,
If we never sing a word.

All the world’s a musical,
A life that’s lit by lime –
Where strangers sing impulsively,
Yet sing in perfect time.
The rest of us, we’re not the stars,
We barely know the song –
But in the end, I guess we shrug,
And try to hum along.

Treasure Trove

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Treasure Trove

Hoards of coins in shallow graves,
Unlawful death of wealth –
An inquest must be called
To let the gold announce itself.
The coroner shall ascertain
The trove’s identity,
And whether misadventure
Caused its current liberty.
Was it witness to a conflict ?
Was it lost or laid to rest ?
Do we need an autopsy
To open up its chest ?
It seems at odds with all their other tasks,
It must be said –
But it surely makes a pleasant change
From dealing in the dead.

The Cherry, Then

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The Cherry, Then

Sweet cherry, bird cherry,
British since the glacier –
White of flower, red of berry,
Showing Spring is on the merry
With their blossoms looking very
Much the lacier.

And yet our folklore shrugs and mocks
Our modern-day delight.
Did Stonehenge mark the equinox
As cherry petals blew in flocks ?
Did Boudicca manoeuvre and out-fox
From woods of white ?

Did Patrick banish Irish snakes
From out of trees so halcyon ?
Did Alfred burn the cherry cakes,
Or Chaucer tell of ruddy aches,
As Easter breezes stir the flakes
Throughout old Albion ?

The Japanese have celebrated long
The bloom before the leaf,
But Europe only saw a throng
Of messy trees not worth a song.
Were rebirth metaphors too strong,
Or blossoming too brief ?

Judas Trees

Iudas Iscarioth by Abraham Bloemaert

     Judas Trees

Judas hanged himself, we’re told,
But from which tree in the potter’s field ?
Some say Elder, pagan and bold,
And some say Cercis bore his yield.
The Elder is likely the tale that’s old,
Though the Bible has the facts concealed.

Cercis may be a later rod,
So did logistics bring its birth ?
For the Elder presence is rather odd,
As a shrub which lacks both height and girth –
So the one who kissed the face of god
Must sway just inches from the earth.

The True Cross

Tree of Life Cross by Trinity Wood Art

The True Cross

The Romans built their crosses
Out if any local wood –
Roughly sawn and bluntly joined,
They needn’t be too good.
Growing full of nail-holes
And bloodstained, as a rule,
When used and used again, until they rotted,
Then hacked-up for fuel.

If Jesus ever lived, if Jesus died
Upon those wooden piers,
Those planks would carry-on their work,
Outlasting him by years.
Some say cedar, some say cypress,
Relics for a coronation.
All are wrong – the Cross was built
From our imagination.

Fish on Friday

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     Fish on Friday

The Catholics do it ev’ry Friday,
Or so they often claim,
The Protestants, only during lent,
Attempt to do the same.
While unbelieving heathens such as I
May join-in, if we wish,
But just as an excuse, in the event,
To share some tasty fish.
We only seem to think of it in my day,
Just as Easter comes.
But still, the start of the weekend is well spent
In batter or golden crumbs.